Teng Shuting came from their office with Professor Long Fujin and Professor Wu Yifen to classroom 201. :efefd。 The update is so fast.

Seeing that Qin Fangge was also in the classroom, Long Fujin smiled and said that this was the best, there was no need to invite him over.

Professor Wu Yifen also smiled kindly and brightly, "These two folk music works of Qin Fangge have the essence of traditional culture in them, and you don't have to think about it to know that he has worked folk music during this time. Whether it is the moonlit night of the Spring River or Liang Shanbo and Zhu Yingtai, they have far exceeded the expectations of Professor Long and me, and we have never seen such a high-level folk music work before. If the full score is 10, I would give these two pieces of music a perfect score. But what will be the status in the future, it is difficult to say clearly. ”

Long Fujin also took over the topic and said, "The status of these two pieces of music also depends on what kind of effect the performers play on the stage. Professor Wu and I are not worried about the moonlit night in Chunjiang, as for this Liang Shanbo and Zhu Yingtai, you must go all out and rehearse in the best condition. My suggestion is that everyone should familiarize themselves with the story, and review all the versions, including the previous film music, to help you get to know the piece better, and then you don't have to rush to rehearse the piece when you have something to learn. ”

"For love, everyone has a beautiful vision and yearning, especially you girls. In this Liang Zhu, love is the theme of it, but it is not only love, the emotions in it, we will analyze it slowly later. Wu Yifen said, "I believe you can also see that this Liang Zhu has a beautiful melody, gorgeous colors, easy to understand, and strong artistry, and we can call it a national symphony music." It is also a fascinating, novel, and original work. ”

Qin Fangge did not have any embarrassed expression, and calmly accepted these praises, Liang Shanbo and Zhu Yingtai Violin Concerto, in another world, known as the existence of national music classics, has endured, and there have been many versions, and the violin concerto version alone has been played by countless violinists. Even, some people say that where there are Chinese, there is Liang Zhu, and the influence is obvious.

However, Qin Fangge can't be judged by the situation in another world, after all, the times are changing, and the emergence of classics also has its own unique time, place, and people.

Take Liang Zhu as an example, the composition was relatively early, and the thoughts of several composers were still relatively simple, "pure" love. At that time, the transmission channels of other classical music were also limited, and works with a relatively high appearance rate were more likely to be accepted and welcomed.

Just like those smash hits in the 10s, if they were separated from the communication channels at that time, TV broadcasting, and in the era of the information explosion like now, it is really hard to say whether they can be as popular as they were at the beginning.

Of course, Qin Fangge doesn't need to be presumptuous at all, no matter what, the existence of a classic like Liang Zhu has been forged by time and the eyes of the people.

Even if the first thing he came up with was not a violin concerto, but a folk version suitable for Zuo Shuqin and her orchestra, it did not detract from its beauty and connotation. Read the full text of the latest chapter

Wu Yifen spoke highly of this Liang Zhu, as a professor of the composition department, even if she only got the song in the morning, her understanding was quite profound, "Qin Fangge used music to tell us a poignant and sad story. I divided it into three chapters, love, marriage, and butterfly. The first stanza is relaxed and cheerful, just like all young men and women love each other, the heart of the first acquaintance, the joy of looking at each other and smiling, and falling in love. In the second stanza, resistance to marriage, anger, indignation, injustice, and resistance are all vividly expressed in a heavy voice. The third section is butterflies, sad, pathosful, it is best to turn butterflies and fly together, you have to taste what you want, it is very surreal, romantic, and it can be said to be the most wonderful part of the whole music. ”

And Long Fujin, who is also a professor of the composition department, also has some different opinions with Wu Yifen on this Liang Zhu.

Women's talent for delicate, sensitive, and detailed emotions is usually better than that of men. Whether it is a female professor or Zuo Shuqin, who is about to rehearse, in Liang Zhuzhong, they should be able to show the delicacy and thoughts and feelings of Zhu Yingtai, a woman.

