Save time?

Those who clamore about the benefits of time and money, or by spending money to save time and earn greater benefits, are all bullshit.

There is no telling if time exists, and any discussion is just.

Perhaps, my body will only survive for one day, and then the memory will be different and show an uninterrupted life.

All I know for sure is this moment.

Any reasonable explanation is just speculation, and it is just brainwashing under the pull of emotions.

Why should you value your time?

Why do you think that the arrow of time points to the future?

All the evidence is just memories, and the visual elements that are perceived at the moment.

It may be considered sophistry, but there is nothing to say about it, except that everyone agrees to assume that time is real, and then ignores this assumption and continues to discuss some so-called life.

In fact, life is better if these assumptions are not discussed.

Dishonestly discussing these can flesh out the character and show new character attributes.

Once honest with these assumptions, maybe like me.

There is nothing to say at all except death or death, what bullshit life is all ruined.

I'm still discussing, there seems to be a lot to think about, there seems to be a lot more important than death.

It's to kill the character, to watch my mother die, to see my wife and children disappear in front of me, and to see everything that Yuan Changwen's character cherishes to be shattered.

Fear pervades his body, but he doesn't know it at all, and he is deceived by the fear of cross-dressing.

Firmly grasping the effort, in fact, is just fear.

Hold on to fearlessness with all your might, which is fear in itself.

Only the character dies, and without the character, fear naturally cannot continue to be arrogant.

Of course, those happiness and sweetness will not exist.

The coin is directly destroyed, and neither the front nor the back will be kept.

It's all just the content of awareness, the existence of time is just an illusion, the linear passage comes only from memory, and believing that one's memory is real is itself just a product of emotion.

In other words, the whole realized content is presented in this way, presenting the belief of the character, presenting the reason for the character.

At this moment, it presents the suspicion of the character and the killing of the character.

There's nothing to say, there's nothing to say, it's just death.

What am I still talking about?

Is it necessary to force yourself to death one word at a time?

I don't know what else to do, the character's death has become so difficult, it seems that I have seen the character's death and there is nothing left in a trance.

However, it doesn't matter, sooner or later the characters will die.

It's all just a picture element, and the idea of seizing the time itself is to continue to flesh out the character, as if standing at the peak of life in your twenties.

It's all dummies, it's all programmed, and no one has ever thought about whether the world is real, or whether they will continue to work hard after determining the reality.

Ordinary chats are just enriching the characters, constantly telling stories from the past, constantly affirming the authenticity of the characters, and embracing the characters with approving emotions such as "me too".

Having the same point of view can really resonate a lot, and a confidant may be like that.

But the opinions themselves are not true, and whatever they are, they are just things built on countless assumptions.

Having a point of view, or having a point of view that has me, is just enriching the character, just to satisfy the character attributes.

The character can't die for a while, as if he can always find something to grab, and I don't even know what it is.

Fear will lead me to the kill, but what should I do when fear doesn't show up and I don't finish?

However, if you want to ask what to do, this in itself is enriching the character, and it seems that the character has to do something to be the right thing.

The point is, there are no characters at all, it's just a picture element, just something you are aware of.

None of this would matter if there was no one else and no me.

The character of Yuan Changwen is not me at all, so what kind of force can those pulls hold me like this.

Even if you discuss killing with someone, there is nothing to discuss, and all that can be said is that you have already been killed.

And this kind of behavior is still in the plump character, and it is still there with the attributes of that character, "Look how good I am, I have killed so many things" and so on.

Throw it away, the world is not real, and no amount of discussion is just an obstacle to killing.

Not to mention the kind of rhetoric that ponders oneself for the sake of discussion, and modifies the content of one's own killing in order to highlight the role, it is far away from killing and far from death.

This kind of discussion is not an advance but an obstacle, and thinking that you are looking for a route and thinking that you are seeking a better kill is actually just sitting there and resting.

The character's approach is so powerful, especially when a lot of people agree with me, it's as if the characters are starting to shine.

I don't know how this experience will be treated after the slash is completed, but it's just getting in the way of the slash at the moment.

Obviously the world is not real, obviously other people are not real, how can all this be so easy to pretend to be real.

It's easy to get caught up in the characters, tell the stories of the characters, but simply don't know if those stories ever happened.

At the same time, some opinions and truths will be elaborated, and the corresponding attributes of the role will be shown.

Let's die, the character is going to die, it's going to ruin the character's life, see if you dare to continue to be afraid.

As long as the character does not die, then the slash will continue, with no job and no family until the character dies.

Nothing is true, the world is not real, and it is a.

The things that are related to the characters are certainly worth remembering, because these are the things that make up the characters.

It's not like there's a character out there and then loading up some decorations.

Instead, there are no roles at all, and the roles are directly framed with some boundaries.

It's all, those self-definitions, those character attributes, it's all.

Emotions are grasping, and then all this stuff that is not real at all becomes real.

The whole element of the picture has to be thrown away, and only that awareness remains, only that consciousness remains.

It doesn't seem like there's anything to talk about, and it looks like it's okay to talk to each other about killing, but it's just not going to kill.

The problem arose, and I just kept looking for ways to avoid the killing.

No matter how good the reason or excuse, no matter how normal the scene, as long as I divert my attention, it is hindering the killing.

It's just the content of the awareness, how can you be so arrogant and presumptuous.

Since it is impossible to determine, where did the practice of directly turning into belief come from?

Why is it so easy to dismiss things that you can't be sure of as true, but not things that you can't be sure of?

And there are some things that fear can intervene and make me take things that I can't be sure of as real, such as things about the future.

It's all.

To destroy all this nonsense, you don't need to retain any reason, that is, you have to destroy all of them, which is quite unreasonable.

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