Suffice it to say, what the hell is going on with all this.

Even if you know that all this is just what you are aware of, it is still full of absurdity and comedy.

Even if you don't talk about the truth, you can see the twists in your head in all kinds of pulls, all kinds of funny things made in order to enrich the characters.

There is not the slightest hint of authenticity, but they pretend to be real, and everyone is a super actor.

It's not how I should feel, it's not what it means, it's what it looks like at the moment.

Even if I'm stuck in character at the moment, even if I believe that the world is real at the moment, that's all I can do.

It's all just what you are aware of, and there's no free will to speak of.

So, I can show anything I want, and I don't reject any of the elements that are presented.

Even, it doesn't matter if you refuse, it's still just a character, it's still just what you're aware of, and it doesn't affect the truth in the slightest.

A character who tears up the costume and destroys the stage, and a character who does his best to make the character stand at the pinnacle of life, both are just characters.

Knowing the truth or not knowing doesn't affect anything, it's just a change at the role level.

I'm no different from a piece of, it's just what I'm aware of, it's just a picture element.

Even if the character of Yuan Changwen knows about the truth, knows that he is a character, knows that time does not exist, and knows that the so-called reality is only his own association, these will not make the character of Yuan Changwen real.

The world is not real, and as the sense of reality gradually peels off, those so-called fears become less ferocious.

The actions that unfold to avoid those future horror scenes, such as trying to make money, have also become unbelievable.

There's nothing to rush about, there's nothing to do, there's nothing to do, and it's just inexplicable to be idle, or even to be alive.

Perhaps, everyone can feel this sense of unreality to a greater or lesser extent, but once this feeling appears, try to prevent this feeling as much as possible.

Or, there are too many fears to take care of, such as money.

Die, I'm just going to die, I just don't exist, and all this in itself is just.

That's right, there's no difference between taking all this as real and not treating all this as unreal, they're just characters.

Even if the character of Yuan Changwen said that he could not prove the existence of time, etc., it was still untrue.

The reality is not here, there are no dreamers in dreams.

It's all going to die, I can't see anything real in the world, although sometimes I still get caught up in the characters and think, or think that the world has a causal relationship and so on, but unreal is unreal.

Destroying everything, I didn't hesitate, and I didn't have anything to reluctant.

The crowds of people coming and going, the complicated dressing, but it didn't bring any sense of reality.

Let me die, let me ruin it all, and watch the so-called life events go up in smoke in front of me.

Unreal is unreal, and no matter what special feelings a character has, it's still just unreal.

Those feelings such as "everything is perfect", "others are not real people", "everyone is an actor", etc., are all realized content, in other words, they are still not controlled by the mind.

Whether or not to present these feelings is not up to the mind.

Suddenly remembering the state I used to be in, the state of trying to learn more in order to control my life, I didn't even find such obvious fear.

They will believe in the so-called authority, but not because of the content, but because they believe in the content of the words.

If I stand in front of me at this moment, even if it makes sense, I will not believe that the sentence "What are you" can make the distortion in my mind continue to be arrogant.

Change the subject, resist emotionally, and use some illogical logic to maintain the character attributes.

Authority can't lead the killing, even the teacher is only part of the killing.

But the teacher can take it downstream, and that can be acquired through learning, just like physics knowledge.

Don't go into any more streams, it's still unreal, I'm not interested in unreal.

What should be said has been said, and all that remains is to die, which is invective.

It doesn't matter to me what the disciple wants, and even how I want it still doesn't matter to me, it's just what I realize.

Thinking about his title, the first person in the empire, it feels like a thing from the previous life, so far away.

Even, yesterday turned out to be very far away.

Die, there's no me at all, and that awareness is the key.

And these contents, these fears, these character attributes, all have to be destroyed.

Mom is nothing, and neither is his wife and children, these so-called importance are just distorted settings in the mind, and the whole scene is not real.

Character attributes don't matter what's important, they're just things out of nowhere, and I don't understand why I'm trying to catch them.

It seems like an instinctive design, and such a simple question of "what is true" has made me completely and completely ignore it for so many years.

Of course, there have not been so many years, only this moment.

In other words, in order to better use the role of Yuan Changwen at this moment, it makes sense to deliberately not present various picture elements of "thinking about reality".

There is no me, and there is no character of Yuan Changwen, the picture elements are presented as a whole, this distinction is just for ease of understanding, but in fact there is no such distinction at all.

Dead and dead, only death, the destruction of the character's attributes, nothing will be left.

That awareness, only that awareness, and the rest is.

I don't have to dwell on anything at all, even though I can only be at the level of picture elements.

Whatever the concerns, it's just nonsense based on the assumption of time.

And all that is happening at the moment is still unreal.

In other words, everything is a visual element that is perceived at the moment, and so are those worries, but the content of the worries is related to the future.

Why hinder death, something that doesn't exist in itself, what kind of hellish life to talk about.

It's not worth cherishing at all, and all these picture elements don't matter.

Let yourself die, let me jump into the abyss and die.

The heart is rotting, as if it is getting deeper and deeper, but the character is still struggling, and it seems that he doesn't know what he is still holding onto.

I always want to do something centered around the character, but these are just realized content, so why dwell on the content level.

I can't be in that position of awareness, but I can allow myself to destroy it, I can let myself ignore these visual elements.

There is no reason to believe those picture elements, it is just fear that makes me hold on to them, and fear itself is still a picture element.

Destroy all the elements of the picture, and what's left?

I don't know, and I don't need to pretend to know, as if all the elements of the picture are destroyed so the real can come in, and I can wake up.

This kind of thinking is itself a distortion and just wishful thinking.

In the end, the very idea is a kind of hindrance, a kind of grasping.

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