For the wonderful performance, everyone never hesitated to applaud, and most of the wine glasses in their hands were put down when they started the performance. Otherwise, it is not cost-effective to break or spill the wine glass, and accidents like this have all happened to you.

As the most poignant love story in ancient China, Liang Shanbo and Zhu Yingtai are deeply rooted in the hearts of the people, and because of this, this "Liang Zhu", composed by Qin Fangge and played with several other girls, is particularly moving. Although this is the first time since tonight that their sensitive hearts have been knocked and they don't know how many tears have fallen, there are not too many women with red eyes like rabbits at the moment.

When their romantic and touching music ended, but it also implied bleak and sad music, most of them felt unfinished, but there was no way to ask them to continue.

If you think about it, you know that they originally played together in an ensemble of seventeen people, and they usually practice in this version. Now there are a lot fewer instruments and hands, and the previous paragraph has also been adapted. Anyone who understands music knows that it is not easy to adapt a piece of music, even if there is a genius like Qin Fangge, it is nothing for him to be alone, but he also has to take into account the problem of his cooperation with others.

Naturally, the bar burst into thunderous applause.

Zuo Mengfeng and Wu Ruhui are also proud and proud on their faces, although they didn't go to their performance site last night, but when they performed at the National Center for the Performing Arts, they were all there. When performing at the Grand Theatre, the acoustics are far from being comparable to such a small bar.

But now, my daughter and her friends are performing here, and they are also warmly sought after by the audience, which is also something to be happy about, and it also proves that good music will always be liked by everyone.

Chen Yushan had already left the dressing room when they first started to perform, and her retreat time was not short, half an hour had already passed. However, the results are also quite remarkable, not only did she memorize all the lyrics and melodies of this song, how to sing it, how to sing it well, but also tried according to Qin Fangge's points and simple requirements. 】

Of course, Qin Fangge is just a rough idea, and how to sing it is up to Chen Yushan to solve it herself. For example, he only asked for the second half of the song to be sung in Peking Opera, not to mention giving a demonstration or anything like that, Chen Yushan had to ponder, experience, and grasp it well.

When Chen Yushan returned to the stage again, the customers in the bar were looking forward to it.

What she wants to sing is a new song written by Qin Fangge, yes, with her current singing level, it will take so long to prepare, how difficult it will be. Of course, what everyone is most concerned about is whether this song is good or not? Will Chen Yushan's performance be up to everyone's imagination?

Qin Fangge also left from the keyboard, still preparing to return to the piano, his piano accompaniment is very important, in addition to guiding Chen Yushan's singing, he also has to bring Huang Jing and Pan Lina who are responsible for the accompaniment. Of course, he didn't forget to ask her, "Is Sister Chen ready?"

"Ready, I'll do my best!" Chen Yushan nodded.

Qin Fangge also told her to relax, and said something, "I believe in Sister Chen, and there is no need to ......be nervous at all."

Zuo Shuqin also thought that he would only put more pressure on people, saying that they believed in Sister Shanshan more, and also said, "This is Sister Shanshan's home field, if this guy Qin Fangge dares to say bad things, we will let him see what the devil's home field is!"

Her words amused Chen Yushan, Huang Jing and Chen Tianhong are all characters who are afraid that the world will not be chaotic, and they all follow Zuo Shuqin to echo it. Chen Tianhong is even more so, her pipa will not be included in the arrangement, she is happy, she has also read the main theme and lyrics, although it doesn't seem difficult, but it is not ordinary difficult to sing it plus Qin Fangge's perverted requirements. Moreover, it can't be just technical and emotionless, otherwise, no matter how high the singing skill is, it is useless, just like a puppet without a soul, and emotion is the soul of pop music, which is not an exaggeration at all.

was teased by a few of them and gagged like this, Chen Yushan, who was already experienced on the spot, was even less nervous, Zuo Shuqin and the others were right, it was Chen Yushan's home field in the wine. She couldn't be more familiar with this stage, how many nights, she has been singing here, and the guests in the bar are all old acquaintances, whether it is the boss or the proprietress or the little proprietress Zuo Shuqin, they all give her the feeling of being at home.

