The story of "Crazy Stone" was placed in the mountain city by director Zhang Junsheng, combined with a large number of local mountain city dialect slang, making the whole movie not only full of local flavor, but also full of fun. ”

"Some well-known music was slightly processed as a background to unexpected effect, and the film was very creative in the quick cuts and scene transitions!"

"In the movie, there are quite a lot of characters in the setting, and their relationships are intertwined. They are often followed by the praying mantis catching the cicada and the yellow finch, and the plot is always changing in an incredible way, allowing the audience to pay attention to the film for a long time, accompanied by non-stop laughter. ”

After a pause, Guan Yadi continued: "Although "Crazy Stone" uses exaggerated techniques to create jokes, you must not ignore the strict logic of this film, and the success of many of the jokes in the film lies in the foreshadowing laid in advance!"

Kwan Yadi is a contributing film critic for Watching Movies magazine and a Chinese film critic in Cannes sponsored by the magazine.

Last night, after watching the movie, he was so excited that he returned to the hotel and barely fell asleep.

In addition to being called genius because of the structure of the film, more importantly, it is a low-budget comedy.

She saw the market potential of the film!

Some directors will say something 'I'd rather watch a domestic movie with a low quality than spend money to watch a blockbuster, nothing else, support domestic movies!'

The development of Chinese films depends on the joint efforts of filmmakers and the general environment, and it is by no means a matter of cutting off your legs, you are impotent, and you are still forcing your mother to keep her chastity?

Excessive, right?

In one go, 2,000 words, 3,000 yuan... Phew, it should be a column that came out, checked it, and then sent it to the editor of "Watching the Movie".

"Watching Movies" is a widely circulated film magazine in China, Zhou Liming, Guan Yadi, Cheng Qingsong, and Gu Xiaobei are all professional film critics of "Watching Movies"!

It could have been the most influential film magazine, but unfortunately, it bowed to public relations...

"Ambush on All Sides", "Wuji" including "Night Banquet", are all high-quality movies in their mouths...

"Fuchun Mountain Residence" and "Small Times" can also wave the flag and shout...

Basically, if you give a red envelope, you can have good reviews.

There is no credibility at all!

When she got up in the morning, Guan Yadi received a text message from the editor: "... Is it that good?"

"It's true, I can pack tickets, "Crazy Stone" will definitely win the award!"

“… Isn't it a commercial film?"

"It's a commercial film, but... Pioneered a multi-line narrative structure..."

"Multi-line storytelling?"

"Let's put it this way, "Crazy Stone" has created a genre, and with this movie alone, Zhang Junsheng has the idea of celebrity film history!"

“(⊙_⊙)”

……

Zhang Junsheng has a great influence in China.

Two days in Cannes, a bunch of news about him came out.

"Natalie Portman ❤, Jang Jun-sheng?"

"'Crazy Stone' shocked the whole of Cannes!"

"Zhang Junsheng is praised as a master of postmodern film deconstruction!"

Chinese mainland will not be released until June 20, and the Cannes Film Festival has become the only source of movie-watching, and related articles have been transmitted back to China from Cannes.

Cao Guowei, the operation officer of Zalang Weibo, was really blushing when he saw it, this is all real traffic!

So, he sent his men to Cannes with the intention of conducting an interview.

Fertilizer water does not flow into the fields of outsiders!

Most of the people in the organizational structure of Za Lang are the original "Sanlian", and their sensitivity to the news is not comparable to ordinary people, Cao Guowei said a word, and the three-person interview team was immediately formed, and arrived in Cannes in the afternoon of the same day.

then learned that Zhang Junsheng went to the premiere of "A Tale of Twenty-Four Cities".

Tang Ningyu gave them a pass, the lowest kind of blue pass...

That's right, in Cannes, especially during the film festival, you are not allowed to walk around without a pass!

Of course, the pass is not something you can get if you want to apply, the organizing committee has a special assessment, and the certificate is not free, the high certificate fee is also one of the sources of income for the festival, the registration fee for the general pass is 399 euros, and the certificate for the producer exchange and producer workshop requires a basic registration fee of 1000 euros, and the fee will increase with each level.

Tang Ningyu is the COO of Yuehua, and he has long registered with the European Producers Union, and with his help, it will be much smoother!

The Blue Pass is the lowest level, for example, if you want to see a movie, you can only queue up honestly, and it is very likely that when it is your turn, the screening room is full, then you will have to wait for the next one...

Zhang Junsheng and Tang Ningyu are both the highest level of white passes...

said that it was a three-person team, but in fact, it was a female host and two photographers carrying cameras.

The hostess's name is Lele, graduated from the School of Communication, and she spends most of her time as an editor, and her appearance is okay, so she chose the main beam.

"Then let's wait at the hotel!"

“… What do you think of "Crazy Stone" in China?"

Lele thought for a while: "There is a lot of discussion on Weibo, but I can't see anything in the trailer..."

"Junsheng seems to have told me that in the future, he will judge the future of a movie based on big data..."

"Big data?"

"He mentioned it, and I don't know much about it..."

Zhang Junsheng does not particularly respect big data, although all industries have developed to a certain height, and they will inevitably become the products of capital operation.

But movies can't be inferred from data, it has its own artistry and humanity!

Of course, big data has its irreplaceable role in speculating on themes, locking audiences, precision marketing, obtaining feedback, and creating explosive points, which can help films find relative certainty in an uncertain market.

Therefore, cloud computing is such a thing, he will definitely let Zhang's father do it!

After all, the e-commerce industry has the most natural demand for cloud computing: the e-commerce business is naturally facing rapid development and causing a large number of business data processing problems!

As early as 09, Wang Jian, the chief architect of Ahri, once told Ma Yun that the rapid growth of the industry in the future will lead to the cost of IT infrastructure dragging down Ahri.

This is also the fundamental reason why super e-commerce companies such as Amazon, Ahri, and JD.com are doing cloud computing.

……

Zhang Junsheng is watching "Tale of Twenty-Four Cities".

Lao Jia's work!

Brazilian director Walter Salles said: "Today, no country has undergone such rapid and violent changes as China, and no one has reflected them as profoundly as Jia Zhangke. ”

Regarding "Tale of Twenty-Four Cities", Lao Jia once said: "The older the worker, the more he is defending this system, it is by no means that he has not reflected on and criticized this system, but that it is difficult for him to betray the choice of his past youth." ”

Yes, "A Tale of Twenty-Four Cities" uses a semi-documentary approach to tell the backbone of the working class of that era!

Jia Zhangke has a strong desire to tell the story, presenting the Chinese and the world in the 21st century with the tragedy of a generation or even generations of death.

Paying homage to those ancestors, those who bent their backs to hold up an old era and then were left behind by the new era, with a sound protest to the cold silent majority, to tell the possibility of giving them the possibility to survive in the annals of history, when the city wall was torn down, when the Hua was getting old...

China has never apologized to them, whether it is for their tarnished and distorted youth, for their past toils, for their unparalleled devotion to the motherland, or for their old age...

It's a good story!

It's a pity that Lao Jia is not a good director, and the director did not put forward any new insights into such a universal and realistic problem that directly affects people's lives as a change in state-owned enterprises, and what was presented to the audience was just a list of tears...

Such a movie is not deep enough, and the commerciality is naturally insufficient!

Very mediocre!

No wonder "Tale of Twenty-Four Cities" is not highly rated.