PS: Ask for a recommendation ticket, ask for a monthly pass!

Hong Jinbao greeted Wu Xiaozu with a smile, and there were Yuan Biao, Lin Zhengying and others next to him, laughing one by one. Entertainment reporters, paparazzi, and even social news runners are all coming up and pressing the flashing lights.

Not far away, Gao Lihong's face was slightly.

Zhou Yunfa , Liang Jiahui , Hong Jinbao , Mui Anyan , Yuan Biao , Lin Zhengying , Mecca , Yang Ziqiong and other stars made the screening venue look particularly starry. Not to mention Zhou Huimin and Luo Yijian's company descendants. If it weren't for Zhang Guolu's inconvenience to play in order to cultivate the character's temperament, he would definitely come to cheer.

In addition, Zhang Guozhong of the entertainment film company that Xiang Sheng cooperated with also came over to rub the heat with a little tender meat, Liu Dehua.

Andy is the same as the traffic of later generations, the popularity does not need to be talked about, but the status, qualifications and strength are more than a loss. smiled obediently and kept greeting the seniors in the circle.

"It started right away. ”

The staff took the initiative to remind Xiang Thirteen, who shuttled through the "connections" like a butterfly. Even if Xiang Sheng is shrewd and calm, it is difficult to hide his happiness today.

"Fear Room" officially opened, making him feel the beauty of the spotlight for the first time. The film was a success, and he naturally gained a foothold in the circle. The Xiang family also began the road of whitewashing in a real sense.

Fans hulala crowded and pushed towards the theater.

Looking at the poster full of a sense of fate, the whole person trembled. Wu style cinematic style!"

"Support Fa Ge and Wu Dao!"

"The second movie of Zhou Yunfa and Liang Jiahui, the two actors are worth the ticket price! Hurry up, squeeze in. ”

The largest cinema hall in Mong Kok, with about 310 seats. This is the largest cinema hall in the multi-cinema cinema on Hong Kong Island at this time. In later generations, the largest theater in Hong Kong has about 400 seats, which is already a super-large theater.

The seating capacity of this cinema is comparable to the total number of seats in a cinema in Golden Harvest and Debao. It can be seen how much impact Xinbao Cinema has on the cinema chain! Xinbao Cinema has many large and medium-sized cinemas, and its influence and coverage are very large.

Integrating Antai, which was later known as Anle Hollywood chain cinemas, Xinbao Cinema Line has a larger capacity in this life than in the previous life.

In the theater, there are many stars, and media people, film critics and film practitioners are also very dense.

Wu Xiaozu's "Fear Room" has attracted the attention of countless people in the industry.

The small train of Locomotive 1024 is much more refined than before, and the sound of filthy whistles slowly quiets down the otherwise chaotic theater.

With the appearance of the logo of Yongsheng, Xiang Sheng also showed a smile.

The movie begins.

"Huh!"

A dilapidated wooden nameplate with a rusty chain suddenly falls in the middle of the screen, clinging to yellow vines and rusty gears. It's a little weird and a little punk goth.

The title leaked out -

"Dread Room"!

The slightly cold picture is reflected on the screen, and the flashing subtitles are slightly shaky, so that the audience watching the play below is instantly attracted.

This scene.

Critics' eyes lit up.

Before the feature film begins, the opening prologue creates a mysterious atmosphere.

"It's weird. ”

Several of Hong Kong Island's most famous film critics have opened their eyes wide, and the film seems to be very different from Mr. Wu's previous style. Although it is also a horror film, it is definitely different from the realistic psychopathic melting pot thriller of "The Butcher on a Rainy Night", and the film reveals a unique punk mystery at the beginning.

That's right!

This movie Wu Xiaozu is mixed with elements of punk mystery. In the previous life, the "running group" game was very popular.

Director Wu himself likes the "team battle" after running the group, and he has studied the "Cthulhu elements", and the games of "Mr. K" are always mixed with some steampunk styles

Wu Xiaozu has always felt that "Chainsaw" is a movie that is very suitable for introducing this kind of element.

Of course, Wu Xiaozu will not be bored enough to introduce Cthulhu indiscriminately. In addition to letting go of his thoughts, directors must also learn to restrain their thoughts. He just needs to create that kind of atmosphere.

In the previous life, "Saw 1" can be said to be one of the most classic horror movies in film history, and it is a complete combination of film depth and commerciality. It's hard to imagine that this movie was shot in a rushed 20 days for a rookie.

But.

This happens to be the charm of this movie, fresh and brain-piercing to make you doubt life.

Wu Xiaozu copied this movie, and he wasn't sure if he had Wen Ziren's horror talent. He knows how to shoot and he knows how to film. So he knows very well that if a story is the same and different people take over, it may have the effect of shooting the opposite.

If he can, he's not stupid, wouldn't it be okay to copy the movie in a time-saving and effort-saving way?

Besides, he didn't think that purely Western-style movie was really suitable for Hong Kong Island at this stage. At that time, he united with Xu Yu, in addition to pitting him, he also took a fancy to Xu Yu's imaginative ability.

Mr. Ke, the charming is the kind of punk exploration of the mysterious.

"Saw 1" can fully fit into this mysterious wind.

Even.

In his previous life, Wu Xiaozu wanted to make a mysterious movie, but ...... The state said, "You will rest first."

"There's a British accent?"

Xu Yu changed his leg and stabbed Wu Xiaozu next to him, after all, he was nominally one of the producers.

Wu Xiaozu was serious, looking at Xu Yu with a smile, and on the other side, he withdrew his hand in the dark, and Gao Lihong, who was next to him, lowered his head and pulled his hair and moved his buttocks.

"British accents?"

"A mixture of nineteenth-century English Victorian classicism and modern machinery. Just like Hong Kong Island in colonial times.

It's hard to find an Oriental city like Hong Kong Island, where the modern and the classical, the advanced and the ignorant, the conservative and the unrestrained contradictory blend together. The Kowloon Walled City is home to some of the world's most advanced aircraft. That's pretty much it.

Didn't Albert Einstein say that imagination is more important than knowledge? Since Hong Kong Island has given us so much wealth, I simply came up with a patchwork aesthetic. Wu Xiaozu thought about it and explained to Xu Yu, who was staring at him with two eyes, and he would never have thought of the shock to Xu Yu by this passage.

If it weren't for the fact that his brain was clear enough, in Xu Yu's eyes, Wu Xiaozu was simply a pioneer in the exploration of Hong Kong Island and even Chinese films, and he had a halo in the back of his head.

He knows that with this "postmodern aesthetics" argument, this movie in front of him will definitely become another classic of Hong Kong Island films.

Black humor, violent aesthetics, cinematic structure, postmodern aesthetics...... The talent and prospects revealed in Wu Xiaozu's words made Xu Yu's whole body tremble with excitement.

Wu Xiaozu would never have thought that Xu Yu beside him would derive so many things at this moment.

When the film was first coordinated, the two of them did a comprehensive analysis of the storyboard script. Xu Yu, a guy who can introduce the concept of aliens in "The Swordsman of Xinshu Mountain", is even more brain-opening when filming this drama.

Wu Xiaozu can also be regarded as inspired by Xu Yi.

This completes the style of "Fear Room" to patchwork aesthetics.

In other words, this play naturally has a postmodern aesthetic style, because patchwork aesthetics is one of the most important postmodern Peugeots. 8)

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