0578 Two in one
Fan Qing's look to Tang Ding was asking for help.
When Tang Ding stood up, he had no idea whether the painting was true or false.
For the identification of antiquities, Tang Ding's biggest reliance is his method of looking at qi. His method of looking at qi is to be able to see the treasure or aura on the item, but many things do not have treasure, and of course things with aura are even rarer.
During this period of time, Tang Ding has obtained treasures and spiritual things, which are basically jewelry, gemstones, or swords.
Something like this kind of calligraphy and painting, although it is very valuable, does not have a treasure, or they have a faint treasure, but with Tang Ding's method of looking at qi, it cannot be seen.
Xu Xiaojie's method of looking at qi can only see things with aura, and he can't see things with treasure at all. Tang Ding, on the other hand, can see both the treasure and the aura.
Perhaps there is a fainter treasure, which Tang Ding can't see now.
Regarding the method of looking at qi, Tang Ding also summed up the following experience: that is, the things that can see treasure or aura must be things that are some years old, such as jadeite and gemstones. Although some of these things have only been developed now, they have been buried deep in the ground for thousands of years, presumably a long time ago, the environment in which this kind of thing was born was a heaven and earth full of aura, so they naturally carried the breath of heaven and earth at that time in the process of gestation.
For example, the dragon sword used by Tang Ding has aura, and the Nebula knife has treasure, these can also be understood, first of all, the materials they are made of are ancient metal or wood, and the dragon sword is known as the magic sword of Wei Boyang, the real person of the fire dragon, with the mark of Wei Boyang.
For another example, Tang Ding's first absorption of the aura of the Baye Sutra, not only this Baye Leaf is an antiquity, but also this Baye Sutra also contains the supreme power of the Buddha. This mental power attached to it is a kind of aura.
Therefore, this ancient calligraphy and painting, according to this principle, should also be treasured.
Because of this ancient calligraphy and painting, firstly, the paper, pen and ink are taken from ancient times, and should be contaminated with the atmosphere of the time, and secondly, the works of the authors of these ancient calligraphy and paintings are all condensed with their painstaking efforts, and they should be attached to the spirit of their painting at that time, and this spirit is somewhat similar to the magic sword of the fire dragon and the Bayeux Sutra of the Buddha's condensation of spirit, but the two are only similar in principle, but in fact, the effect is too far behind.
The author of this ancient painting and calligraphy is far from having the supreme mind of the Buddha or the fire dragon Zhenren, although the works also condense their spirit, but they cannot be compared with the Buddha.
In the same way, like the works of Shu Lao, as well as the works of the old man Qi Baiqing, these people write and paint, and they must have condensed their spirit.
According to this reasoning, you can feel a slight treasure on these works, but it may be that Tang Ding's Qi Hope technique is not fine, or it has not reached that level, so it cannot be seen.
Although he couldn't tell if this calligraphy and painting was treasured, Tang Ding was not as nervous as Fan Qing.
The biggest difference between Tang Ding and Fan Qing is that Tang Ding dares to say it, and he is not afraid of making mistakes when he says it. Fan Qing is not good, he has a great reputation in the industry, and his qualifications are old, which is different from private identification, in this kind of situation with video materials, he can't be wrong at this age, and a mistake will damage his reputation.
walked to the guest's desktop and carefully touched this painting that Fan Qing couldn't identify as true or false with his hand.
Tang Ding wanted to feel the breath of this calligraphy and painting again. Since he couldn't see it, Tang Ding wanted to try mind reading.
This is the first time that Tang Ding has applied mind reading to such an inanimate creature.
Tang Ding calmed down, as if this calligraphy and painting had come to life. This kind of anger is like the soul of calligraphy and painting.
Tang Ding felt the soul of calligraphy and painting, and could hear the voice of calligraphy and painting.
In front of Tang Ding's eyes, a gentle and virtuous woman, holding a lake pen, swayed her talents on the paper.
When the woman writes, her expression is focused, and she sprinkles all her joys, sorrows, and joys on the rice paper.
Tang Ding intuitively felt that this focused woman was Guan Sheng.
Yes, this painting embodies her emotions, or spirit.
But there seems to be a kind of obscuration in front of the spirit of this word, so that the spirit inside can't be seen through.
Mind reading is different from Qi reading.
Even the walls and steel can't stop the exudation of treasure, but mind reading is to see the subtleties, to see the big with the small, to see the real with the virtual, to understand the deepest hidden emotions of the human heart, this effect is just the opposite of the Wangqi technique.
Tang Ding never thought that he could combine mind reading and qi reading, and after combining, he could see the secret behind a calligraphy and painting.
Although Tang Ding is not fluctuating on the surface, he is very excited inside.
However, he was too excited in his heart, and the scene of Guan Sheng's painting that appeared in front of Tang Ding's eyes disappeared again.
Tang Ding wanted to calmly perform mind reading on calligraphy and painting, but it was difficult for him to calm down quickly again, so he did not appear again in the scene of Guan Sheng's painting.
There was no way, Tang Ding looked at the calligraphy and painting again, and he didn't know if it was because he felt wrong, or for some other reason, there was a faint treasure on this calligraphy and painting, which Tang Ding had never seen before.
