Today's birthday heroine Yu Xiaoxia is online after 12 o'clock at noon, and it is also the time when everyone practices hard all morning, at home or when they go to the cafeteria to eat. The combination of work and rest is also what Zuo Shuqin has always advocated, and they can't resist the physiological needs, although Qian Shuyuan and Yu Xiaoxia have been shouting to lose weight, but it is still not okay to skip meals.

Other girls also saw the three-string concerto that Qin Fangge gave her, and their birthday gifts were not meant to be kept secret, and after Yu Xiaoxia received the email, it was also transmitted to the group shared space, everyone can download it and read it carefully, and they are also responsible for the concerto part. And once they have practiced the difficult lead part, they will have a lot of opportunities to perform on stage in the future.

However, these girls are not in a hurry, such as Chen Tianhong, who first got "Pipa Xing", her practice progress has not been fast, for many reasons, in addition to the high difficulty of the repertoire, her pursuit and spirit are very high, the key is that she is not in a hurry, saying that she wants to be meticulously crafted.

Wang Zizi and Han Wei are also similar, Lin Baoqing is more divine, and they have both cooperated with Qin Fangge in concerts, but she herself does not have many ideas of holding concerts alone, although she has considerable strength now.

A few days after Teng Shuting got her birthday gift, she didn't rush to organize the orchestra to practice, and her birthday gift was considered a collective benefit for the orchestra. But in terms of composition, Qin Fangge still spends a lot of thought on it, especially for her composition department, which can always give her a lot of inspiration and inspiration, whether it is in the creation of national music ensembles and symphonies. The electronic keyboard is particularly expressive, and a single instrument can support an orchestra, and when he composes, he uses all kinds of techniques and techniques of Western music, and combines them with the situation of their bands, and uses them practically. Their orchestra is dominated by ethnic instruments, and balancing harmony has always been a big problem.

This time Yu Xiaoxia's three-string concerto, Teng Shuting didn't have time to take a closer look at the score, and it was not easy to listen to Yu Xiaoxia just for the three-string part. The other girls laughed and said that if the difficulty was too low, they wouldn't be able to do it in Qin Fangge. They have self-confidence, but they will not be blindly confident, knowing that the national musical instruments are broad and profound, worthy of a lifetime of dedication, they are still inexperienced, do not have much proud capital.

Now those who have achieved high achievements in national music must keep up with their age and experience.

In Western music, in fact, the same is true, there is a considerable difference between the older generation of performers and the younger performers, both in terms of performance style and connotation.

This is understandable, people are constantly improving, just like them ten years ago, and the gap between their level now is very obvious, and they can feel it.

If there is no progress, wouldn't all these years of continuous efforts be in vain?

The three strings are originally a particularly difficult musical instrument, known as the saying of "a thousand days of Huqin and a hundred days of flute, and half a lifetime of three strings can not be learned", and it was originally used as a three-string accompaniment for various operas. Now, after being restructured by various famous artists, it has gradually become a solo instrument, and has joined the national orchestra, playing an increasingly important role. There are many playing techniques for the three strings, such as playing, picking, double playing, double picking, sweeping, wheeling, rubbing, etc. The left-hand techniques include boarding, sticking, kneading, buckle, slipping, etc., and the right hand has springing, picking, double-playing, double-picking, rolling, splitting, sweeping, smashing, rubbing and other techniques.

Moreover, these performance techniques are constantly exploring and improving, and they are far from mature.

There are not many pieces of music written specifically for the three strings, and most of them are adapted from other ethnic music.

Qin Fangge was not eccentric, and he also spent a lot of thought on Yu Xiaoxia's three-string concerto.

Adding a beautiful melody to it is not a problem at all for him, a melodic bulb. The great difference between folk music works and Western music is that many folk music works have themes and are combined with traditional culture, which has the meaning of title music.

You can give examples casually, "General Order", "Plum Blossom Three Alleys", "Han Palace Autumn", "Yangguan Three Stacks" and so on. In Qin Fangge's works, "Liang Zhu", "Spring River Flower Moonlight Night", "Pipa Xing" and so on, are also the same, and some have corresponding themes.

In Western music, the theme is not so obvious, there is more atonal music, and what the composer wants to express is buried deeper and not so direct, and needs more research. Of course, for the listener, it is also possible to ignore so much, what you hear and feel is what you feel, and different musicians and symphony orchestras play and give people different feelings.

