Lu Xiaoxiao wanted to shoot Wu Shan's manuscript not because she wanted to show her attitude in front of Wu Shan, but because she had caught a few glances before and felt that some of the words on the manuscript were useful to her.

As the saying goes, a thousand readers are a thousand Hamlets.

This means that everyone has their own interpretation of the same work.

This sentence applies to the script, and it also applies to Lu Xiaoxiao and Wu Shan.

Lu Xiaoxiao has read the script of "The Lighthouse" several times, and she already has a good interpretation of the role, otherwise she wouldn't have read the lines twice when she just read them, and Wu Shan didn't say anything wrong with her.

It is precisely because of this that Lu Xiaoxiao found something different from her own interpretation in the manuscript, so she wanted to take a picture of the receipt and go back to study.

A movie is not only the thinking trend of the director and screenwriter, but also the resonance of the actors and the characters, Fu Siting once said to Lu Xiaoxiao: No role can be played particularly well without careful interpretation, even if the role is tailor-made.

It is precisely because of this that Lu Xiaoxiao feels that she must combine her own understanding with Wu Shan's definition of the script and the female number one, so that she can ensure that she can complete the work smoothly as much as possible during filming.

When Lu Xiaoxiao said his thoughts with a serious face, Wu Shan was silent for a while.

For a long time, Wu Shan was expressionless.

And just when Lu Xiaoxiao thought that she had abruptly attacked Wu Shan and should not covet the other party's manuscript, Wu Shan suddenly sighed lightly, and directly grabbed the manuscript on the small table and handed it to her.

"You don't need to take pictures, just take it away, and when the filming is over, if you think it's useless, return it to me. ”

It is unknown what other directors' habits are about scripts, but Wu Shan himself has a habit of keeping manuscripts.

Others know that he is a famous director and has countless shining moments, but only he knows that behind the spotlight is actually a lot of days and nights of dedication and the accumulation of countless details, of which the repeated study of the script occupies a huge part.

What kind of shooting techniques, what narrative structure, what shooting techniques......

For Wu Shan, he believes that the most touching thing about a work is the story and characters, and the rest is just the icing on the cake.

And how can you ensure that a story is filmed well?

For director Wu Shan, it is to ponder the script repeatedly, continue to advance from the details, and finally use the lens to describe a complete and thought-provoking story.

When Wu Shan and Fu Siting cooperated in the filming of "Summer and Autumn", Wu Shan was originally worried that Fu Siting was too young to hold his breath, but after actual contact, he found that Fu Siting had a calmness far beyond his age, and he was able to endure rework over and over again when filming, and the most one of the shots, they shot more than 300 times, and that shot became one of the classic shots in "Summer and Autumn".

After eight years, when Wu Shan was filming "The Lighthouse", when Wu Shan met an outstanding newcomer who had just entered the industry again, and when he felt that he might be in trouble again, Lu Xiaoxiao gave him a surprise no less than Fu Siting.

Back then, Fu Siting also talked to him all night about the script and communicated with the characters repeatedly, but Fu Siting didn't have to go to his manuscript for research.

Thinking of this, Wu Shan showed the truest smile in this audition.