Qin Fangge told them when she was ready, and Huang Jing and Naiko also said that they were ready, so she could rest assured.

Chen Yushan pays special attention to her image now, but because of Qin Fangge's preference, she only wore light makeup tonight, and standing on the stage, she also looked particularly charming and moving under the glow of the lights. Her typhoons have always been good, and after professional training, she is even more superstar-like. Qin Fangge's purpose in sending her to training is to make her a superstar in the pop music world. In other words, this goal is actually not difficult to achieve, because there are really not many girl singers who are willing to sing seriously now! Even if they have strength and reputation, most of them are lying on the merit book to cultivate, and it is difficult to get ahead is to think of various ways to become famous and sing well, it seems that it has never been the best choice......

is different from Qin Fangge's relaxed freehand on the stage, Chen Yushan attaches more importance to such a stage, and her whole body is full of aura, although there is still a faint smile on her delicate and beautiful face, but when she goes to that station, the whole person seems to become more majestic.

Chen Yushan was interacting with the audience who supported her and nodded, she seemed to have inherited Qin Fangge's style characteristics, and did not report the name of the song. After she was ready, she turned around and made eye contact with Qin Fangge and the other girls, indicating that she was ready. And the bar also became quiet at this moment, and everyone was looking forward to it.

The first to sound was the beat of the drums on Pan Lina's side, and in this peaceful environment, the sound was heard in the ears. Then it sounded, it was the erhu army composed of four beautiful girls that everyone was already familiar with, they used the erhu in their hands to play a crying, poignant and beautiful melody, with Pan Linna's drumbeat, the emotional color is also about to come out, it is definitely not a happy and bright song.

Qin Fangge's piano accompaniment came belatedly after the erhu, and Chen Yushan's singing voice came even after the piano. They had also discussed it before, and Chen Yushan only needed to follow the rhythm of the piano. His arrangement is the simplest, and if it was to be made into a song, it would have to add bass on the keyboard, more strings, and vocal choruses.

But this kind of arrangement is a good thing for Chen Yushan, she quickly entered the state, and the access of the first lyrics was also quite smooth, slightly hoarse and very vicissitudes, and the dreamlike singing voice passed through the microphone to the ears of the entire bar audience, and also let them hear clearly, this is a love song, and it is a love song with the flavor of an old love song, "If I meet you and you are young."

Exchange your deepest love with the truest heart"

Chen Yushan is the person who has been singing for so many years, and when she deals with it, she has her own style, delicate and full of emotion, with a little regret and more expectations. She didn't blame Qin Fang, who wrote such lyrics, and she didn't blame him at all, she was only immersed in singing.

"If you were to meet me, I would still be young

I also believe that eternity is unchanging."

If you just look at these lyrics, it can be said that Qin Fangge tailor-made lyrics for Chen Yushan, of course, it can also be regarded as evidence of Qin Fangge's forcible flirtation with her. Because she is older than Qin Fangge, I believe that there should be more than one or two people who do this kind of feeling, especially now that everyone knows that Qin Fangge is a romantic and amorous species. But here, Chen Yushan reflects her professionalism, and she also perfectly substitutes her own emotions, and continues to sing to the accompaniment of the piano and poignant erhu.

"If I leave you, you will be at peace

I just hope that you can rest assured and don't worry about you

If you leave me, pretend I'm calm too

Even if it's sad, it's unintentional."

Singing this, the suspicion of Qin Fangge can be alleviated a little, and when it comes to the topic of leaving and parting, it will always make people feel particularly sad, even if it can maintain a superficial calm. But whether it is worried or reassured, sad or unintentional, who can tell clearly, and only those who have experienced parting can have the most intuitive experience.

"The barrier of time and space is not only a long road

Love silk entanglement is not long fluttering"

Chen Yushan's handling of the two lyrics here shows her musicality and handling methods, especially in the processing of the two overlapping words "Wai Yu" and "Piao Piao", which are simply beautiful, and even a little cute, which directly makes people's ears pregnant.

