At the end of the opera, Han Bingxue suddenly felt a sense of loss, but this state did not last long, and she was awakened by the thunderous applause in the opera hall.

Finally, it was the audience's turn to perform! After sitting for more than three hours, it was quite refreshing to stand up.

On stage, the last opera singers were closing the curtain call, and after they had bowed in all four quarters, they retreated backstage. But soon, he was summoned by the audience's warm applause, including Qin Fangge, the protagonist, but this would be no benefit, he actually put on a shirt.

He bowed and waved to the curtain call with a group of opera singers, Han Bingxue was so anxious, there was no way, she was less than thirteen years old, and she was not about one meter four tall, although the seats in the opera hall were stepped up, but she was still worried that Qin Fangge would not be able to see herself, so she could only stand on tiptoe, and she couldn't wave her hand and applaud!

Fortunately, Qin Fangge's gaze swept over, which also made Han Bingxue, who felt his eyes, happy as a child, his face turned red, his slap was louder, and the "Bravo!" shouted with others in his mouth was also extremely loud.

But Qin Fangge still retreated into the background with the other opera singers, and the audience naturally refused to give up, and continued to stand and applaud, but the shouts were somewhat dispersed, some shouted "Bravo" (wonderful!), and some shouted Encore (asked to return), and the atmosphere in the opera hall was extremely warm and surging, even with a little fanaticism.

The audience didn't leave, and the opera singers also enjoyed such applause, Qin Fangge didn't want to be so tired of tossing, and he was much more pretending to be forced, but it was actually quite tiring.

Zhou Xiuying sat backstage as the chief director, but she didn't force Qin Fangge to go through the same process as last night today, drag on time, and engage in so many returns and curtain calls. Last night was the premiere, today the situation is different, the form has also changed, and she has already consulted the opinions of other opera singers, especially the soprano singers, Shen Jianping and Zhai Liyin, they all said that it is okay to sing the first aria in the return.

Qin Fangge naturally has no opinion, he is now in various glory, and he doesn't care about this return at all, if he doesn't return to the audience and refuses to stop, he can be lazy and not return.

For example, today, Zhou Xiuying arranged for Zhou Hongxia and Qin Fangge to return to the stage and sing the most particularly wonderful duet aria "Let's Hold Hands" in the opera, just to make Don Juan's opera more deeply rooted in the hearts of the people, and also to give female singers like Zhou Hongxia and Zhai Liyin more opportunities to show their talents.

Since there are so many doubts from the outside world, the best way is, of course, to slap the face with the quality of opera, so many classic arias in Don Juan's opera, and take them out when they return to the scene to deepen the audience's impression, no matter how you look at it, it is beneficial. The audience who attended the premiere last night did not expect to be entangled in this little thing.

Zhou Xiuying pinched the time quite accurately, the news report of last night's premiere has gone out, and there is no need to do so many things, popularizing the opera is the right thing.

So, Qin Fangge didn't toss so many times, and returned with Zhou Hongxia.

Today, the opera house has also changed, and the orchestra pit, which was originally lower than the main stage, will also slowly rise to the level of the main stage. The entire orchestra of the National Centre for the Performing Arts, including conductor Yu Dawei, is particularly calm about this.

Qin Fangge and Zhou Hongxia don't have to stand on the stage, but go to the band like he did yesterday, and the opera house seems to have become a concert hall model.

The audience like Han Bingxue, who came to the opera house for the first time, was also surprised, could they still play like this? So, their slaps also slapped louder.

And all this is because after Dawei conducted the orchestra to play music, he returned to peace.

Qin Fangge and Zhou Hongxia re-performed the romantic duet "Let's Hold Hands", and the Chinese teleprompter in front of the audience also showed the title and general meaning of the aria.

Qin Fangge's condition has been maintained very well, and Zhou Hongxia is also quite good, which is also to give her more opportunities to get familiar with her, and she also cherishes such an opportunity.

After singing a duet aria, Zhou Hongxia and Qin Fangge still held hands, thanked the audience and bowed, and retreated backstage in the increasingly hot applause.

