Seeing this kind of scene, the people in the program team are happy to see it, the program they want is not a didactic program, and it can't be too serious, otherwise the audience won't buy it, and it must increase entertainment.

Who said it first, Zhao Tianming didn't care anymore, anyway, he was confident.

It's just that Pang Zhonghua is unhappy, and he is eager to remedy the identification mistakes in the front. But Old Man Hao snatched the opportunity, can he not hate?

Besides, this show is still the title of their Tianhong Auction House. After spending so much money, I just want to show the demeanor of their Tianhong auction house.

Miss Manners took down the thread-bound book and put it in front of Old Man Hao.

Old man Hao turned a blind eye to Pang Zhonghua's gaze next to him, anyway, he had nothing to do with Tianhong Auction House. Their power is a bit big, but what does it have to do with him? Even if he goes to pick up other people's stinky feet, Tianhong Auction House will give him benefits?

Apparently not!

In that case, is it necessary to be polite to them?

He also cautiously put on white cotton gloves and explained: "Ancient books, ancient calligraphy and paintings, etc., are all paper products, which are very fragile. Therefore, when appraising, it is best to learn from my old man, not to contact directly, the sweat on the hands will cause irreparable damage to the paper. ”

The cotton white color has good breathability and is comfortable to wear, and it is a must-have for collectors, auctioneers, and appraisers to enjoy antiques. Avoid direct contact with the collection to make the collection yellow, mold, etc.

It gives people the feeling of being very responsible and treating cultural relics well.

But Zhao Tianming scoffed, antiques, antiques, focusing on playing with words. Since it's for play, can we always wear gloves? It's just that when we touch the artifacts, try to keep our hands as dry as possible, it's enough.

Wearing gloves, in his opinion, is a hypocritical approach, and it is a bit contrived.

Some people do identification, often rely on the feel, and can get a lot of information from the feel. You're wearing gloves, what else does it feel like?

Of course, wearing gloves is more scientifically based. What are the pros and cons, it depends on the specific cultural relics, and cannot be generalized.

Zhao Tianming glanced at it and found that the book really didn't have a title, and it didn't leave a signature. Judging from the handwriting that is opened, the calligraphy is a line of calligraphy, flowing water, and it is very comfortable to read.

Old man Hao asked while identifying, completely focusing all the shots on him.

"Since you said that you love calligraphy, I believe that calligraphy attainments are not low. So, whose work do you think this should be?" he asked.

Lu Yating pondered for a while and replied: "This kind of calligraphy is a bit distinctive, I suspect it is the work of the Qing Dynasty calligrapher Li Jian. ”

He was a famous poet, calligrapher and painter in Lingnan during the Qianjia period of the Qing Dynasty. He likes landscapes, and Zhang Ruzhi, Xie Lansheng, and Luo Tianchi are known as the four masters of eastern Guangdong.

According to historical records, this person is versatile, good at poetry and painting, good at calligraphy, good at seal carving, known as the "four uniques".

"Your book was found in Yangcheng, and it is indeed possible that it is Li Jian's work. ”

Pang Zhonghua glanced at him with contempt and said secretly: What kind of logic is this? Is it because Li Jian is also from Guangdong Province? This ancient book was also found in Yangcheng, so I guess it is Li Jian's work?

The beauties on the stage are better than you, and there is a basis for studying the calligraphy font itself.

That kind of font is indeed what Li Jian is good at, and it has his own characteristics. Li Jian is known as the Four Masterpieces of Poetry, Calligraphy, Painting and Printing, which has played a positive role in the development of Lingnan poetry and has influenced the Central Plains. Although he never left Lingnan in his life, his poetry and painting fame in middle age had spread far to the Central Plains. His poems are unique for their novelty, strange sentences, deep meanings, and true feelings.

In terms of calligraphy attainments, no one can question it, it belongs to the master of calligraphy, and it is also a representative figure of Lingnan.

The ancient calligraphy and painting are broken, and it is a little difficult, so Old Man Hao looked at it seriously for a long time.

"First of all, from the perspective of the style of calligraphy, it should belong to the Qing Dynasty period. ”

Old man Hao told everyone: "The formation of the style of the era of calligraphy and painting is closely related to the political economy, living habits, and material conditions at that time, that is to say, it cannot be separated from the background of its times. ”

He made an analogy, such as writing, which has undergone many changes since ancient times.

In the Song Dynasty, people used to write, sitting on the floor, holding a brochure in one hand and waving at the elbow in the other, but later they used a high table, and the posture of the hands and arms, as well as the way of holding the pen, also changed. Later, due to the prevalence of the imperial examination system, the examination regulations of different periods put forward different requirements for calligraphy.

Although the Ming Dynasty stipulated that small letters should be written, calligraphy and painting were not restricted. Due to the limited range of movement of the writing pen, the distance between the finger grip and the pen has become closer, and the arm is also attached to the table.

After the Qing Dynasty test papers arrived in Kangxi, they were more stringent, requiring neat lines, well-proportioned words, horizontal and vertical, light and round, so even the wrists were next to the desktop, forming the so-called pavilion style of calligraphy.

Although this is a phenomenon within the scope of the imperial examination, it is the literati and monks in the opposition, and due to the influence of various relationships, it often invisibly reflects the atmosphere of that period.

"In this book, I saw traces of the pavilion. Old man Hao said.

Well, this time it's a bit like a word! Finally, something useful.

Then, from these contents, people in different eras have different ways of speaking, addressing people, using modal words, etc. ”

For example, the syntactic tone of Lu Ji's "Pingfu Post" will not be found in the syntax of the Ming Dynasty. In terms of the format of the book, there have been great changes from the Jin and Tang dynasties to the Ming and Qing dynasties, and even the titles are different.

The Qing people's calligraphy and painting inscriptions are used to a certain benevolent brother Yagenus, and the Ming people will not write like this. The characters and strokes are different in different eras.

"From the content, I saw the trend of the Qing Dynasty's titles. ”

This old boy also did a great job, and as soon as he said everything, he said everything and let the people behind him eat the dirt.

He continued: "Finally, we look at the paper itself. ”

The material of paper is another criterion for judging the age of calligraphy and painting. Han and Jin ancient paper, all seen are made of hemp materials, more of which are reconstituted from waste materials such as linen, sacks, hemp shoes, and fishing nets, and raw hemp is also used - hemp is used in the north and ramie is used in the south.

It is characterized by coarse fibers, so it is difficult to make fine, it is dull, hairless, the fibers are rounded, and sometimes lignin is seen. Most of the calligraphy and paintings of the Sui, Tang and Five Dynasties used hemp paper.

Between the Sui and Tang dynasties, we began to see paper made of tree bark, mostly with the bark of the tree or sandalwood, which was characterized by fine fibers and fine masterpieces produced with the development and progress of the handicraft industry. This material is also dull, only slightly brighter than hemp paper, and the fibers are bundled into flat sheets, with slight paper hairs.

"At the beginning of the Northern Song Dynasty, a large amount of bark paper appeared in calligraphy ink. Later, bark paper was produced throughout the country. The use of bamboo paper for calligraphy and painting began in the Northern Song Dynasty. Bamboo is hard, the most difficult to pulp, and the predecessors could not handle it, so it is not used. ”

This old guy is still talking about the truth, and even he looks like he is convinced by himself.

Zhao Tianming asked very inappropriately: "So, Senior Hao, whose work do you think this is?"

This basin of cold water was splashed, and Old Man Hao was caught off guard!