The characters are grabbing and slashing, and this feeling is very obvious.

Is it when I throw everything away, but when the killing is complete?

It's a pity that I can't "do" and throw away everything, I can only "become" and throw away everything.

And when I'm in the position of throwing everything away, I don't have to think about what kind of slash is done.

On the other hand, I've been thinking about killing the whole thing, and I can't throw everything away.

It's not something you can do with setting goals like learning about physical chemistry.

It's like being a vampire, you can't "be" a vampire, you can only "become" a vampire.

That said, it doesn't work for me to know this.

The distortion in the mind is always wanting to know more, always constantly analyzing.

The funny thing is that all the analysis is based on that humble cognition, and the trade-offs are analyzed on a very small scale, which makes it hard not to laugh.

After laughing, I was sad, because I knew that I couldn't get rid of it, and the distortion in my brain was like a dog that couldn't change eating.

And fear has to be whipped aside, and it's easy to throw away reason and get a firm grip on the twist in your head.

However, after experiencing the downstream again, the situation is much better.

I used to be in the flow for a long time, but I didn't know it was the flow.

Now I know very well that believing in the distortion in my mind is digging my own grave, and I don't want to go back to the distortion in my head after seeing it with my own eyes.

If falsehood is to be preserved, then going along the stream is the only worth believing in.

Unreal is unreal, and the character slashing is not real, but the character of Yuan Changwen firmly grasped the slashing, and it was obvious that he felt that kind of grasp.

It's not enough, it's not close enough to death.

The character has been struggling, always trying to grasp, constantly fantasizing about the existence of the character, and constantly highlighting the character's attributes.

None of this is real, how many times do you have to say it, it's all just picture elements, it's just what you are aware of.

The role of Yuan Changwen is not me at all, it's my business.

None of this has anything to do with me, not even, with the character.

It seems that these are just the contents of consciousness and have nothing to do with consciousness, which is easy to understand.

More importantly, it has nothing to do with the role of Yuan Changwen.

It's not that the characters are observing, it's not the characters experiencing, it's just a direct representation of the elements of the picture.

There's no one character dangling around, it's just an element of the picture.

It's like it looks like a comic book character is dealing with various plots, but in fact, the whole picture has nothing to do with the comic book character.

There is no character presented, just a character is distorted by thinking.

It is not through the character of Yuan Changwen to experience falsehood and see the whole world, but all this is a direct presentation of the elements of the picture.

For example, when the character feels pain, it is not the character of Yuan Changwen who feels pain, but the pain that is directly presented.

It's not that the character of Yuan Changwen sees a TV, but that the overall picture elements are presented in this way.

There's nothing visual, tactile, or anything like that, it's just a way to make it easier to understand the label that is attached, and this vocabulary already assumes the presence of a character.

No, it's all just presentation, it's just what you're aware of.

To think that there is a character being presented, and to think that the character is experiencing everything, is a distortion in the mind.

There are no characters in the first place, not only that there are no characters in reality, but also that there are no characters in the false world.

Just a myriad of boundaries, self-righteous associations, and then believing in the correctness of memory, thus forcibly distorting a character.

I can control my mind all the time, and my sense of touch, vision, etc., is always in a normal state, so I think that there is really a character experiencing it.

There is no such thing as a character who has eyes, has skin, and is limited to the structure of the eyes and skin, so that can only be seen and touched.

Not really, but a direct representation of the whole.

It's just that this kind of presentation has always been in a certain range in my memory, so it's easy for me to be deceived into thinking that there really is a character, and these feelings really come from the character.

Once time is removed and the correctness of the memory is doubted, almost everything will be destroyed.

If you always present a body, do you think that there really is such a body, or do you think that this body is experiencing?

It is a whole, and it is the overall presentation of the elements of the picture.

There are no characters and no tables, it's all a holistic presentation.

I really changed, but the idea itself was based on the memory in my head, and the picture element explained the picture element.

Believe in the stream, this is still a kind of brainwashing, but after the distortion in the brain disappears without the whipping of fear, all that remains is the stream.

It's just the content I realize, and I don't need to dwell on the content, and I don't need to modify the characters' words and deeds.

Unreal is unreal, feelings and the like will be presented naturally, and all of this is just a presentation, which has something to do with the character's thinking.

For example, I don't have to force someone to be an NPC, and that weirdness doesn't need to be firmly caught.

If I still treat others as real people at the moment, what's not to do, it's just that the character is treating others as real.

Or rather, it's just the picture elements that present this feeling of "someone else is a real person".

However, it is not true.

If I want someone else to do something at the moment, I have no reason to think that "I'm a slasher, I'm a person who treats others as NPCs", so I feel like how can I get others to help, how can I treat others as if they were real people.

That's what role attributes are.

Without a character, these words are just for the convenience of communication, and if you are in a state of convenient communication for a long time, it will be easy to focus on the words themselves and forget the things that the words represent.

It's all a whole, not that there is only one real being, or that there is only one dreamer in all dreams.

Rather, it is simple, without distinction.

The distinction between the table and the arm is only for the convenience of communication and understanding, but this in itself is only a presentation of the whole, and it is only an element of the picture.

It's not the characters who experience the world, but the whole that becomes something to be aware of.

This limitation itself is a distortion, and the distinction between the arm, the table, the sky, and so on is a distortion, and there is no distinction at all.

Again, it's still just a feeling.

A painting, all pixels, nothing else.

The so-called people in the painting and the landscape in the painting are just a distortion and do not have these things in themselves.

But that doesn't mean that I think of my arms as a table or as if I were using them as the sky.

It is precisely because of this distortion that the limitations are allowed to survive and that the entire false palace can be built.

Unfortunately, these are just realized content, and there's no need to take the content as real, although it can be a lot of fun.

I haven't finished the kill yet, even though I think I'm almost done countless times, but I still haven't done it.

And, the character is still catching and slashing.