PS: Ask for a recommended ticket, ask for a monthly pass!

The vast ancient road. m.

The umbrella enters the guard of honor, and the canopy covers the sun. Flags rolled, horses neighed, people shouted.

The dusty old trees are decaying, and the light is dappled and the crows are sounding.

Main light position, fill light position, backlight position, three-point lighting. The camera is close to the ground, the stones are splashed, the wheels are pressed, and the legs of horses and people pass quickly.

The staff held a pole microphone, and the dramatist next to him carried a reflector tilted 45° to enhance the natural light and achieve the effect of soft sunlight.

A few meters away, Brother Kai was holding a storyboard and a pencil in his hand, and Yuan Baye was wearing a sunhat and leaning over to look.

"Inn" is destined to be a very challenging film in terms of scene scheduling, not only a big scene, but also a sensitivity to transcend the times.

After all, martial arts movies themselves are a kind of fantasy that is divorced from reality.

Wu Xiaozu also did not want to turn this drama into a historical drama.

Or to put it another way.

Different from the admiration of Soviet-style long-range shots in costume dramas filmed in the mainland at this time, Wu Xiaozu's drama does not want to show too much epicness, but must be chivalrous and pyrotechnic.

A hero without fireworks is just a nihilistic refinement of literary works.

Now.

Under the canopy, six brown horses pulled the chariot, and the surrounding armor soldiers held the honor guard. The people who are responsible for holding the fan, the peacock pheasant tail and the phoenix are the bearers of the building, the pan, the erection of the flag, and the banner are displayed.

Trumpets, trumpets, gongs, and drums followed.

The guards were reorganized, followed by a dozen chariots.

On both sides of the canopy, dressed in a big red python flying fish suit, hanging a coconut scoop and eggplant ribbon, riding a high-headed horse to guard the surroundings, each with a goose feather knife on his waist, and the eagle eye patrolled four times.

Sideways.

The Dragon and Tiger Warrior hung Wei Ya, checked the buckles on his body, and behind the huge blower, there were hundreds of bags of urea, which were full of dried leaves that he had bought.

This expenditure alone cost thousands of dollars.

Costume dramas are difficult to film, and a travel scene was filmed for 4 days. In order to facilitate filming, Western Film Studio specially contacted the group performance, and there were more than 100 people in the team.

Through the camera display, there will be a vast phenomenon in the team of 100 people, which is the sense of deception that the cameraman brings to the audience through shooting.

Cinema is the art of deception.

"Newspaper"

Wearing a dark black round-necked robe with a half-body of dark armor, carrying a goose feather knife and a crossbow, the brocade guard turned over and dismounted, bowed down, lowered his head, raised his hands above his head, and offered a wax-sealed dark bamboo tube with a thickness of 2cm and a length of about 20cm.

The light hits the face of the comer, and under the low light source, there is an inexplicably eerie effect.

Zhao Fei followed with a camera in his hand.

"Warat Taishi also sent the Warat envoy to Longmen Pass first! Jinyi Weibei Town Fusi ......"

The camera swept over the edge of the carriage, and the bronze rivets reflected the faces of the incoming people.

This convoy was going to meet Zhu Qizhen's legal driver, and the curtain on the chariot was lifted.

Chen Daoming was dressed in a black embroidered python robe, with a white jade pendant hanging from the eggplant belt around his waist, and a red coat, lying on his side, with a crown of sideburns on his head.

Holding a brass hand stove.

The cheeks are sunken, and the eyebrows are extended.

The eyes are just sharp and sweeping.

On the side, the white waiter who does not need to wear a red 'wrapped' costume stands on one side holding a spittoon, and the role of the waiter is Zhen Zhidan, a member of the Yuan family's class. This role was also given to him by the eighth master.

As his younger brother became popular, Yuan Baye also began to cultivate Zhen Zhidan.

"Click, next show, the staff hurry up"

As Kai Ge made a quick decision again, the on-site staff immediately pounced. Lighting scheduling, machine track laying.

Filmmaking is actually spent most of the time "waiting".

The director has to wait for the director of photography to be in place and the lighting scheduling is completed, and they have to wait for the props and scenery to return to their places.

In this scene just now, there are more than a dozen shots.

In this life, the fastest change in the lens is undoubtedly "God of Gamblers". A scene in the casino at the beginning, just five minutes, 190 shots. Nowadays, the duration of commercial films in Hong Kong films is about 90 minutes, and the number of shots is basically maintained at about 1300-1500.

The number of shots in Hollywood at this time is also about the same.

"God of Gamblers" has a shot duration of 3 seconds, a length of 110 minutes, and 2,200 shots.

But really talking about camera transitions, in addition to Wu Xiaozu's version of "God of Gamblers" in this world, the most classic is undoubtedly the scene where Wang Zu Amaranth changes clothes in "A Chinese Ghost Story", 4 minutes, 170 camera transitions, quite sharp.

"This scene is mainly about Brother Hui, Lu Wenzhao, who you played, ostensibly flattered Cao Zhiqin played by Brother Ming...... You're going to come out of here in a minute......"

Wu Xiaozu was wearing a vest, pulling Liang Gaohui and Chen Daoming, talking seriously, arching his hand to the sky, and suppressing his voice, "Lu Wenzhao, a thousand households in Beizhen, knock on Gonggong Cao, after you finish this, you have to bow down."

Ignoring the dust on the ground, Wu Xiaozu stretched out his hands forward, threw his five bodies directly to the ground, and shouted hoarsely, "Gonggong Cao, it's too late to see the fight, please forgive Gonggong Cao!"

