Qin Fangge has said this many times, and it is easy to deal with Catherine this time.

When Catherine realized that she had lost a lot of time, she said sorry to everyone in the audience, but everyone smiled and didn't mind.

Qin Fangge wanted to be lazy and wanted to follow Catherine to the end, but everyone disagreed.

Someone else shouted, "Prince of the Piano, play two piano sections!"

Everyone actively supported, and even director Zhang Zhiwen said that he wanted to listen to Qin Fang's song and play the piano, and they all knew that the piano was the instrument he was best at.

Zuo Mengfeng of course hoped that Qin Fangge could stay on the stage and play the piano, so Qin Fangge sat back in front of the piano.

He is now cherishing words like gold, and he even saves the name of the track.

But everyone doesn't care about these details, just listen to music with their ears.

Qin Fang's singer finger lightly touched the keys and played a very beautiful and moving tune with a melody like a song, which made people feel kind of cordial when they listened to it.

Originally an old English folk song, it was later adapted by Paul Simon and added to the chorus, and became widely known as an interlude to the classic Oscar-winning film "The Graduate". Like another episode of the film, "The Sound of Silence", this "Scarborough Bazaar" is even more famous than the movie itself.

Qin Fangge was also because he sang Paul Simon's "The Sound of Silence" before, and then, naturally, he thought of this song. And in addition to Paul Simon's version, Sarah Brightman has also covered this tune, and it does feel like a heavenly sound.

He now plays a pure music version on the piano, without adding lyrics, and the musicality of this piece alone is quite strong.

This kind of music, with a beautiful melody, is enough as long as everyone thinks it is good, and there is no need to pursue too much.

Qin Fangge did exactly that, and under his re-changed piano interpretation, this piece had a more dreamlike feeling. Now for Qin Fangge, the most worrying thing is the melody, that thing really needs inspiration to create.

Adapting an existing melody like this to make it more beautiful and beautiful, just like doing a math problem, is a bit difficult, but it is certain that it can be solved.

Such beautiful music, even if it does not have a particularly profound connotation, is very attractive, which can be seen from the reaction of everyone in the audience.

When Qin Fangge was playing the piano, Catherine and the others even slowed down their breathing, lest they disturb his performance. After Qin Fangge finished playing this piece, the vast majority of people were still immersed in this dreamlike feeling.

Chen Yumo is knowledgeable, or from the academy, he has heard a lot of beautiful and beautiful pure music, and he is more concerned about Qin Fangge's attainments in classical music, before everyone can speak, Chen Yumo asked Qin Fangge to play another piece of classical music, like the previous piano sketch "Girl".

Seriously, playing too deep serious music, most people in the audience can't understand it, and it's not very interesting!

After Qin Fangge thought about it, his fingers soon flew on the keys again.

It's really flying, because you can hear the beautiful music coming out of the piano.

This is another melodic and smooth song.

But it does belong to the category of classical music, Xiao Yuran and Teng Shuting can hear it, this is a march.

When Qin Fangge himself played the first movement, he was also very lively and light, and in terms of rhythm, he was also quite elastic. Then, there is a clear and majestic march, with a sonorous and majestic rhythm in the main key, which contrasts sharply with the first movement.

The mood and style changes in the later movements are also quite chic and interesting, as if showing everyone an exotic style, like the style of the Turkish side.

For those who don't have a background in classical music, they don't know how much this changes with their ears without professional training, but they all know that this piece is very good, quite exciting, and very interesting. It is distinctly different from other boring, monotonous, dreary, and sleep-making classical music.

So much so that after listening to the whole song, a middle-aged uncle excitedly told his friends, "If only classical music was like these tunes played by Qin Fangge, we could all listen to it happily!"

Those who know how to do it, such as Xiao Yuran, Huang Jing, Teng Shuting, Zuo Shuqin, Chen Yumo, Xi Wanqing and others, after listening to the whole song, they are not only admired but also admired.

Xi Wanqing told Xu Jing and Xu Xinyi beside her, "This kind of music can really only be created by a true musical genius!"

Xu Jing laughed at her, "Then you should go up and express your admiration for the genius, you can't let that Yanma be beautiful!"

Xi Wanqing, who drank half a glass of red wine, really fell for her agitation, got up and walked to the stage, Xu Jing and Xu Xinyi clapped beside her.

Here, Huang Jing originally wanted to instigate Xiao Yuran to come on stage to express her thoughts, and it can be seen that Xiao Yuran's worship of Qin Fangge is even higher than them. But Xiao Yuran, this girl, usually looks quite bold, but when it comes to the critical moment, she becomes timid as a mouse, which makes Huang Jing angry, "He must have played this song for Xiaoyu, Xiaoyu, you don't act quickly! Don't let others take the lead!"

Chen Yushan and Zuo Shuqin watched the play with a smile on the side, and they didn't say anything about helping to persuade or anything.

Xiao Yuran's face turned red when Huang Jing said it, she still cared about other people's feelings, looked around, and found that Xi Wanqing, who was sitting opposite her, had already gotten up, and she suddenly had no idea, so she sat quietly.

Huang Jing was even more angry, but there was nothing to be done, even if it was the previous Yanmar, Huang Jing could accept it. The last thing she wanted to see was Xi Wanqing, but this charming young woman who could be called a stunner could be called the number one fan of Qin Fangge. Those foxy eyes kept discharging at Qin Fangge all the time.

Xi Wanqing borrowed the strength of the wine, and in the encouraging laughter of everyone, among them, Xu Jing and Xu Xinyi made the most noise. She stepped onto the stage and took the initiative to give Qin Fangge a familiar and warm hug, as if it wasn't like this, it wasn't enough to express the feelings in her heart.

However, in front of the public, Xi Wanqing still didn't dare to go too far, and only praised him, "These works of yours tonight are really genius works!

Qin Fangge smiled, which can be regarded as a tacit acquiescence, because this march was originally a recognized musical genius, Mozart's work, "Turkish March". There are many versions of this piece that have been adapted, and Wang Yujia and the others played the adapted version. Qin Fangge has also made some adaptations to it now, mainly to make it more suitable for the current environment.