Although this duet is extremely beautiful, the audience has not heard Qin Fangge's tenor singing!

Naturally, they will not leave the venue easily, like Qin Fangge's loyal fans, and their hearts are even clearer as a mirror! Today is also Qin Fangge and the singers are giving them benefits, and the approximate time is still clear, but the audience who premiered yesterday applauded for a quarter of an hour before waiting for Qin Fangge's return tenor aria.

Today, from the end of the opera to the end of the encore, it is not a quarter of an hour, and everyone has to work harder. What is it if the palms of the hands are slapping and shouting hoarsely, as long as Qin Fangge is willing to return to sing tenor songs, they will have no problem with anything.

In fact, Qin Fangge didn't want them to do anything out of the ordinary, they just stood and continued to applaud and shout without leaving.

The audience refused to leave, Qin Fangge had to come out of the backstage again, the backstage staff and opera singers were also used to it, and the main opera singers such as Shen Jianping, Zhai Liyin, Fan Qing, and Cao Jinhua were removing their makeup. The staff in the opera house were more nervous, and they were more worried about what irrational behaviors and actions Qin Fangge's fanatical fans would make.

Qin Fangge has pretended to be countless in his life, and he will continue to pretend, pretending that he doesn't like applause, pretending to be cold, but the more this is the case, the more fanatical the audience's emotions become, and even looking at him is not the same as before.

He didn't bother to do anything about it, mainly because it was okay once or twice, and if he had more times, he would feel tired.

It's okay to work with the NCPA Orchestra, they're only supporting roles anyway, so it's good to hold your ground and not cause trouble for him. In the past, many composers only rushed to the draft before the performance, and it was not easy for the orchestra to play when they got the score, and the sight-reading level of the orchestra members was also quite strict.

Now the audience's warm applause, forgetful shouts, and expectant eyes also make people feel that if Qin Fangge doesn't have a tenor song at the end, he will really be sorry for the audience.

Qin Fangge also waved his hand forcefully, signaling everyone to sit down and he was going to put the last big move, this thing was also pretending to be cold, without speaking, it felt like a peerless master.

The audience also saw clearly that Qin Fangge communicated well with the conductor and principal of the orchestra, and they happened to be a little tired and in pain, and after sitting in their positions, they all lived up to their previous fanatical attitude, all of them were gentlemanly and ladylike.

As everyone wished, the music started with the orchestra first, and then Qin Fang's singing resumed.

Among the audience, many of them are also classical music majors, and they also have a high level of appreciation for opera art.

As soon as Qin Fangge opened his mouth, many viewers knew that he had made a lot of money tonight, and it was an excerpt that Qin Fangge had not sung, was it newly "created" by himself?

The reason why it is so clear is also because the first sentence that Qin Fangge sings is actually in German!

This is quite different from Chinese, Italian, English, French and other languages. Only a rookie like Han Bingxue, who is not really a beginner, can't hear what language he is singing! Then, what he is singing, Han Bingxue also said that he doesn't understand it at all, and the teleprompter, which was originally very intimate, will not be displayed at all.

Fortunately, everyone is mentally prepared for these, and last night's encore song was the same.

Moreover, for fans like Han Bingxue and them, it really doesn't matter if they can't understand what they are singing, so as not to distract them and consider the meaning of the lyrics.

Now everyone just needs to listen to my brother's singing with heart, presumably my brother is also for such a purpose! Take another 10,000 steps back and say, even if the lyrics are displayed, what can you do!

German, Italian, etc., it doesn't matter at all.

Music is the common language of mankind, abandoning the external language, Qin Fangge sings with a strong resonance, the aura is powerful, and the volume is also very sufficient, as if all the audience present and the cavity in the body are trembling together.

To Han Bingxue's ears, this is a well-woven colorful post-romantic song, romantic and warm, and full of dreamlike colors, like the feeling of spring coming.