It is impossible to say who is superior and who is inferior, it is just a matter of style, and it is impossible for national music to abandon traditional culture, which is also the mission of national music, inheriting the brilliant civilization. Even if foreigners do not understand, for Chinese, it is extremely immersive, and a little understanding of traditional culture is particularly resonant.

Just like "Liang Zhu" they performed a few days ago, the poignant and sad romantic love story between Liang Shanbo and Zhu Yingtai can especially arouse the resonance in everyone's hearts, and even make up a lot of pictures in the brain automatically.

Of course, this is based on being familiar with the story of Liang Zhu and having an understanding of the social, historical and cultural background of the time.

In the eyes of foreigners, there is still a lack of understanding, and it feels like we listen to "Romeo and Juliet", the sense of substitution is not strong, and we can't really understand the more quintessential things.

The theme of Qin Fangge's three strings to Yu Xiaoxia is Wang Zhaojun, one of the four beauties of ancient times, and there are too many stories and legends about Wang Zhaojun, which also gives Qin Fangge more room for imagination. Sanxian is also particularly powerful in expressing these stories and emotions, joys and sorrows, and strong contrasts between national righteousness and one's own honor and disgrace.

There is also quite a lot of room for performance left for the performer Yu Xiaoxia and the other girls of the Jinse Huanian Orchestra, and here, Qin Fangge also perfectly integrates the advantages of Western music, and the things expressed are more subtle. This is in line with Wang Zhaojun's story, the degree of familiarity is not so high, except for knowing that she is a relative, the specific details can only rely on imagination.

The music style is also changeable, Yu Xiaoxia herself has a particularly high evaluation of this, she said that "you can't extricate yourself from it", but she is not flattering Qin to sing songs, but really feel the charm of music.

In her past years of music practice, except for Qin Fangge, no one wrote music for her, and she had not yet reached that level. As for her personal charm, Yu Xiaoxia herself doesn't think it's too big, she is just an ordinary music student, with average appearance and ordinary figure, and even her musical talent and talent are not necessarily much higher than other Sanxian students in the same conservatory.

Yu Xiaoxia felt that she was very lucky to meet such a strange thing as Qin Fangge, just like the musical instrument of the three strings. In the history of ancient Chinese music, the sanxian, a distinctive musical instrument created by the Chinese people, is an authentic Chinese civilization, unlike the erhu pipa and other musical instruments, which came in from the outside and has always occupied a position that cannot be ignored.

For students of the Department of Folk Music like Yu Xiaoxia, the course that must be taken is the history of ancient Chinese music. Throughout the history of ancient music exhibitions, strings are a general term for stringed instruments. Since the Ming and Qing dynasties, the musical instruments referred to by each person have been different, but most people think that the musical instruments called strings refer to the three strings. At the same time as the string cable exhibition, the three strings, as its main instrument, have also formed their own performance characteristics, and have also developed in the instrument type, forming different performance styles in various places. In general, the three-string performance in the strings is dominated by an elegant and honest style. On this basis, the three-string performance style in the north and south is different, specifically: for example, the string Suo Yale and Henan Bantou Qu use the big three strings, that is, the middle drum three strings, which are about 122 cm long, the volume is large, and the instrument performance style tends to be simple and robust; The southern strings such as Chaozhou fine music use small three strings, about 9o cm long, the volume is small, and the instrument playing style tends to be delicate and beautiful. The three strings in the strings can be played together with other instruments or individually.

Yu Xiaoxia is from Guangdong, and she has been exposed to Chaozhou fine music since she was a child, but she is not limited to this, the big three strings, the small three strings and even the electric three strings, the level is quite high. Thanks to the convenience and speed of information dissemination now, her music learning path is also very smooth, and she is not confined to a single small three strings. In fact, the students of their folk music department are basically all-rounders, Huang Jing and Naizi have a few erhu players, Gao Hu Jing Hu Ban Hu Ge Hu can take it.

The inheritance and exhibition of the three strings has always been a grand and serious proposition.