"Heh, Lu ...... Wen Zhao~" Chen Daoming lifted his breath, his eyelids drooped, and he stretched his legs and stepped down

His gaze wandered and scrutinized, and his drooping eyelids were gloomy and weird. At the same time, a smile is tucked between his lips.

There is a zeal for scrutiny and vigilance.

Liang Ronghui didn't wait for Zhen Zhidan next to him to react, took the initiative to play, knelt down, and used his back as a stool for Cao Zhiqin, played by Chen Daoming.

"That's about it! This character needs to ask for this errand......" Wu Xiaozu bowed.

A scene of the three of them talking about the play,

Zhen Zhidan next to him, as well as Qingfeng hiding his back, and the actor Li Lian, who was touching up his makeup, were stunned.

The two brothers looked at each other, and there was a reason that they didn't understand.

"It's beautiful!"

Liu Xun squeezed out a smile and nodded with a few old guys next to him, he played the head of the East Factory in this life.

"We all know Ah Hui's acting skills, which is not surprising. After all, I have worked with him in several plays. It is not an exaggeration to say that there are thousands of people. It must be the external acting façade of Hong Kong films today.

didn't expect that an unknown actor in the mainland also had this kind of strength, and he really played the role of Cao Zhiqin very well.

This character has also asked Azu before, and it is roughly processed from the prototype of the character Cao Jixiang, and it must be the person from Zhu Qizhen of Ming Yingzong who was captured by Wara.

Lu Wenzhao should be the death of Emperor Jingtai Zhu Qiyu?

This scene should be played by several people, hey, by the way, where is Zhu Qizhen from the pheasant?" Gu Feng, an old actor, squeezed out a paralyzed smile on his face.

"Lu Wenzhao must be Emperor Jingtai's person. ”

Jin Shijie said with a smile, "I heard Director Wu say before, this "Inn" is a square inch away from the rivers and lakes, and the intrigue above the temple is staged. The protagonist Zhou Huai'an should be Yu Shaobao's person.

Although Emperor Jingtai was pushed to succeed to the throne, with Yu Shaobao's thoughts, I am afraid that this cautious emperor would kill the former emperor Zhu Qizhen.

After all, in history, Emperor Jingtai was probably still afraid of this minister who pushed him to the throne. ”

A few drama bones guessed the synopsis of the story without leaving ten.

The inn, in Wu Xiaozu's movie, seems to be a river and lake, but it is actually a temple.

The people of Emperor Jingtai Zhu Qiyu, the people of Zhu Qizhen of Yingzong of the Ming Dynasty, the people of Yu Shaobao, the people of Wara Taishi Yexian, the people of Queen Qian, and the people of Wara Gold Family.

The advance and retreat above the temple will be staged between these earthen houses.

Of course, a play can't say that it can interpret all of this clearly, but the synopsis and background of the story have to be designed in this way.

is like a character's biography, he may not play what happened when he was a child, but the biography of the character must be involved, and even every point will be divided. These are the roles that rely on the performance.

"Get ready, when you attack and kill~ you have to spread your body and jump over. Hide in the back of the knife and kill with one blow!"

Dong Wei was wearing a night suit and stood in front of Wu Xing, "You must not look at the camera." There will be staff who will frame the scene, don't appear on camera!"

"When the arrow is thrown, be careful when you throw it. Luo Liyuan also commanded the dragon set next to him.

The scene of this kind of arrow shooting randomly in the movie is actually the simplest, which is to hold a handful of arrows and throw them over, as for some of the shots of the middle arrow, they are specially treated with broken arrows.

At this time, the special effects are not yet mature, and naturally there will be no rain of arrows in "Heroes". If Qin really has that rain of arrows, it is estimated that it will ...... There is no need to kill 400,000 prisoners of war, just shoot them.

However, in terms of artistic processing, Lao Mouzi has really done a good job.

Every frame of Lao Mouzi's movie can be a screensaver.

In the crew, in the corner where no one paid attention, wearing a pipa sleeve and a green jacket skirt, the graceful and plump Gong Li stared directly at Wu Xiaozu who was talking.

Unlike Xiao Mouzi, Director Wu knows how to act as a and often explains in person.

This made her curious.

Before, Ye Weixin, Sister Lin and others had been talking in private and saying that Wu Xiaozu was "a big man on the set!"

But in the past few days, she feels that hearing is false and seeing is believing.

The other party is not only reasonable, but also understands every job very well.

From the lighting to the camera, from the costumes to the sets, everything is handy.

This is different from Xiao Mouzi.

Looking at Director Wu, who was lying on the ground without any scruples, Gong Li nodded silently.

It can be seen that the other party really has an in-depth understanding of acting, even more understandable and in-depth than what their teachers at the Central Academy of Drama said.

It's false to say that you are not nervous.

Although she starred in the well-known "Red Sorghum", she dare not say that her acting is better than Lin Qingxia, Liang Jiahui, Chen Daoming and others.

The thought of having to play against a few people made her nervous.

Seeing Wu Xiaozu walking towards this side, Gong Li thought about it and greeted him......

She decided that she would let Director Wu guide and guide her performance, and mention herself to talk about the play!

From this point of view, 19-year-old Gong Li ...... In the future, she will be able to become the palace emperor because of her piety and ambition for performance!

There is such a tireless desire to seek advice, coupled with the guidance of famous teachers and their own acquired efforts.

This woman will be grand in the future!