But even if "childhood sweethearts" have this kind of "meat bun" setting, they don't need to worry too much, and there will be no problem from the basic setting of the new comics.

- Not to mention that Yang Qi is a good thing!

——Prove that the body of the "childhood sweetheart" is great!

After all, Mitsui Miyo has set up from the beginning that ordinary demons and monsters have no way to directly affect the present world, and they can't even move objects ordinarily, let alone endanger the human beings living in the present world? Otherwise, the present world would have been occupied by all kinds of strange demons and monsters, okay? Anyway, the physique of "childhood sweethearts" will often attract some demons and monsters like moths attracted by the lights The yang energy on his body, but he suffers from having no means to take it for himself.

Of course.

Finally, when they encountered such a "big meat bun", they would definitely not give up easily, and followed closely by their side, so as to secretly absorb some of the leaked yang energy.

And this is the state of being possessed by ghosts in the current world.

By the way, once ordinary people are entangled by ghosts, they will be unlucky, and they will have a serious illness, but after all, "childhood sweetheart" is a baby with a very strong yang energy, and in the eyes of demons and monsters, her yang energy is like a big sun, and it is not in the way at all if she is sucked away by a little monster.

What's more, the little goblins can't eat too much.

After all, Yang Qi is both a tonic and a poison for them, and eating a little bit can properly enhance their strength, but eating too much will definitely lead to a direct dissipation.

However, no matter how strong the yang energy is, it will definitely not be able to hold on to being entangled by demons and monsters all the time, so Miyo Mitsui will add a setting to the meat bun "childhood sweetheart" on the basis of these brain holes to eat food to supplement her own yang energy, and the more ghosts and monsters she will be entangled in, the more she can eat - although this setting ensures to a certain extent that the "childhood sweetheart" will not die due to yang exhaustion, but the meat buns that can never be eaten have obviously become more attractive, isn't it? I'm afraid it's not a "childhood sweetheart" Every time he appears in the eyes of the protagonist, he is the leader who leads a group of ghosts to walk at night.

Don't.

It's also very tiring for her to draw like this, right?

So Miyo Mitsui followed suit and added "only big ghosts with deep paths can haunt childhood sweethearts for a long time", "little monsters can only follow for a period of time and secretly eat a few bites and run, otherwise they will set themselves on fire if they approach too long", to a certain extent, it directly avoids the embarrassing situation of drawing a bunch of demons and monsters every time.

Hyakki's night walk is very tempting......

But she refuses to draw a hundred ghosts at night every time she paints a "childhood sweetheart"!

It's going to be bald!

By the way,The big ghost who is more powerful in the way will definitely not give up when he encounters the meat bun of "childhood sweetheart",At that time, it will even threaten the life of the "childhood sweetheart",But this kind of big ghost can generally endanger the world.,In terms of rarity, it's comparable to drawing a hundred SSR cards in one go!Where can it be so easy to appear?Anyway, if the new comic really wants to appear a big ghost, it must be after entering the main line-by the way,Miyo Mitsui can just rely on the big ghost to appear to endanger the world and endanger the "childhood sweetheart" officially entered the main story, and then you can lead to the abnormal human character similar to the "demon slayer" without any sense of disobedience, right?

Very good.

But just by thinking about it, I even have the opportunity to transition from the daily to the main story.

Miyo Mitsui really admires herself.

Thinking of these settings, she couldn't help but hook the corners of her mouth with a little bad heart, an ordinary girl who can see demons and monsters but tries to pretend not to see them and a "Tang monk meat" girl who will always attract all kinds of demons and monsters because of physical problems, it is conceivable that the protagonist's "daily" life must be very lively, right?

It's really interesting-

If it weren't for Miyo Mitsui's decision that the protagonist's personality was calm and indifferent, she would have begun to imagine how the protagonist would tremble every time he met his "childhood sweetheart".

But these seem to be a good thing to do?