And in the ears of professional peers, every note of this aria, the relationship between the vocals and the instruments is tightly stitched together like a stitch. The sound flow of the entire aria changes in an endless stream of continuous color shifts as it travels, with so many subtle timbre variations. Even in a few bars, the timbre of the orchestra changes dramatically, making it completely unaware of where the sound is going, whether it is sunny or gloomy, just a moment of passion, a moment of sigh, and then a nameless joy and impulse, and only a few steps, but it is only a brief and mediocre dream.

Qin Fangge's singing and the band responded to each other, taking care of each other in color, and together weaving this incomparably gorgeous dream scene of life. His silvery voice soars freely throughout the register, which is where his unparalleled vocal skills can be brought into play, and his great resonance and grandeur make the audience feel empathy, physical and mental sensations come together, as if the whole person is immersed in such a subtle and poetic musical world.

Although it is only a few minutes of arias, the mood changes are not inferior to the masterpieces, and on the whole, they are still suppressed and then raised. After a period of unfinished peaks, the band played a revival introduction in the dim timbre, and Qin Fangge's singing voice also started from the low register, but his timbre did not seem dull, more like he had just woken up and was a little tired, but he only sang a few notes, and the vitality like spring quickly diffused, and the vocal notes quickly rushed to the bright high register after a few climbs. Such a drastic change strongly stimulates the hearts and nerves of the audience, even if they can't understand what is being sung, but the changes in the music, the volume, timbre, and other changes can be felt by everyone present unless they are deaf.

In the few notes that climbed before rushing to the highest note, his middle voice was raised, and he sang this note with a large part of the middle vocal area, and the sound quality was particularly rich, and the timbre was very full and bright, which was in sharp contrast to the timbre of the previous notes. It's as if this sound has accumulated so much vitality in spring, and I can't wait to try it.

Subsequently, the most exciting time came, and Qin Fangge, a tenor rarely seen in the world, was like a lark with wings spread and flying high, fearless all the way, and the bright and vast highest note rushed into the sky.

The symbol is the treble C that breaks through the limit of the tenor, at the top of the clouds, the song continues to soar like a lark, until the last one falls on the "trembling" The arrival of the strongest note is deeply echoed in the hearts of the audience, that wonderful, happy, and boundless poetic feeling, as if with that moment of trill, the audience's bodies are also trembling.

Among the audience, only a few colleagues who came to Germany really understood what Qin Fangge was singing, and the lyrics of this aria were actually a beautiful poem, if translated into Chinese, it probably means, "In the vast twilight."

I've dreamed for a long time,

Your forest and blue sky,

Your fragrance and the birds sing.

Now you stand before me,

Radiating radiant glory,

As if by miracle,

I am shrouded in your radiance.

You recognize me,

Gently beckoning to me;

With the holy you,

I shudder!"

In Qin Fangge's genius-like composition and god-like singing, this aria completely conquered these people who were originally reluctant to admit that Qin Fangge was actually beyond the existence of the "god of music".

His singing skills alone are enough to crush other tenors in the world, both in the past and in the future.

Looking at the other audiences, although they couldn't understand what he was singing, the musicality and artistry of this aria, as well as the incomparable resonance, had conquered them.

It can be judged from their teary eyes and intoxicated expressions.

And Qin Fangge, as a creator and singer, also wanted to choose to retire quietly after creating such a dreamlike spring fantasy with music and singing. As the saying goes, "pretending to be like the wind, always accompanying me", but unfortunately the audience didn't let it at all, and I don't know which reckless guy broke the lingering aftermath that seemed to still linger in the opera house with applause, so the other audience also subconsciously applauded, and only woke up like a dream in the back, but they couldn't complain about the person who took the lead in applauding!

The audience who still wants to reminisce can only keep this emotion in their hearts, and release the excitement and excitement in their hearts with applause and cheers.

Qin Fangge still bowed and retreated backstage, but the audience was still reluctant to leave, so he had to go back to the stage again, using the same routine as last night, and did not go backstage, but went under the stage.

(End of chapter)