She herself didn't notice the expressions of the audience, or her eyes were full of tears, or her scalp was numb, and she only focused on singing. And such a song, it is difficult for her not to want Qin Fangge, the initiator, amorous is also the most suitable label for him, and he is especially like a person with such feelings.

"The man of the red world

Why are you always amorous and annoying?"

It's also a good thing to always be amorous and annoying, because this at least shows that Qin Fangge is a living person, with seven emotions and six desires, likes beautiful women, and loves music, not a Buddha statue that can only be offered by everyone, or can only look up to other gods and gods that cannot be touched.

If you think about it this way, you can understand him better, because he, a musical genius, is actually more afraid of loneliness and loneliness than anyone else.

This point seems to be confirmed in the lyrics later, and Chen Yushan also sings this love song with her own unique understanding.

"It was a cloud, but it should be turned into rain

Throw yourself into the heart of the sea

But with tears in his eyes

Let the loneliness drift away

You belong to me

See life to the end

But there was no chance to reunite

Complaining that the sky has changed his mind"

The meaning of the lyrics has been quite clear, even the audience who listens to it for the first time, can sensitively grasp keywords such as "tears", "loneliness", "drifting", "seeing life", "no chance to reunite", every time I think about it, there will be a heart-rending feeling, not to mention, now this sad words are all combined, and in the end, all the emotions such as sadness, complaints, and dissatisfaction can only be attributed to one point, that is, "the sky has changed its heart"!

After singing for the first time, Chen Yushan has conquered the ears of the audience with her wonderful performance, she is beautiful and her voice is also beautiful, especially her very penetrating voice, which is particularly easy to resonate with everyone.

The interlude is also when Huang Jing and Kanako, Qian Shuyuan and Feng Lulu are working on the erhu, and they pull the erhu like crying, and the style becomes more radical. Pan Linna's drums became more intense, as did Qin Fangge's piano accompaniment, and the change of style seemed to indicate something, just like the feeling of a mountain rain coming and a wind full of buildings.

And Chen Yushan on the stage is so beautiful that it is suffocating, like the turn of Da Tsing Yi in Peking Opera, which makes the audience hold their breath, and they can feel what it means, and feel that Chen Yushan is going to magnify it!

Sure enough, the foreshadowing in front was not in vain, Chen Yushan's changed singing voice on the stage, the very orthodox Peking Opera singing voice, the charming and enchanting posture, and the bleak and beautiful face were bombarding the visual nerves and auditory cells of the audience.

"It was a cloud, but it should be turned into rain

Throw into the chest of the sea...... lapel

But with tears in his eyes

Let the loneliness drift away...... Zero"

After Chen Yushan sang these lines in Peking Opera singing, it formed a sharp contrast with the previous ordinary pop singing, so that the impact and appeal to the audience were more obvious. She has the experience of singing Peking Opera singing, and has also consulted famous artists, although this will be the first time to sing, but the performance is still outstanding, even the fingers are pinched.

And Chen Yushan did not relax at all, although she did not have tears, she was full of affection, and sang the lyrics of the following lyrics with the mood of helplessly separating from her lover and never having the opportunity to reunite, "You should have belonged to me."

See life to the end

But there was no chance to reunite

Complaining that the sky has changed his mind"

At such a moment, Huang Jing and her four highly expressive erhu performances set off the atmosphere, enhance the appeal, and help Chen Yushan's long chant of "Ah ......", accumulating emotions little by little.

After all, such a song is still a pop song, emotion is the most important, but technology and skill are also indispensable, and the perfect combination of these is the most shocking.

At the climax of the end, Qin Fangge put a lot of effort into the arrangement, like an accusation, repeated it several times, and said "The sky has changed", which also made Chen Yushan's own emotions concentrate when mobilizing the audience's emotions, waiting for the final emotions to explode.

Accompanied by the mournful erhu and heavy drum beats, the "heart" that has changed at the end is as heavy as light, and the deep chant of Peking Opera singing is an octave lower than before, giving people the feeling of lingering sound. This kind of weak treble handling is actually more of a test of the singer's basic skills than a simple treble.

Please remember that the first domain name of this book is .. Biqu Ge mobile version reading website:m.