After all, the protagonist was only ten years old when he first saw the demons and monsters, and he was still a little kid, so he definitely wasn't as calm and self-controlled as he grew up, right? Miyo Mitsui can certainly do this kind of extravagance, and then she can expose her bad taste as much as possible...... But these are all off-topic.,Back to business.,In fact, Miyo Mitsui hasn't thought of the specific image of "childhood sweetheart" for the time being.,But the protagonists are already referring to Miss Bukawa herself.,So when she created the role of this "childhood sweetheart", she couldn't help but turn her head sideways and look at Miss Ayukawa again.。

Of course.

Miyo Mitsui's gaze was not on Miss Buchuan, but at Luo Xiaotian, who still didn't let go of her sense of existence even if Miss Buchuan drove her away.

Thanks to Luo Xiaotian's popularity among students, even if Miyo Mitsui and her are not classmates, or even a grade level, they can also learn some basic information from all kinds of gossip, and their understanding of Luo Xiaotian is obviously not low.

#洛小倾:???#

Anyway, one of the most discussed by the majority of students is, of course, "Luo Luo, such a beautiful girl, how can she be a childhood sweetheart with the big demon king of Buchuan"-

Yes.

Miyo Mitsui has long known that there is a "childhood sweetheart" between Luo Xiaotian and Miss Buchuan.

Thinking about it this way, there is no doubt that the "childhood sweetheart" of the protagonist of Miss Bukawa, whether it is the image or the character in the new comics, should be borne by Luo Xiaotian, right? And Luo Xiaotian is cheerful and outgoing, and every time he laughs, he is as bright as a little sun, but it is unexpectedly suitable for the kind of "meat bun" full of yang...... It was only at this time that Miyo Mitsui suddenly realized that this character was simply tailor-made for Luo Xiaotian, just like the protagonist of the new manga is exactly the same as Miss Ayukawa.

Belch!

Is it such a coincidence?

Miyo Mitsui picked up a paintbrush while sighing in her heart, and drew a very simple Q version of Luo Xiaotian next to the new protagonist she had drawn before. After all, Luo Xiaotian herself is a rare beautiful girl, and she has obviously become more beautiful after becoming a two-dimensional character in the sketchbook!

But there is actually another important point for her to make this decision -

Although I didn't pay much attention to it before, Miyo Mitsui is not a blind person after all, how can she not notice that Luo Xiaotian's attitude towards Miss Buchuan is really not like an ordinary childhood sweetheart?

Yes!

Ask!

Title!

You must know that Miyo Mitsui and Saotome Yukina also grew up together, and it is not too much to say that the two of them are childhood sweethearts like textbooks, but why didn't Saotome Yukina be as attentive to her childhood sweetheart as Luo Xiaoting? At first, Miyo Mitsui didn't think much about it because she felt that a thousand pairs of childhood sweethearts had a thousand ways to get along- Maybe it's because I'm more lonely and unheard that I don't know that other people's childhood sweethearts are like this, not to mention that even if Luo Xiaotian really has that kind of meaning to Miss Buchuan, it's none of her business.

But now it's different.

Miyo Mitsui inadvertently made Miss Ayukawa and Luo Xiaotian the prototype of her two characters in the new manga, and those two characters are destined to develop a relationship in the future.

So much so that she felt more and more that Luo Xiaotian seemed to really have that kind of meaning.

Ay......

Obviously, I wanted to draw a comic with normal sexual orientation at first.,But I never expected that because of Miss Ayukawa and Luo Xiaotian, the direction of the new comic became orange.,But it's not a big problem.,After all, Miyo Mitsui just drew a fanbook for "Tangerine Orange" not long ago.,Naturally, she doesn't care about this.。

Oh!

That's right, that's right!

After mentioning that Luo Xiaotian's attitude towards Miss Buchuan seems a little strange, of course Miyo Mitsui can't favor one over the other, and she must also mention the head of the class.

Although the head of the class is not as obvious as Luo Xiaotian, but whenever she and Miss Buchuan get along alone and suddenly intervene in a Luo Xiaotian, the taste of the Shura field is actually quite obvious, and even the Saotome Yukina, who has always been nervous, has some awareness...... It's a pity that recently the head of the class followed in the footsteps of the elder to join the student council to shine for the school, Miyo Mitsui still has some residual thoughts about this, after all, the biggest pleasure of her coming to the club every day is to pretend to sketch on her face but secretly observe Miss Ayukawa in the Shura field between the two.

