In addition to cooperating with the male god Leung Jiahui, meeting Carina Lau in the Aegean Sea with the "dream lover" also made Cheng Sicheng feel excited.

Cheng Sicheng has said in public many times that Carina Lau is his childhood dream girl.

"Sister Jialing, you are my dream lover when I was young, I especially liked to watch your performance of "Intolerable Love" at that time, I thought you were very beautiful, and still are, you and your husband are my idols!"

It turned out that when Cheng Sicheng was writing the script in Thailand, this role was written in the image of Carina Lau, so the role of Xiang Ling can be said to be tailor-made for Carina Lau.

For this, even Cheng Sicheng's parents were happy for him, thinking that he was realizing his dream.

Cheng Sicheng's "confession" was ridiculed by Carina Lau: "Then you are very happy, your dream has finally come true." ”

In fact, the decision to take over the movie "Beijing Love Story" was not to help Cheng Sicheng realize his dream, Carina Lau was more moved by the script and this ridiculous cheating story.

After cooperating in Greece this time, Carina Lau also found that the actor-type director has outstanding advantages, because actors will always sympathize with each other when they meet actors, and such directors will understand the situation and thoughts of actors better than ordinary directors.

Carina Lau also hopes that her cooperation with Cheng Sicheng this time can leave a particularly good memory for him, each other, and the audience.

Of course, Cheng Sicheng has always been quite proud of being able to invite Leung Jiahui and Carina Lau to star in his first movie - "Beijing Love Story" this time.

After returning from Greece after filming, Cheng Sicheng also boasted in front of Lin Xiaoguang many times in the name of talking about the script, how good he was and how he was able to direct the actor in the first movie he made, and he was ashamed to tell Lin Xiaoguang how perfect his plan was.

However, for people like Lin Xiaoguang who love movies, the most painful thing is that they need to distinguish between character and works.

And Cheng Sicheng is obviously such a person: as a director, he seems to be able to achieve a good level within his ability, but as a man, it is difficult for people to like him with real feelings.

With the growth and deepening of cooperation, Lin Xiaoguang also gradually learned that although Cheng Sicheng is not proficient in learning, he is extremely fond of showing off his skills and making the script full of loopholes; on the other hand, although he is suspected of plagiarism, he still steps on the thunder point and moves forward fearlessly.

For example, in the filming of the movie "Beijing Love Story" this time, Cheng Sicheng showed off with Lin Xiaoguang that he used the "Nolan" style shooting technique.

When it comes to "Nolan-style" shooting techniques, many people may not know what "Nolan-style" shooting techniques are.

Some people may not even know where Nolan is sacred.

Who is this Nolan? It is the god Nolan who filmed the "Batman" trilogy and "Inception".

In order to prevent confusion of names, let's directly use the actor's real name here, and follow the order of appearance in the script to introduce the 5 pairs of lovers in the movie "Beijing Love Story", how to use the so-called Nolan-style shooting technique.

First of all, the first pair of lovers are the North Drift designer played by Cheng Sicheng and Bai Fumei played by Dong Liya.

The second pair of lovers are the flowery scumbag played by Wang Xuebing and his wife, played by Yu Nan.

The third pair of lovers are a successful person played by Leung Jiahui and a wealthy man played by Carina Lau.

The fourth pair of lovers is a high school student played by Liu Haoran and his crush, played by Ouyang Nana.

Finally, the fifth pair of lovers is the Beijing old man played by Wang Qingxiang and the wife played by Siqin Gaowa.

These 10 characters, the five pairs of lovers are connected, for example, Wang Xuebing is Cheng Sicheng's boss, Liang Jiahui is Yu Nan's boss, Ouyang Nana is the daughter of Liang Jiahui and Carina Lau, and Liu Haoran is the grandson of Wang Qingxiang and Siqin Gaowa.

The story is told in chronological order, and it is not until the end of the script that Cheng Sicheng connects these 10 people together: this is a life that repeats itself in a circle.

If you can see the meaning of this layer, most of the viewers will give a positive evaluation of the script, but the number will definitely not be much.

Although the movie has not yet been filmed so far, Lin Xiaoguang can already expect that most viewers will roll their eyes in the awkward chat of love chicken soup, and fall asleep in the slightly chaotic relationship between the characters, neither resonating nor moving.

And this is exactly what Cheng Sicheng is worried about: he is afraid that the starting and turning points arranged by him will be too high-end, and it will become a blind spot for most of today's audiences.

