Although the final return of the radio drama was going on next door, Ye Zhao decisively chose not to join in the excitement after separating from Yuki Ueda and Hoo Kudo.

One is that he didn't say hello to that side in advance, and running over rashly at this time will only add to the chaos, and the other is that although he single-handedly promoted the radio drama, he has no interest in this final public delivery, this kind of thing may be similar to the chef himself after frying the dishes, just smelling the smell of oil smoke is almost the same, although he is not "stir-frying", but "copying vegetables".

Walking out of the café's building, if you pay close attention, there are young men and women with portable radios and headphones passing by from time to time.

"Calling for Love at the Center of the World" is usually scheduled for 10 o'clock every Monday night, but this time, the final live broadcast was adjusted to 3:30 p.m. on Sunday. Because it was a day off, there were many more people than usual to cheer.

There is a pair of teenagers and girls who look like high school students walking side by side, the girl is holding a portable radio in her hand, and sharing the same pair of earplugs with the teenager next to her, sticky and affectionate.

"Stupid couple or something...... It's so ubiquitous. Ye Zhao thought silently in his heart.

The establishment of the official club has nothing to do with Ye Zhao at this point. How to establish and operate in the follow-up are all within the scope of being's responsibility.

After leaving the café, Akihiko and Akihiko Aragaki were separated on the spot, and Akihiko Aragaki drove back to the BEING headquarters alone, delivering the opinions and information gathered from Yuki Ueda and Hoo Kudo, and discussing the establishment of the official club in the future.

As for Ye Zhao, he got into the car of Yuki Uemura, who had come over in advance and was waiting for him, and headed towards the recording studio in Shibaura, Minato-ku.

Speaking of Shibaura as a place, we have to mention "Juliana Tokyo", a legendary disco club born in 1991 at the beginning of the bubble economy, and its headquarters are located in Shibaura, Minato-ku.

At that time, the bubble economy had just burst, and Japan was in a state of depression. But in the midst of such a recession, the club has become a big hit, attracting young people from Tokyo to gather here every night. In the second half of 1994, Juliana closed its doors in Tokyo, as if announcing the end of an era, and disco culture gradually declined.

However, although Juliana Tokyo disappeared into the tide of the times, it was not until more than ten or twenty years later that Kumiko Araki, the head of the club at the time, was still on TV shows to teach her the most popular fan dance at the time. And the memories of the drunken and gold-obsessed era in the past also bubbled up one after another while she waved the feather fan in her hand.

……

When Ye Zhao came to Shibaura's recording studio, Mirei Takahashi and Mari Nishimoto were auditioning in the recording studio.

After greeting the recording engineer, through the glass window connecting the recording room, Ye Zhao made a "continue" gesture to the two and put on headphones. After this round of auditions, the two came out of the recording studio one after the other.

"Good afternoon, both. Ye Zhao greeted the two of them, and then apologized: "I'm sorry, I'm a little late." "The appointed time was four o'clock in the afternoon, but the delay in Shibuya was a bit long, and it was almost four thirty o'clock now.

In the face of his apology, Mari Nishimoto showed a subtle smile with the meaning of "it doesn't matter", and Mirei Takahashi, who was more familiar with him, replied: "It's okay, Miss Nishimoto and I have just arrived. ”

Ye Zhao wanted to contribute music for Manish, and soon after he made this proposal to Nagato Daiyuki, he had already informed the two, and the official title song was also sent to the two a month ago, and the recording began.

For most composers and lyricists, the songs they write to singers are "blind marriages and dumb marriages", unless they are also a producer, or they have said from the beginning that they will participate in the whole process, even if they meet when they are offering the song in the early days, they rarely follow the prison throughout the whole process.

Including the many singers of being, although they are all ordinary singing Oda Tetsuro's songs, they can't see Oda Tetsuro most of the time, let alone let Oda Tetsuro come over to give them a prison cell.

However, this collaboration with Manish is slightly different, that is, this collaboration is not just about providing them with songs, but also about recording the single together under the name "Manish Ith Akira".

This form of collaboration is a little different from the previous collaboration single with Masaharu Fukuyama. In the collaborative single with Masaharu Fukuyama, Ye Zhao and Masaharu Fukuyama each provided a new song, and their own tunes were also led by themselves. But in this collaborative single, Ye Zhao's role is only the green leaves that accompany him.