Of course, Professor Long Fujin hopes that their vision can be longer-term and the performance scene can be more magnificent. According to him, "It is necessary to use boldness, large landscape, and large vision to vigorously reveal the helpless eulogy of Liang Shanbo and Zhu Yingtai, two tragic figures." Especially in the movement of "Marriage Resistance", the atmosphere that the composer wants to create is the most intense, and he also needs the most passionate performance. We can all clearly feel the conflict between etiquette and freedom from the score, full of an alternative killing atmosphere, and this atmosphere plays a very important role in the tragedy of the whole story and the fate of the protagonist. ”

Teng Shuting and the others were not surprised, in the previous Jin Se Hua year, Long Fujin and Professor Wu Yifen also had different opinions, and each of them had different ideas.

As for Qin Fangge, he prefers to interpret according to the players' own understanding, and it is not a good idea to force them to play. This also made Long Fujin, Wu Yifen, and even Teng Shuting feel that Qin Fangge was too indulgent of these girls.

But Qin Fangge still insists on this, he doesn't want to be in charge of everything, and he also thinks that this is the time to give full play to their respective talents and inspirations, whether they can be recognized by the audience, and it also depends on their own.

There are girls like Huang Jing, jokingly saying that he will be done when he creates music, which is irresponsible.

But both the professors and the girls want to try their best to play the work to perfection, and there is no doubt about this.

Then, it was Professor Long Fujin and Professor Wu Yifen who took a group of girls to interpret this Liang Zhu, and Qin Fangge, the author, as a supplement, talked about his specific thoughts when he created it.

Everyone has a sheet music, and Teng Shuting also writes and draws on it with a pen.

No one was impatient, Wang Zizi and Huang Jing had a few, and they were all very quiet and ladylike at this time.

During this period, the two professors did not talk about the specific performance, but only the emotional tone of each movement of the whole piece. They agreed that this was the most important thing.

Of course, this is not to say that the technique is not important, on the contrary, these most basic things, which are also the basis for playing the whole music, are also very demanding. It is also more demanding to be able to play the emotions they want, although it is not to the point of nitpicking, but it cannot be neglected at all, and it also requires them to pay hard sweat and effort.

Moreover, Long Fujin still has the old saying that if the response to playing on stage in the future is not good, it must be their performance problem.

In the previous Jin Se Hua Nian, Qin Fangge still had a lot of unfinished places, and discussed with them to fill it, and it was best to complete it. And whether it is the Spring River Flower Moon Night or Liang Zhu, they are all completed and complete works. He didn't have any intention of modifying it at all, Long Fujin naturally wouldn't mention this aspect, and he felt that it was a distrust of Qin Fangge.

And it turns out that these two musical works don't need to be modified by others, they have to understand and comprehend first, and then talk about other things.

Qin Fangge also said that in this Liang Zhu, he borrowed a lot of Yue Opera things, which is also the origin of Liang Zhu's creation. And Liang Shanbo and Zhu Yingtai in Yue Opera are also quite classic.

Whether it is Long Fujin or Zuo Shuqin, they all feel that this can be regarded as a real national flavor, and all kinds of Peking Opera, Yue Opera, Kunqu Opera and other dramas are also an important part of cultural inheritance. In particular, the gorgeous rhetoric, exquisite costumes, special singing voices, etc. are worthy of learning and reference for those who are engaged in art.

Everyone got serious, and it was simply a note by note analysis.

The most attention-grabbing, and the most related to the success or failure of the whole music, is naturally the melody.

Especially for Chinese audiences, melody is also the thing that moves them the most.

It can be said that the quality of the melody completely determines whether they can really understand the music. When the creators were creating, they wanted to write music that the peasant uncles could understand.

Therefore, in the creation of melody, it is as beautiful as a song and especially down-to-earth.

This is also a point that was greatly appreciated by Wu Yifen and Teng Shuting.