Most of the viewers who can see the way should be able to understand the "circular story" that Cheng Sicheng wants to tell, and they can simply pull out a timeline.

Doesn't it look amazing?

Lin Xiaoguang couldn't help but want to applaud Cheng Sicheng.

But after Lin Xiaoguang's careful analysis and scrutiny, there are bugs in this timeline, such as Liu Haoran borrowing money from his grandfather and Chen Sicheng and Tong Liya's one-night stand time is not matched.

Lin Xiaoguang said bluntly: "Sicheng, according to the reasoning of the timeline in the movie, when Liu Haoran asked his grandfather to borrow money, Yaya should be on the verge of giving birth, but according to the plot development you wrote, it was the first day the two met, and this time was not right at all." ”

Facing Lin Xiaoguang's questioning, a trace of panic appeared on Cheng Sicheng's face, but after a moment of silence, he still pretended to be calm and said: "I know, this is what I did on purpose." ”

Lin Xiaoguang asked puzzledly, "Is this your deliberate design?"

Cheng Sicheng thought for a moment, and said quietly: "It's very simple, I deliberately set up loopholes at the intersection of character relationships, just to lead the audience to explore and discover the real character relationships hidden behind the timeline." ”

Lin Xiaoguang asked angrily and funny: "Then what is the deeper relationship between the ten of them?"

Cheng Sicheng said triumphantly: "I don't know, right? Actually, the answer is very simple, because these five pairs of characters are basically the same kind of people, or even the same pair of people." ”

"For example, in the movie, Yaya looked at the design drawings in the rental house where I was, and her favorite one was the layout of Wang Xuebing's house. ”

Yu Nan forgave Wang Xuebing, and then there was a story between Sister Jialing and Brother Jiahui, and when time smoothed out the edges and corners of love and marriage, it was the sunset red love life of Teacher Siqin Gaowa and Teacher Wang Qingxiang. ”

Under Cheng Sicheng's explanation, Lin Xiaoguang has dreamily understood Cheng Sicheng's "good intentions" here, and he wants to make "Beijing Love Story" a very "Nolan" and "very powerful" work, using the structure of drama to tell the story of life.

But seriously, Cheng Sicheng is willing to use such a complex narrative structure to tell such a simple story, and there is no one.

First, because Cheng Sicheng felt that his ideas were really powerful, second, this story was really boring, and third, Lin Xiaoguang guessed it himself, he felt that Cheng Sicheng might want to express his view of love in a cool way.

But after so much waste, the technology still hasn't learned home.

Lin Xiaoguang said disapprerovingly: "Sicheng, I think you are like this, it is better to learn from the predecessor Zhang Yang, it is not impossible to add non-linear editing to group dramas, but if the level is not enough, let's stop going around in circles, okay?

Hearing Lin Xiaoguang mention Zhang Yang, Cheng Sicheng began to feel a little weak.

Even if others don't know, Cheng Sicheng knows it very well in his heart.

Because the script of "Beijing Love Story" is too similar to a "Love Malatang" more than 10 years ago.

If strictly speaking, it's not very similar, it's just a fake!

Because Zhang Yang's work "Love Malatang" directed in 1997 is almost the same as the script of "Beijing Love Story", which is also about the love life between five couples/couples, there are sweetness, collisions, quarrels, and reflections......

Even the characters in the two works are similar, there are poor couples who are ready to get married, adolescent students who are ignorant and have a crush, elderly people who are asking for marriage, and couples who itch for seven years......

The funniest thing is that the actor of the poor couple in "Love Malatang" is also Wang Xuebing.

Think of Wang Xuebing's married life of "respecting each other like ice" in "Beijing Love Story", which is really realistic enough and super reincarnated.

Did Cheng Sicheng think that if he changed his vest, others wouldn't be able to see how similar the two stories looked?

In fact, Lin Xiaoguang really wanted to have a showdown with Cheng Sicheng on the spot, you fucked off!

But then Lin Xiaoguang thought about it and felt that it was unnecessary, because with Cheng Sicheng's shameless personality, he would not admit that he plagiarized anyway, even if Lin Xiaoguang pointed out the mistake in person, he would still be aggrieved and say that he was borrowing.

Lin Xiaoguang just felt sorry for Dong Liya, what kind of dog eyes did he look at Cheng Sicheng?Could it be that he likes to "borrow" from his creative talent?/10_10077/