I don't know what else to do.

The character's resistance is completely useless, but it still dominates there.

It's impossible to go back to what it used to be, but the slash has to keep going, and the characters are still there to resist.

Not dead, not alive.

There's no going back, but the characters are blocking the way forward.

In the end, he had no choice but to let himself fall into the lake.

And when I'll be able to touch the bottom of the lake, I don't know.

The only thing you can do is kill.

Moreover, it's not that I'm killing, it's the character of Yuan Changwen who is killing.

Disgust with his wife and children, disgust with his mother, and want to completely destroy these things and tear them into slag.

On second thought, this is still just a character's killing, and this kind of grasping is simply unreal and grasping unreal.

So, what exactly are you killing?

There is no such thing as a self in this world, and there is no such thing as killing a character and then appearing as a real self.

It's all characters, so why can't they just throw it all away?

The character is killing the character attributes, what does it have to do with me?

So, what am I anxious about, and what am I panicking about?

Everything about the character has nothing to do with me, because there is no me at all.

There are no characters in reality, and if I am real, then I am something that has always existed and has not changed.

Also, there is no room for me, because then there are already characters, even if it is just me.

And the role of Yuan Changwen is just fake, just a picture element, just a presentation.

I don't know what I'm anxious about, what I'm grabbing, what I'm panicking, what I'm fearing.

It's like if you can suddenly manipulate another human and experience the world through that human's eyes, what will you do?

This human being is not himself, so why not be presumptuous?

And at this moment, the role of Yuan Changwen is not me, right, it is just the presentation of picture elements.

I don't know what will happen, and I don't know how long the character of Yuan Changwen has existed, but at this moment, I am behind the character of Yuan Changwen and have those memories.

That awareness is everything.

Of course, this thinking is also a picture element.

It can be said that the picture elements present "the thinking of the character of Yuan Changwen, and suddenly the character of Yuan Changwen is not regarded as a real person", which is still just a picture element.

The sudden ease naturally permeated the whole body, and a faint fearlessness lingered around him, as if the former self was not alive at all, but was pulled and piled up there by fear.

Time is not real, everything that has happened is set, and it is all the picture elements that are perceived at the moment.

There is no such thing as the past, but a word invented to distinguish between the scene in front of you and the scene in your head.

But fundamentally, they are all visual elements that are perceived at the moment.

The future is still a picture element that is perceived at the moment, and it does not mean that there is really a future.

It's all in the moment, and only in the moment.

Why do you care about the role of Yuan Changwen?

Moreover, all the care is about the future, but there is no future at all, only the present.

It sounds ridiculous, as if yesterday's existence was so real, the linear passage of time so real, how could it be only this moment?

Emotional tugging.

Like, the table is so real that it can not only be seen but also tapped, how can it not be real?

It's all emotional pulling, and I can't prove the authenticity of these things at all, and I don't let go of the things that I can't be sure of as real, which is brainwashing.

Of course, there is nothing I can do about the picture elements presented in this way, after all, "I" is only this thinking and only a picture element.

The character was dead, and I stepped on the ground and crushed it, but it was just a simple struggle.

At the moment, I'm not done yet, but it's not a big deal.

It's none of me, right.

I will really live like a retarded person, doing things without thinking about the consequences, and there is no reason to stop the heartbeat.

No matter how simple the cause and effect relationship is, I can't see it, it's just a twisted gameplay in my head, a shit stuff written and directed.

But if you think about it carefully, I am still very powerful, I can write and direct so many horror scenes by myself, and it seems very logical, I really should write it.

Looking back at the state I was in when I was afraid, I felt like a fool to be fooled.

The role of Yuan Changwen has nothing to do with me, so why should I consider the role of Yuan Changwen?

My fear of the future, my firm grasp of something, seems so hilarious and ridiculous.

Moreover, the phrase "the role has nothing to do with me" was said many chapters ago, but it is really liberating at this moment.

I have no reason to reject this lightness and naturalness, just as I have no reason to reject fear, which is just a visual element.

It's just two different experiences, fear seems uncomfortable, ease seems slightly pleasant, but it's still just a picture element, just the feeling of the character.

It's still not about me.

Of all the things about the characters, it seems that only the physical injuries will remain, and the rest will be turned to ashes.

It's not done yet, it's too early to stop.

Characters are bound to die, just as I am bound to kill.

Throwing the character whole away is a slash.

It's just an NPC, my mom is an NPC, my wife and children are also NPCs, and I'm going to be very selfish.

If my mother or my wife and children have a lot of twists, then I will leave without hesitation, and filial piety and responsibility cannot bind me again.

There is no difference between the word "Mom", everything becomes selfish and casual.

I don't think about the consequences anymore, and I can't think about it at all.

If the distortion of my wife and children were to be imposed on me, like those so-called cognitive upgrades, I would not hesitate to leave.

Of course, if you need to, I can't do anything, after all, it's much easier to use than the distortion in my head.

The characters are dead, the character attributes that are firmly grasped are dissipating, and the characters themselves are shattering.

I will jump off the abyss, completely shatter the character, ruin life and ruin life.

The character is still struggling, which is understandable, the dead fish still has to jump twice, not to mention the character.

It's still not my credit, it's just that the elements of the picture are presented in this way.

This thinking, this relaxation, this simple decision to move forward, are all the presentation of picture elements.

That's right, the picture element could have been presented as "I've been slashing with no effect and no progress", but it doesn't do that.

Isn't it worth thanking you for?

Perhaps, stop there, go to life and play with this faint fearlessness, and experience the various aspects of Yuan Changwen's role, the distortion in his mind is only a little bit, there are still fetters but will not be pulled by fear.

Perhaps, this is what everyone wants to pursue.

It's not done yet, but it's going to continue, and it's fun to kill the characters. (https:)

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