Chapter 433: Production Rights

The bond between Ye Zhao and being is not deep.

He is not like those singers who started from scratch, eating the company's resources and being cultivated little by little, on the contrary, he joined the being when he already had a reputation.

For him, the most troublesome thing between leaving and staying is the copyright issue of the songs released through being in the past three years.

Copyright is the most troublesome thing, although the singer-songwriter eats on royalties, but the copyright of the song is rarely in his own hands, and the crux of the problem is that he will be retaliated against by his old club.

It's good to just post a little selection, it's not a bone-break, and the worst thing is that after completely tearing your face, you are forbidden to use your stage name and publicly sing the songs released during this period.

In that case, the singing career is almost over.

Not only the music industry, but the entire entertainment industry suffers because of copyright.

For example, a certain name can force southerners to death when pronounced, and after failing to break the contract with Lace, she can't even use the name of the tongue twister, even if it's actually her real name.

So, I changed to another stage name that was even more difficult to pronounce.

Whether it is independent or changing jobs, it is not as simple as ending the contract and then starting your own portal.

Ye Zhao knew this, and Nagato Daiyuki also understood it.

Therefore, Ye Zhao carefully planned his independent path, striving to get a result that everyone was happy with. And Changhu Daxing expects to envelop Ye Zhao and let him stay.

At this moment, he signed the newcomer he found to being, and proposed to work with the singers of being, Nagato Daiyuki regarded this as Ye Zhao's overture, and he reciprocated the favor, and he was naturally very happy.

Besides, there is nothing special to oppose if you can make money, and if you bring people from the company to make money together.

After bringing this up, Nagado Daiyuki first asked about some details, such as the selection of songs and the overall style of the album, and after understanding his thoughts in general, he motioned for him to prepare a more specific plan.

That's half the promise.

After the project is handed over and discussed at a meeting, if it is determined that the feasibility is high, it is decided to start the plan, and then the next step will be to finalize the specific singers to work with, and then hold a meeting with the singers to decide on something more specific and detailed.

Everything is like this, as long as there are more people involved, there are more procedures to follow. But in the same way, many of the procedures to be followed within the scope of one's own person are actually only symbolic.

For example, when you invite a singer you want to collaborate with after the project is decided. If you're dealing with people from outside, consider the opinions of the company, the record company, and yourself.

However, when dealing with your own people, these things are greatly simplified.

As a man of action, he naturally wants to do what he says, and after getting a reply from Nagato Daiyuki to let him come up with a specific plan, he quickly went back and sorted out a plan and sent it over.

What surprised him a little was that after the plan was approved, in the selection of producers, Nagato Daiyuki handed over the production rights of this album to him.

Such a generous delegation of power is also rare.

In this way, this album released under his name, inviting the female singers of being as the lead singer, and he participated as a backing vocals and guitarist, became the first album in which he served as a producer during his time at being.

It's not easy to think about it, and it's a bit like a daughter-in-law who has been a mother-in-law for many years.

The plan was successfully passed, and the next step was to choose the song and the person. These things are said to be urgent, but if you do them slowly, it is really difficult to be efficient.

Of course, Sakai Izumi had to be invited, and Manish Mirei Takahashi, as a close partner, naturally asked her to join in.

The two eldest sisters, Mika Kawashima and Daikoku Moji, are also ...... There is also Ye Zhao who wants to invite him privately, and he personally likes Yude Jingzi very much, but unfortunately he has been in the company for so long, and he has never had a chance to get acquainted with this sister.

In addition to those who have already become famous, in terms of newcomers, there is Akichichiri, who has reserved a place before the start of the project, and another Nanachi, who has just joined being and is about to debut at the same time as Qiukichiri.

Speaking of Qixuxiang...... This is a newcomer who was photographed by Takahiro Matsumoto and planned to personally serve as her producer to help her debut, and was expected to do so, as for whether this expectation can be reciprocated...... Unfortunately, 10 out of 10 can't.

Of course, if you say such things now, you will offend people. The reason why she was specially invited in was also for the sake of being and Takahiro Matsumoto.

Since she is a "super-large newcomer" in the future, she is naturally indispensable in these things. Something like a cooperation plan is not for Ye Zhao to choose a partner at will, and the company's will is also very strong.

In terms of planning for singers, Ye Zhao wanted to question whether they had a plan for this.

The reason why I say this is because this company really has too many little singers who made their inexplicable debut, didn't make a splash, and then disappeared inexplicably.

So much so that it gives people the feeling that they are just patting their heads, trying to push according to the ancestral mode of pushing people, and they can continue to achieve, and they gradually give up if they can't.

It's just that the tide of the times is constantly impacting, and the public's requirements for singers are becoming more and more eccentric and tricky, and it is no longer feasible to rely on the old model to promote newcomers.

Beauty is not uncommon, and if you want to succeed, you must have some extraordinary talent.

But when it comes to using the old model to market successful newcomers...... There is such one.

Among the past theme songs of the Grim Reaper elementary school students, if you mention impressive, "Turning the Wheel of Fortune" is one, and the other is "Enigma".

And Komatsu's career as a singer is also appropriate to summarize with this "riddle".

Komatsu Mibu's debut actually didn't have any particularly eye-catching plans, or continued the old routine of being, and even at the beginning, she could find a little shadow of Sakai spring water from her appearance, which didn't fade until later.

It's not that the two of them look alike, but because after the success of Zared, Sakai Spring Water has become the most successful packaging template for being, and the new female singers launched after that can always see a little shadow of packaging Sakai Spring Water.

Until the past ten years, this shadow has not dissipated.

Akijichiri, Nanaka, and another even more splashless Arisa, who debuted in the same year as Komatsu Mibu. The reason why Komatsu Mibu was able to succeed is naturally because she is the type with extraordinary talent.

The reason why Komatsu Weibu is especially mentioned is because Ye Zhao met her. 2k reading web