Is this an improvement in your Qi Vision? Or is it an illusion on your part?
Tang Ding watched intently again, and he saw the faint treasure this time again.
In fact, this treasure is different from the treasure in the formal sense, the explanation of the treasure is that there is a jewel and a treasure and a treasure, but the treasure on this calligraphy and painting is more of a situation of the author's spirit and spirit.
Spirit, that is, when the author creates a work, he condenses his emotions and spirit into the work.
Yes, that's it!
"Teacher Tang, Teacher Tang, why don't you speak?" The host watched Tang Ding first stroke, and then watched intently, but he never spoke, and the host reminded him.
"Oh, I think, this painting of pipe liters is genuine, but it's not genuine. ”
The host confused Tang Ding, this is the real thing, it's not, how can it be and it's not?" "This, Mr. Tang, how can you explain this?"
For the identification of calligraphy and painting, Tang Ding is a complete layman, whose character has what characteristics, whose character has what characteristics, Tang Ding can not say, although Tang Ding in the Taoist temple at the beginning also copied some famous works, but Tang Ding copy is only copying, he never to see who wrote the word, Tang Ding only to see whether the structure of the word is perfect, how to use the word for his own use?
Tang Ding only copied for a short period of time, and began to take the heavens, earth, mountains and rivers as his teacher, and incorporated the breath of heaven, earth, mountains and rivers into his words.
Later, Tang Ding simply forgot all the words he had copied before, and then formed his unique nature of heaven and earth.
The ancients said: Words are like people.
Tang Ding's characters are also constantly improving, which is also due to the fact that he has incorporated his own experiences into the characters. At the beginning, the rivers and mountains that Tang Ding saw were beautiful and natural, and later after having experience, Tang Ding looked at the world again but had a more mellow and sophisticated world.
Although Guan Sheng is also a famous talented woman, piano, chess, calligraphy and painting are all fine, but there is still a gap between Guan Sheng's essence and Zhao Mengfu, everyone has the habit of yearning for beauty, so on weekdays, Guan Sheng will also learn from Zhao Mengfu, and husband and wife are one, Zhao Mengfu will also absorb the characteristics of Guan Sheng to enrich his own words, so the words of the two are very similar, and the character of Guan Sheng is no different from Zhao Mengfu's Zhao Ti, which is also the reason why it is difficult to distinguish. ”
In fact, what Tang Ding said was nonsense, but it was also the truth, and Tang Ding's truth was based on two points: one was that he knew the story of Guan Sheng and Zhao Mengfu learning from each other, and the other was that Fan Qing and others could not distinguish the truth of this word.
"But, Mr. Tang, what do you mean when you just said that it is genuine and not genuine?"
Although this character was written by Guan Sheng, it was copied by a master on it, so it is difficult to distinguish the truth from the false. ”
Tang Ding's words surprised everyone, and they didn't understand why he came to this conclusion.
Tang Ding's sentence is based on the previous sentence, and he actually said it in the last paragraph not just to talk nonsense, but to observe the eyes of Fan Qing and others, trying to find a trace of evidence to support his words from the eyes of Fan Qing and others.
Now, Dondin has found it.
Tang Ding wants to judge why this character is not good to see the truth or falsehood, there are several reasons, one is that the word pipe sheng is not written by himself, but by someone else, this kind of ghostwriting by others makes it difficult to distinguish between true and false, first of all, this person must know the word pipe rise very well, and Zhao Mengfu is this person who knows the word pipe rise very well. Of course, there is this possibility, for example, if Guan Sheng wants to write a letter to his family, Zhao Mengfu may write it on his behalf. In addition, you learn my font, I write your font, which is a kind of boudoir pleasure in ancient times when there were no entertainment facilities.
Another possibility is that the words of Guansheng are copied by others, and the copying is too true to see the error, but this possibility basically does not exist. You must know that no matter how much others copy it, it can't be exactly the same, there are always subtle differences, and ordinary people can't see these subtleties, but these experts can't see it.
Several teachers shook their heads at his words, and some nodded, which means that what Tang Ding said before was right and wrong. Nodding means that what Tang Ding said makes sense, and the two are indeed similar in font. And shaking the head is that although Zhao Mengfu and Guan Sheng have similar fonts, it will not make these experts indistinguishable.
What Tang Ding was looking for was the information that several people shook their heads.
Shaking his head means that he denies Tang Ding's judgment about Zhao Mengfu's copying, so it should be someone else's copying.
And others copy, if you want to copy vividly, so that experts can not see the difference, the word of the pipe liter is laid below, and the cat and tiger are also a kind of copying.
Combined with the feeling that Tang Ding had seen the word like a veil before, Tang Ding came to this conclusion.
As for the picture that Tang Ding saw using the mind-reading technique, this was the first time he had performed the mind-reading technique, and the appearance of this kind of picture did not mean that this was actually the case.
Don Ding wasn't sure.
Compared with the mind-reading technique applied to calligraphy and painting for the first time, Tang Ding believed in the faint treasure on the calligraphy and painting that he saw later in the method of looking at qi.
If there is treasure, it means that this calligraphy and painting are real.