Chapter 586: Calculation



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This afternoon's time was spent on guiding Xiao Yuran and the symphony orchestra, Qin Fangge grabbed the position of the protagonist, and Fu Tianxia didn't mind, he, the senior brother, had the responsibility and obligation to bring up the little junior sister and give her the opportunity to take advantage of it. 【Dagger Qiqi Chinese Network First Release шшш.Ё】

When Deng Hongmei came to call Fu Tianxia, she saw that Qin Fangge was busy, and she looked very pleased.

Her name is Fu Tianxia, and she also wants to discuss with him how to promote Qin Fangge out of the mountain, so she will play on stage. This is what he proposed, and now he is also the most experienced in performing on stage, and he also keeps up with fashion trends.

Deng Hongmei, Ning Xiupei, and Zhou Xiuying discussed it, and felt that it was very feasible, and they couldn't let Qin Fangge's acting talent be wasted like this.

But Ning Xiupei still felt that he had to strictly limit the time for him to perform on stage, if Qin Fangge was not happy, it would only be a bamboo basket for nothing. In addition, he himself really has a lot of things to be busy, to study, to create, it is not so easy.

If it is once a month, it is still within the acceptable range of Ning Xiupei, and it will not delay Qin Fang's time too much.

In Zhou Xiuying's words, at most, he transferred the location of his practice that night to the National Center for the Performing Arts.

Zhou Xiuying is a leading figure in the industry, full of peach and plums, and her words are very weighty.

On the side of the National Centre for the Performing Arts Opera House, whether it is the management or the opera singers, members of the symphony orchestra, etc., more than half of them are from the Huaxia Conservatory of Music.

Moreover, for the National Centre for the Performing Arts, there must be no appealing singers and pianists performing here, which can not only enhance the reputation of the Grand Theater, but also make money, so why not.

Moreover, some pianists, folk musicians, singers and singers who are not very famous and powerful can perform in the Grand Theater.

In fact, the artistic director and management of the Grand Theater are quite discerning, and they also decisively raised the ticket price of Fu Tianxia's concert to the highest level.

Of course, if there was no Qin Fangge as a guest, there would definitely be no such thing as a price increase. Fu Tianxia's fame is mainly in Europe and the United States, and if he returns to China to perform, the highest ticket price can be 1,000, which is considered good, and this nearly 2,000 tickets may not be able to sell all of them.

Qin Fangge's first opera "Don Juan" has also been well received by the National Centre for the Performing Arts Opera Troupe, all of which say that it has a special Spanish flavor, and the background of the story takes place in Seville, Spain.

Zhou Xiuying plans to take half a year to a year to rehearse, and if Qin Fangge plays it himself, the progress will be faster.

For Zhou Xiuying, spreading the opera career is the biggest.

These tenor and baritone singers in China, if they are added together, are not as good as a Qin Fangge. Zhou Xiuying has always been a straightforward person, and she is not afraid of offending anyone at all, and her students or anything must be let to her.

This is also an era of speaking with strength, how can Zhou Xiuying not know that the phenomenon of judgment in the opera industry is particularly serious now. Female opera singers are actually okay, but there are really few male opera artists, in fact, the entire opera industry is the same, no wonder no one can only choose a taller one among the short.

If Qin Fangge participates in the opera, he must replace others, and in this regard, Zhou Xiuying can do it with her influence. She also assured Ning Xiupei, and told her and Qin Fangge not to worry about other things, let her handle it, if Qin Fangge is to concentrate on the performance.

All aspects involved in opera are more complicated, and only Zhou Xiuying can handle the Grand Theater, symphony orchestra, choir, male and female opera singers and other front-to-back and behind-the-scenes staff. If someone else is changed, Qin Fangge may not have the opportunity to perform on stage.

Deng Hongmei's things are much less, and if you play a piano solo, it is particularly trouble-free, just a piano. Even if you play a piano concerto, it's just a matter of adding an orchestra and conductor, and it's not a big deal.

If Qin Fangge really settles down to perform once a month, maybe there will be famous symphony orchestras and conductors who will come to the door to ask for cooperation.

Deng Hongmei firmly believes this, and Fu Tianxia holds the same view.

Fu Tianxia also said that Qin Fangge's pace of creation has not stopped, and when he composes a symphony in the future, he will definitely arrange a performance.

It's normal to pick a better conductor and a symphony orchestra.

But if the venue for the premiere can be placed in China, it would be the best! In this regard, the National Centre for the Performing Arts, which has the most advanced and scientific sound system in China, is definitely the first choice.

If you want to be like Zhou Xiuying's original concert, if you go to the Great Hall of the People, you can also do it. But it is obvious that Qin Fangge's reputation needs to be improved further.

After raising this to the level of the national nation, Ning Xiupei had no reason to object.

Zhou Xiuying and Deng Hongmei are two strong advocates and also list the great musicians of all time. They treat their works as if they were their own children, and they also see the musicians, the symphony orchestra, the conductors, the performance venues, etc., as very important. Especially the premiere location, it will be weighed and considered in many ways.

Like Qin Fangge, he treats his works more casually, and in a group of talented musicians who are not normal, he is an outlier and even more abnormal.

In this regard, everyone feels that it is their responsibility and obligation to help him and let his music go further. His musical works can also be more widely circulated.

Fu Tianxia also used his personal experience to tell Ning Xiupei about his experience.

Although Qin Fangge himself takes fame very lightly, this thing is indeed indispensable, and if you want people to really pay attention to it, fame is also a very important point.

What's more, it is a serious matter to let him perform on stage, and great musicians such as Strong, Goethe, Christopher, etc., each have considerable stage experience. Whether it's for livelihood or other reasons, existence is always justified.

It's not easy to think about, it's really not easy to deal with it, and there are still many things that need to be coordinated and discussed.

Zhou Xiuying's opera is the most troublesome, there are hundreds of people involved, and how to arrange the opera repertoire is also quite a test. But the old lady was in good spirits and said that these were not problems.

After everyone discussed and agreed, it was decided that it would be better to cut first and then play, so that it would be better to cause the established facts, and when the time came, they were not afraid that Qin Fangge would not obediently obey. Playing the family card, the teacher-student card or something, it shouldn't be a problem.