ps: Ask for a recommended ticket! Ask for a monthly pass!

"Crazy Boy" was filmed very quickly, and the plot of the horse and the knife Liu Weiqiao was very shocking, which basically met the requirements of the romanticization of Wu Xiaozu's film style.

In this movie, Wu Xiaozu deliberately gave Liu Weiqiao a lot of freedom and let him play. On the contrary, in addition to proposing the overall film style, there are not too many details of the film.

This was unimaginable in the first two films.

Wu Xiaozu cares about details very much in filming, even if Huang Yuetai cooperated with him to shoot "The Birth of a Word". Each shot will be discussed many times by the two.

But "Crazy Boy" is not like this.

Wu Xiaozu increased the weight of Liu Weiqiao, Qiu Litao and even Luo Liyuan in this play.

For example, a circus by Chen Haonan.

Wu Xiaozu felt that he could shoot a little sense of space, but he listened to the opinions of Liu Weiqiao, Qiu Litao and others. Wu Xiaozu was surprised to find that the sense of space he pursued would actually hinder the overall atmosphere of the movie "Crazy Boy".

Blood!

Do brothers still need to consider the position?

The director needs to keep improving, not learning. As mentioned before, "Crazy Boy" is a good directorial experience for Wu Xiaozu. eliminated a lot of his fixed thinking, so that he could stand on a higher level to watch a play.

Chinese movies are very similar to Chinese music.

Our music is not about the groove, but about the lyrics and the rhyme. So when you look at the enduring classic music, all of them have excellent lyrics and unique charm.

On the contrary, European and American countries pay more attention to rhythm, such as jazz?

"The Birth of a Word" for Wu Xiaozu made him see the mirage of the movie from afar. I have my own preliminary understanding of movies in my head.

But suddenly, a vulgar and commercial "Crazy Boy" shattered the dream scene that Wu Xiaozu saw.

Point to your nose and tell him: Although what you see is the appearance of the movie, it is not necessarily all real!

That's where it gets interesting.

It's like if you look at a beautiful woman and you find it, it's so beautiful! This is simply the goddess in my heart.

But in fact, this Internet celebrity face was retouched by PS......

The most terrifying thing is that maybe what you see is actually a women's clothing boss!

Eliminate all techniques and tell the story with a pure newcomer's eye. This may be the virginity that a filmmaker wants to keep...... True.

…

On the set.

"Come on—"

"Work hard!"

"You can. ”

"Mourning ......"

The main cast and crew of the whole crew walked up to Director Li Licheng, patted him on the shoulder with a solemn face, and stopped talking earnestly, and finally changed to a sigh......

Fei Cheng angrily gestured to a few friends with a 1024 general opening gesture.

Convex!

As Director Li Licheng's role gradually came to an end, Director Li's bail period also ended. The pot that was carried at the beginning is now carried well when kneeling.

It's weird in the dark.

Wu Xiaozu took the initiative to go to prison. Xiang Jia "took the initiative" to enter the register. Fei Cheng took the initiative to enter prison.

Maybe if you want to harvest a lot of things, you must "go" to pay the price, right? Only by paying the price can you never suffer in the future.

…

Hou Xiaoyuan held a plastic cup and sipped his chrysanthemum tea comfortably, with a touch of admiration in his eyes.

In order to make a movie, he is willing to offend the powerful. Blame the big guy and defy the law.

The fat in front of him faded the weakness and incompetence of the foreskin in Hou Xiaoyuan's eyes, he was lustful and timid, and his whole figure was convex and backward, which was particularly majestic.

What a cute and pure group of filmmakers! The eyes of literary directors come with 20 million beauty filters!

Hou Xiaoyuan believes that all life is actually a reflection of art.

He felt that the scene of Fat Cheng was particularly in line with the style of brotherhood in "Crazy Boy". He feels that this movie is similar to the youthful and confused emotions of "The Man from the Wind Cabinet" he filmed two years ago.

That movie is about the confusion of youth, and this movie is about the confusion and enthusiasm of youth.

It's exactly the same!

glanced at Wu Xiaozu, who was giving Zhou Huimin a play, and touched his fat face. I feel that the difference between him and Wu Xiaozu may be that he can only talk to male actors, but he doesn't know how to talk to actresses.

During this time, Wu Xiaozu's attitude towards doing things gave him a lot of inspiration. Thinking of this, he took the notebook beside him:

"When you don't seem to understand something, your heart seems to know the answer, but it's not clear. That's where you need to look.

At this moment, your inner energy is the greatest, and it will unconsciously erupt. Movies and life are only separated by a line......" wrote this, paused the tip of the pen, and started again.

"Before filming "Crazy Boy", I watched his "The Birth of a Word". I thought he was Akira Kurosawa.

But through contact, I can feel director Wu Xiaozu's love for movies. This love permeates every little detail.

An actor's lines are vocalized, and a subtle twist is a small movement.

In order to be perfect, he will constantly hold down the opponent's lower abdomen to make the actor understand how to pronounce it. Hold the other person's waist and tell the other person if they twist the ......

Director Wu is a very serious and responsible director for the actors. At this point, I have to study hard......"

During this time, Hou Xiaoyuan used the artist's vision to refine many of Wu Xiaozu's actions.