If the class leader is not there, there will be one less joy in life!

Now that Miss Bukawa and Luo Xiaotian have made up two characters, and there is also a relationship line hidden, then Miyo Mitsui will certainly not forget the class leader.

- It is necessary to draw this Shura field into the manga together!

It just so happened that Miyo Mitsui had thought of an abnormal human character similar to "Demon Slayer" before creating "Childhood Sweetheart", because it would be later to appear in this character according to the setting, so she would put it down for the time being, and first think of a character that could appear from the beginning.

Now it seems that there is no sense of disobedience to directly substitute the class leader into this role, right?

All right!

A love triangle is about to begin!

Miyo Mitsui is thinking about these things so casually, obviously she has not officially challenged the emotional line, but she swears that a relationship without a love rival is soulless.

Fortunately, I haven't had time to think deeply about the image of this "demon slayer" character before, so now I can think of it directly as the class leader himself, anyway, the prototypes of the other two characters are all based on Miss Buchuan and Luo Xiaotian, and why not copy this character directly from the class leader? At the same time, Miyo Mitsui also directly determined that this role is a demon slayer, and I no longer plan to consider adding some more bizarre settings, otherwise I always feel sorry for the class leader, not to mention that those settings really don't fit the character of the class leader

By the way, according to Miyo Mitsui's original idea of doing things, she originally wanted to add a "demon" setting to this "abnormal human" character.

A demon slayer is a demon in his own right.

When the foreshadowing is unveiled at the end, it will obviously catch the reader off guard, right?

However, since it has been decided to substitute the class elder into it, of course Miyo Mitsui can only get rid of this idea, after all, the class leader is such a good child, she is really reluctant to let the class elder blacken a wave - if you want to be blackened, you must abuse a wave first, isn't it? Although I am a little reluctant to this setting in my heart, Miyo Mitsui is fearless, anyway, a comic will definitely not have only these three characters, and when the time comes, I will pinch out a more marginal character and hurt such a hand, so it is good to directly modify it into a medium BOSS, and she will not feel distressed when she abuses the marginal role.

Because there was already a head slayer in the costume of a demon slayer smiling softly, Miyo Mitsui suddenly felt inspired!

Exactly-

A mild-mannered slayer wouldn't slow down the manga, would he?

If it is a radical who wants to shout and kill when he sees demons and monsters, then he will inevitably enter the main line quickly, and the slightest carelessness will lead to a distraction, making the protagonist who is still an ordinary person in the setting lose his sense of existence, and a little more serious may overshadow the protagonist in comparison.

A cold feeling.

A lively.

A gentleness.

Considering the character distribution, it's just right, isn't it?

But the protagonist definitely needs a little particularity, so Miyo Mitsui did not hesitate to add a new setting to this new comic, that is, the demon slayer can only feel a general shape from the malice exuded by the demons, if the demons and monsters have no malice and will not even perceive its existence - and the protagonist is different, after all, one foot has stepped into the supernatural world, so she can see all the demons and monsters very clearly, whether it is good or malicious, there is nothing to hide in her eyes.

Considering the reasonableness, Miyo Mitsui added another setting.

For example, the scarcity of aura in modern society has led to the decline of demon slayers and so on.

And the class leader is young after all, and it is definitely not enough to talk about Taoism, there is no doubt that he should be a rookie demon slayer who is in the tempering period. In addition, the demon slayer is going into decay, and I can only feel that the general outline of the demon monster is also normal, and it will not appear that the protagonist's aura is too strong.

All in all-

At this point, the setting of the demon slayer girl is almost there.

Miyo Mitsui silently reviewed these settings in her mind to deepen her impression, while continuing to draw a Q version of the image of a class leader on the other side of the main character.

On the left is Luo Xiaotian, on the right is the class leader, and the protagonist in the middle is Miss Buchuan.

- It's as perfect as a world-famous painting!

Of course, Miyo Mitsui knows that it seems a bit difficult to directly come to a love triangle for the first time when she challenges the emotional line, and generally speaking, it is most appropriate for novices to consider some sweet and sweet two-way crushes - but how can it be interesting to draw an emotional line without making an abnormal love triangle?

。 m.