The melody can be hummed, even the most quiet and silent Song Xian and Yu Xiaoxia can easily hum the melody. Huang Jing also said that if you fill in good words, you will definitely become a classic. But they all agreed that they had to find a good singer, or they would properly send their faces to the countryside.

Because of this, whether it is Long Fujin, Wu Yifen, or Zuo Shuqin, they all feel that this piece can be made into a concerto.

However, Qin Fangge obviously doesn't have that plan at the moment, it's not that he is deliberately lazy, the girls also understand what he means, and practice playing for them first.

Wu Yifen also asked the girls to understand his love, "With such a folk music ensemble, and then adapted into a violin concerto or something, our professors in the composition department can do it." So, you have to work harder."

Long Fujin felt, "In fact, this can only be used as an expedient measure, so that you have a head start." When this music becomes popular in the future, even Qin Fangge himself will not be able to stop it. I don't think you want to see such an excellent work, because it can't be adapted, and it can't be disseminated on a large scale, right? ”

The two professors said very directly, and Teng Shuting also hurriedly said, "Of course we won't be so selfish, otherwise, we will be scolded and abandoned." Qin Fangge has taken care of us very much, we definitely can't take revenge, if we can make our debut, it will be enough for us to be glorious."

Zuo Shuqin also said that this is the case, mainly depending on their performance level and whether they can really impress the audience. She also said, "There is pressure to be motivated, and our sisters will definitely go all out to not embarrass Qin Fangge and our conservatory." ”

The girls also know that too good works will basically be interpreted in various ways, whether the author is willing or not, authorized or not. Moreover, it cannot really be said that it is not authorized.

Qin Fangge said that they thought too highly of this musical work, and no one could say what the situation would be in the future.

But everyone ignored him, they all had their own opinions, but it wasn't something he could fool with just two sentences.

As their analysis deepened, a group of people became more and more convinced that this was the case, just as Qin Fangge himself had said before. After a musical work is created, it has its own vitality, and there will be no change due to the composer's attitude, whether it is modesty or pride, it has nothing to do with the work.

After the girls understood the heavy responsibility on their shoulders, they put all their spirit into it.

This Liang Zhu didn't last long, less than half an hour. But if they don't perform well, they are very likely to be surpassed, and their orchestra's instrument configuration is 79 novels, but in terms of acoustics, any large Chinese orchestra can blow them up. If you want to make a violin concerto, it is estimated that the momentum will be even greater. However, the requirements for the performers will also be higher.

They have the upper hand, and that's the biggest advantage. There is also Qin Fangge's tailor-made for them, if they don't play well, they will feel embarrassed.

An afternoon was spent on this, and the score was only half a mile away. Dinner still has to be eaten, Long Fujin and Professor Wu Yifen are very easy-going, and everyone goes to the cafeteria to eat. Even when they were eating, they were discussing this piece with Teng Shuting and Zuo Shuqin. They have their final exams coming soon, and they don't have much time to concentrate, so they have to hurry

Qin Fangge, this guy is much more chic, and it didn't affect his appetite at all, he was also served very well, and the girls didn't want to eat it into his bowl.

After eating, I continued to work hard in the classroom, and it was almost eleven o'clock when I finished analyzing the score. The two professors also felt that it was a bit unrealistic to assemble on such a large scale, and then they still called Teng Shuting as the conductor to convey it. Of course, they did not forget to ask Teng Shuting to draw up a detailed plan, and after the holiday, they had a lot more time and more time for rehearsals.

Teng Shuting nodded and agreed, Professor Long Fujin is her supervisor, Wu Yifen is also her teacher, people help work overtime for free, they naturally want to express their gratitude.

However, Wu Yifen also said that she is really not in a hurry, and she should not just think about when she will be able to perform on stage. They still have a lot of homework to do, and they can't relax the previous songs, especially the song Jin Se Hua Nian, which can also shine on the stage.

After sending the two professors away, Teng Shuting also told Qin Fangge that she felt a lot of pressure.

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