This year, Tetsuya Komuro spent most of his time and effort on his newly established entertainment company, committed to developing markets outside the local market, and also accepted a few female disciples in Xiangjiang.

In Japan, he signed the popular Ami Suzuki through the show "Asayan" and put her under Sony, as the first step for him to return to Sony.

This step is a step to completely announce the deterioration of the relationship with Ai Hui, but at the same time, it has won a promising newcomer, and it has also added a little fresh blood to his family.

During the year, the market share belonging to the Komuro family was decreasing, and his own group and other disciples did not perform as well as they wanted, and did not produce a single million in a year.

In addition, it was also in this year that Tetsuya Komuro and his female singer, Tomomi Hanahara, who was once like glue, officially broke up.

For the time being, putting aside Tetsuya Komuro's habit of eating grass by the nest and his romantic affairs, this Cinderella, who was dug by him, put a grassland-colored hat on the talented man. Of course, he couldn't bear it.

It's called chic, and that's what others are

In short, Tetsuya Komuro and Tomomi Hanahara. But the blow is blown, the contract is still there, and the cooperation has to continue.

So, one was deliberately revenged, took the abandoned songs to make in the past, and the other was mischievous and sang blindly in the studio, and a very famous strange album "Nine Cubes" in the Komuro era was born.

In a sense, bringing personal emotions to work is also a sign of true love.

And this weird album, if you put aside all this gossip and calm down and listen carefully, there is also merit.

Tomomi Hanahara's chaotic crazy singing and Tetsuya Komuro's perfunctory production on this album also have a different kind of charm in it.

A genius is a genius, even if he makes a perfunctory one, he is still a genius.

Putting aside these vignettes of life, his beloved general, Namie Amuro, who has been out of business for a year, has been confirmed to make a comeback at this year's Red and White Song Festival and sing the song "Can You Celebrate?" again.

In addition, he got the potential newcomer Ami Suzuki, so even if his share of the local market is decreasing during this year, Tetsuya Komuro is still full of confidence and is ready to fully counterattack in the new year.

Moreover, his eyes also looked farther into the distance, expecting that after the entertainment company he had done everything to gain a foothold, he would withdraw his disciples under his wings.

Just as he was thinking about the blueprint for the next year, the name Mai Kuraki also floated to his ears. And his gaze into the distance was suddenly blocked by a wall.

At first, when Mai Kuraki first debuted, Tetsuya Komuro didn't take it seriously, and hundreds of groups of newcomers debuted in a year, even if it was a newcomer launched by his "formula opponent", he didn't pay attention to it until there was really any improvement.

During the period when he took a break from the busy year-end to rush into the recording studio to prepare for the next year's counterattack, Mai Kuraki's momentum continued to rise, and in just one month, she became a phenomenal newcomer of the year.

There are even media who used the title of "singer of the new era" when introducing her.

Finally, Tetsuya Komuro also began to care a little, this time, what kind of thing did that Ye Zhao make?

By the time he first listened to Mai Kuraki's single, it was already the end of the month. The staff who sent Mai Kuraki's new single over,And by the way, he gave him a piece of "アゲハ Butterfly" by the formula.

Out of concern for the opponent of the formula, Tetsuya Komuro listened to "アゲハ Butterfly" first. In all fairness, it's a very interesting piece, especially in terms of arrangement, and it's commendable.

After listening to it, Tetsuya Komuro felt that he had been silent for nearly a year, and Ye Zhao, who came up with such a title song, was full of sincerity, and even he admired such a delicate arrangement in his heart.

What he has always found incredible is that Ye Zhao's body has both the steady and steady play of an old musician and a steady stream of new ideas, and it is really rare for two things to appear in the same person.

Even if the literati are light, he thinks this person is very powerful.

After listening to Ye Zhao's new song, he began to listen to Mai Kuraki's new single again.

After hearing both songs, Tetsuya Komuro's expression became a little complicated. When listening to Ye Zhao's singles, although I thought he was powerful, he only sighed. But these two songs made him feel pressured.

In this single, in Mai Kuraki, he felt Ye Zhao's ambition to push through the old and bring forth the new.

He remembered that the first time he met Ye Zhao was backstage at the Record Awards, when he was still a nineteen-year-old boy who entered the public eye with a single. No one knows for sure how long he'll be popular and where he'll go.

I didn't expect him to have such growth a few years later.

Tetsuya Komuro listened to Mai Kuraki's new single again, and while listening, he flipped through the inner pages that came with the single.

When he found out that the first title song was provided by an unknown newcomer composer, he felt Ye Zhao's courage again. He sighed and thought to himself, "My time is coming to an end. ”

Previously, when the new singles released by Globe only sold one-third of the previous singles, he was not yet frustrated, and he still felt confident and calm when he was pressed by Sony.

But now, for the first time, he has a sense that the dynasty he has built with his own hands is about to be overthrown by a menacing force, and he is clearly in the recording studio, facing the half-made sample, feeling a sense of confusion.

At the beginning, when the BEING era ended, Nagato Daiyuki probably had this feeling in the face of his offensive.

He once ended an era with his own hands, and created another with his own hands.

Flowers are not red for a hundred days, flowing back and forth, and now, sooner or later, his era will be over.

Mai Kuraki's debut single is gaining momentum, and the rankings and sales are also bullish in real time, and even the second week after the release of his new single, he rose to second place after Ye Zhao.

Waiting for the next week, he simply pushed the back wave and pushed the front wave, crushing the teacher on the beach, and won the weekly chart for the first time after more than a month of release.

With the first weekly chart winner in the bag, the wind is blowing more and more, and the keen music critics have already smelled something unusual and realized that the time for a generational change is coming.

At the same time that Mai Kuraki began to become popular, major companies began to analyze everything about her, looking for the elements of her popularity, and considering whether it could be applied to the next new launch plan.

Being able to enjoy such treatment is the sign that it has truly become a "phenomenal".