In the words of Mr. Cui, who taught Yu Xiaoxia and them the history of ancient Chinese music, "The existence and exhibition of strings have enriched and exhibited the performance techniques, musical styles, and musical expressions of the three strings to a certain extent." The art of playing the three strings is a rich, wide-ranging and timeless subject that deserves in-depth study. Reflection on history can help us clarify the direction of our future efforts. In the face of the precious wealth left to us by our ancestors, what we need to consider is how to pass it on. ”

It's just that this is easier said than done.

Even with the help of the musical genius Qin Fangge, there is no way to achieve immediate results, not to mention, his energy is not here at all. If she can take some time to take care of a three-string player like Yu Xiaoxia and create a few three-string works, she is really thankful! As she said in the group, she expressed her gratitude to Qin Fangge.

This mood of hers can be understood not only by the girls, but also by Qin Fangge. It's just that there are commuses like Huang Jing and Chen Tianhong who jumped out to spoil the atmosphere, saying that they want to hug!

It seems that the girls are also a lot thicker now, and Yu Xiaoxia is not stage frightened at all when she hugs, although it is an expression in the group. She also learned badly from Teng Shuting, and used the group hugging technique to everyone in the Hongyan group, saying, "I have to cooperate with all the sisters in the future, I will hug the disrespect first!"

Huang Jing also smiled and said that even if she knew her, she would not be so cruel to her at night.

made Yu Xiaoxia scared in her heart, when there were no outsiders, Huang Jing and Wang Zizi were particularly terrible when they went crazy, tossing the sisters with no discipline and bottom line at all, and everyone else was also fueling the troubles.

After Qin Fangge came out, he also took a break for a while, chatting and bragging with them, but Huang Jing and the others didn't mention what bad things he had done before.

The girls didn't forget to wish him a smooth evening performance, and also joked that he could gain a large number of fans again.

Chen Tianhong and the others are still concerned, "I don't know if there are any beautiful women who will give him flowers this time!"

"There should be an arrangement!"

"I heard that the quality of Czech beauties is higher, Qin Fangge, you must be able to hold it!" Wang Zizi shouted in the group.

Huang Jing and Pan Linna completely watched the excitement and didn't think it was a big deal, and also encouraged him, "If you are a man, you have to rise up, you go out this time to shoulder the great mission of winning glory for the country, we are optimistic about you!"

provoked a burst of crusade in the group, Qin Fangge, this guy is also thick-skinned enough, "There is a big aesthetic gap between the East and the West, and my standards are very high." ”

I have to be laughed and scolded by the girl for a while, saying that he is too narcissistic or something.

Wang Zizi really asked him for confirmation, "I seem to have heard that there are no official tickets for sale, and all the tickets are sold out?"

Pan Lina and the others are also very curious, they also saw it from Qin Fangge's forum complaints, there are actually a lot of international students over there, and if they can issue tickets, they can grab them, so they can't buy tickets in the dark, and they are really a little annoyed. They had discussed this before, but this also showed from another aspect that Qin Fangge's title of "the world's number one tenor" is indeed good.

They can be regarded as seeing through now, in such an age, no matter how strong they are, the publicity and marketing work must keep up. Otherwise, it would still be difficult to get ahead, Qin Fangge could be regarded as a very good demonstration. Of course, it is also because of the strength of the team behind him, among them, the most unavoidable is Xi Wanqing! She is known as Qin Fangge's brainless fan. The girls in the orchestra know this best, and Zuo Shuqin has witnessed it with their own eyes, since Xi Wanqing met Qin Fangge in the bar, she completely fell into it, saying that it was a bit too much to do everything, but it was an indisputable fact that she spared no effort to help him.

Although many girls don't like Xi Wanqing, they have to admit that he Qin Fangge can have his current reputation and status, and Xi Wanqing and her team behind him have contributed a lot.

Qin Fangge replied that he himself was not particularly clear about this, but he also knew that it was a fact that the tickets were particularly popular. For old foxes like Foreman, there is such a good opportunity, and if you don't take a good hand, you will definitely be sorry for this opportunity to drop a gift package from heaven. Whether it is ticket revenue or opening up more interpersonal relationships, the Czech National Opera can be described as a double harvest of fame and fortune.

The girls and Qin Fangge didn't complain about the idea of the opera house, as long as his fame abroad was brushed up, it was OK!

Please remember that the first domain name of this book is .. Biqu Ge mobile version reading website:m.