For example, chestnuts are about the same as the ands who stand behind Miho Nakayama in the song "Who in the World".

The person who came up with this idea is naturally Nagato Daxing, and he hopes to take advantage of the topic of this cooperation to let Ye Zhao help "milk" a handful of manish, so that they can break through the current bottleneck and step to a new level. Otherwise, if it was just Ye Zhao himself, he would never take on too much work for himself, and take the initiative to mention what to do as a green leaf for others.

Although he is a little suspicious of adding life to others without authorization, but since he proposed the matter of offering the song himself, he will be a good person to do it to the end at this time, and he will be a handful of green leaves.

When Manish debuted, the Being dynasty had been established, but despite this, although the predecessors expanded their territory in the music scene and created one glory after another, as juniors, they were always tepid and unable to keep up with the footsteps of their predecessors.

Not only them, but also bands such as BAAD, Zyyg, and Rev, which debuted at the same time as them or a little later, did not achieve very good commercial results.

At the height of his popularity, he was unable to launch a first-line band, which in a sense can be regarded as a signal: while being's momentum has reached its peak, the public is also tired of his assembly line music style.

As far as the combination of Manish is concerned, at first glance, the overall strength is very strong. First of all, both members are one in a hundred beauties, both in height and appearance, all of them are first-class. In the entertainment industry, although the powerful faction grabs a lot, it is definitely an advantage to be beautiful.

Otherwise, B'Z's Matsumoto boss would not have set one of the criteria for selecting a partner when deciding to form a band...... Then, I chose a beautiful partner (partner) for myself like Hiroshi Inaba.

In addition, Mirei Takahashi, who serves as the lead singer, has a high-pitched and clear voice, and has the advantages of both Daikoku Moji and Sakai Izumizu, and keyboardist Mari Nishimoto has superb performance skills and composition skills.

To be strong and powerful, to be beautiful and beautiful, it stands to reason that the two members who are so powerful, although they dare not expect to be the female version of B'Z, should not be limited to the current second-rate state, and simply disappeared after that, so that fans are troubled by the two questions of "why is Manish not popular, and where did the members go afterward".

Even if Ye Zhao is not a fan of Manish, in his previous life, he was troubled by these two questions, and it was only after he came here, was actually in this environment, and had close contact with the two members that he got some answers.

From the perspective of actual situation analysis, although Mari Nishimoto can write songs, the quality of the songs is not stable enough, and it is difficult to continue to output good songs, and the only hit single "Capture the Shining Moment" is still from the hand of Mika Kawashima.

(Mika Kawashima is similar to Seiichiro Kuribayashi, she didn't have the life to be popular when she was a singer, and she wrote a lot of hit songs for others, but she couldn't become popular whether she debuted alone or formed a band.) It can be seen that what determines the fate of a singer is not only talent and beauty, but also the so-called luck and star aura. ）

Similarly, Mirei Takahashi, who serves as the lead singer and lyricist, does not have the aura of Sakai Izumi and Uesugi in terms of lyrics.

Zad and the early Ands, the reason why these two bands were able to break out of the encirclement relied on was the lyrics.

In the lyrics of Zhad and Ands, there is a complete and unique worldview that belongs to Zold and Ands, and such a complete and unique worldview is precisely the most important thing that Manish lacks. As a result, Manish was unable to stand out from the crowd of similarly styled combinations and gain the public's attention and long-term support.

And in addition to these things that Ye Zhao himself analyzed in his heart, when he actually cooperated with Mirei Takahashi and Mari Nishimoto, Ye Zhao also found a very important problem in the two. That is, the relationship between these two people is a little more delicate.

This subtlety does not mean that the relationship between these two people is very poor, and the air around them will automatically cool down by ten degrees when they meet, but it is a so-called aura discord, when the two of them get together, even if they flatter each other, they all have a smell of dissociation.

In fact, for the band, the real relationship is so good that they eat and live together and go out together every day in private, or in other words, there are many more people who have a mediocre relationship than a good relationship.

In order to ensure that the band can last for a long time, many band members will deliberately keep a distance from each other, just be an ordinary colleague, and will not even make a phone call in private outside of work.

However, when they start to work, stand in their own position, and pick up their own instruments, the common goals and pursuits will bind them together and make them feel tacit. 2k reading web