This is a director who loves to explore!

If Wu Xiaozu had read Hou Xiaoyuan's notes, he would definitely agree with Hou Xiaoyuan's evaluation.

He is indeed a director who loves to explore.

I like to break through obstacles, try different positions, always maintain the most excited state, and let go of the original intention!

A director must always have the heart to break the beginning.

……

Zhou Huimin's long hair is curled into a ball, and her appearance is pure and lovely, and she is full of the charm of a young lady.

The facial features are exquisite, and the face shape is slightly flawed, but with the shadows, the whole person is pure and charming.

White cropped one-shoulder cropped crop top T-shirt with large buttons on the bottom of the body and tight black leather pants.

It is different from Lao Wang's bright like a diamond, and deep like a lake. Soul-stirring, and otherworldly eyes. Radiant, charming and amorous.

The young lady lying silkworm cooperates with a high degree of myopia, blurry and full of laughter, cute and numb, pure and abstinent and hateful......

Every time he sees Zhou Huimin, Wu Xiaozu has a sense of déjà vu when he goes to a colleague's house with a briefcase, and his colleague's wife squats on the ground in an OL suit to change his slippers...... Full of Japanese style of a good wife and mother.

On the contrary, Lao Wang is the type of girl who enters the door and throws her shoes, and hangs on Wu Xiaozu with her little feet.

Woman—

"Director Wu—"

Seeing that Zhou Huimin, who had made up her makeup, was taken to the red MR2, the female assistant took the initiative to come over with a rope and handed the rope to Wu Xiaozu casually.

"Don't be afraid, I'll take precautions. The car will drive slowly, you just lie down, it will definitely not hurt very much, and it will not be very dangerous..."

Wu Xiaozu smiled as usual, took the rope, and comforted the young lady.

This scene is the scene where Zhou Huimin, who plays a little stammer, is tied to the car by Chen Haonan, pheasant and others to patrol the streets and intimidate.

For safety, Wu Xiaozu still chose ropes. Hand clasp this thing, one is not careful, it is easy to strangle the wrist.

Many people in the crew tied ropes that were not too ugly or unsafe. Director Wu thought about it and showed his unknown rope art skills.

So, how important is it to be tired every day?

Young people, mastering one more craft is useful at any time. How do you know only a few postures?

Director Wu, master the core technology!

"If you tie me up, I won't be afraid. ”

Zhou Huimin smiled innocently and warmly, and the beautiful eyes on the lying silkworm seemed to reflect infinite warm light, "In case of danger, I will rely on you to ......" said, smiling sweetly.

Zhou Huimin has a kind of warmth. A glance and a smile can make people feel pure.

"No problem...... Director Wu, who has mastered the core technology, raised the arm of the young lady......

While talking, he cooperated with the female assistant to tie Zhou Huimin to the car body in a simple tortoiseshell rope art binding way, and the bright red MR2 Zhou Huimin was restrained on it, which itself looked very graphic.

This kind of rope is very safe to tie, and the first element at this time is to ensure the safety of the actress and avoid accidents.

"Is it possible here?"

"Here?"

Wu Xiaozu tightened the rope and kept asking Zhou Huimin how he felt...... The main thing is to see if Ann is not safe.

Director Wu assured that there was nothing charming in his mind. Looking at the rope position, the tortoise shell was not formed, but it was a pity......

In the previous life, this trend was very popular in the outer circle. Wu Xiaozu is resolutely opposed to this kind of comfort for women... Bondage!

It's all for the safety of filming!

Thinking of this, Wu Xiaozu felt that if he needed to shoot a scene that needed to hang Weiya in the future, he must improve the coercion.

The actor and actress are too unequal, and the actor hangs the egg......

At the end of this scene, it is a scene where Zhou Huimin eats barbecued pork buns. Zhou Huimin, who has lost a lot of physical strength, eats barbecued pork buns and works very hard.

Zhou Huimin should be very glad that she met a director like Wu Xiaozu who is good at training actors when she entered the industry.

Thinking about this life, she should have a different development and life.

Hou Xiaoyuan understands the movie, and Zhou Huimin lives in a position.

……

New Arts City.

Mecca smiled and watched the two colleagues leave, before she retracted her smile, pulled out a cigar, and frowned.

In the Christmas file, the box office of "Windfall 30 Million" and "Oolong Family" in New Art City was unsatisfactory.

Golden Harvest Distribution - "Detective Chocolate" produced by Hui's Film Company was a box office hit and was a hit at the Christmas box office. It also made the three giants of the new art city have to temporarily put aside the mustard between each other and discuss countermeasures together.

Ishida focused on "True Colors of Heroes 2". Huang Baiming also frequently cooperates with some small companies to make films.

"Crazy Boy ......"

As soon as he read a sentence, Mecca let out a faint puff of smoke with a subtle expression.

Wu Xiaozu, the new director, has a good impression. Originally, he had the intention to invite Wu Xiaozu to start the play, but he was worried that the other party's personal stylization was too serious and was not suitable for cutting into a big production.

I didn't expect the other party to start another drama so quickly.

If this drama sells well at the box office again......

Thinking of this, Mecca looked at the phone on the table, hesitated, made up her mind, and reached for the phone.