Ordinary people watching this movie may think that this is just an anti-genre movie, turning a horror movie into a funny movie. Ｘ

But these New Yorkers see the dark humor and bitter irony hidden in the countless details of the film.

Every time the male protagonist played by Peng Yichen appears, his lines, behavior, and interaction with the heroine are basically sharp satire on the discrimination of Xingqi Chinese people against Chinese people, the prejudice of college students against people with low educational qualifications, and the rejection of rural people by urban people.

The best thing is that these satires are definitely not done in a didactic way, the director uses a lot of black humor and bloody death scenes to express his irony of the discrimination and prejudice that is prevalent in society.

What's even more powerful is that Peng Yichen also added a lot of ambiguous intentions to the movie.

For example, the last crazy male student of Xingqi Country, whether his parents were really hunted down by murderers and perverts in Huaxia, or that boy's father is the perverted murderer.

For another example, a person like the male protagonist of a movie can win the heart of the heroine, whether it is because of his kindness and simplicity, or because of the abnormal love caused by the constant death of the heroine's friends.

In the movie, Peng Yichen has carried out some kind of blurring treatment on many key points, and does not directly give the audience a clear answer.

Through these details, the audience can spontaneously give the film countless deeper connotations.

It's also the basis for a movie to be a classic.

That is, it can be interpreted by people to have countless intentions and connotations.

In short, in the eyes of these New Yorkist filmmakers, this film is a classic film wrapped in the shell of an anti-genre horror comedy film, and really has an in-depth analysis and structure of reality.

The maturity of his filmmaking techniques, the delicacy of the picture, the fit of the soundtrack, and the profound connotation of the whole film. are all unmatched by ordinary small-budget horror movies.

Even in the country of Star Banner, a country with an incomparably developed film industry, there may not be one art film of this level a year.

And this arrogant Chinese director, Peng Yichen, who was once regarded as a clown by them, has now contributed such a classic movie to them.

This made these die-hard New York filmmakers feel a little surprised and embarrassed.

When all the movies were played and the subtitles of "Peng Yichen's works" appeared meaningfully on the big screen, all the audience at the scene stood up and applauded the film with all their might.

The box office evaluators from the seven major film companies recorded the enthusiastic scenes.

The old filmmakers of the New York School, especially Sean Penn, were a little overwhelmed.

After all, they came to see this movie when they came to expose a big bad movie, but now they find that this is not only not a bad movie, but an absolute classic in this type of movie.

This made them, who love movies extremely much, unable to continue to attack this movie and Peng Yichen with duplicity.

But to make them immediately admit that Peng Yichen and his films are classic enough and good enough, it is somewhat embarrassing.

This puts them in a dilemma.

Who would have thought that Peng Yichen would bring a classic black humor movie comparable to "Black Store Rhapsody".

And what is even more difficult than them is the many film critics present.

Many of them have more or less unclear connections with the Big Seven Hollywood.

This time, I came to see the movie, and I prepared Peng Yichen's movie to provoke thorns.

But as filmmakers, in the face of such a classic movie, if they still attack and smear in the media, their own reputation and fame are likely to be ruined.

This made them even more dilemma, and they could only express their inner entanglements and embarrassments through applause.

No matter what they think, today's Peng Yichen's film has shown the North American audience the quality and strength that exceeded all expectations.

Whether it is his personal performance level or his ability as a screenwriter and director, he has been recognized and appreciated by a large number of audiences and professional filmmakers in North America.

What excites North American audiences even more is that in Peng Yichen's films, the kind of images with extremely high definition, but extremely rich film texture, and the beautiful environment and scenery of the Great Khing'an Mountains are used.

It has made many North American audiences have a great yearning and longing for those who are friendly to Huaxia and Huaxia, and they can't wait to travel to Huaxia immediately......

This is the charm of cinema and the influence of cinema, a classic movie can definitely change the audience's impression and perception of a place.

The film is completely over, and because it is only a premiere of the screening, Legendary Pictures did not arrange any performances and interviews.

After the five-minute applause, the audience got up one after another and left.

Of course, unlike before the start of the movie, Peng Yichen and Yu Jing were only surrounded by his family and Chinese fans.

Now they are surrounded by a group of actors, producers, and film critics from the Star Flag Country

Many Xingqi country actors even excitedly handed their contact information to Peng Yichen, wanting to leave a deep impression on this young director, and then get the opportunity to play a role in his movie.

"Director Peng, my name is Jason Swartle, and I've acted in four TV series and three movies. If you have a role in your new work that suits me, you can always contact me. ”

"Hello, Director Peng, your movie is amazing. I'm Jimmy Hadley, and I've played the lead role in the Broadway stage play "Pentium." If your movie requires it, I can play gay, killer, pervert, deep well ice, I can play anything. ”

"Director Peng, Director Peng, this is my resume, you must take a look. ”

……

A group of young actors from the Star Flag Country frantically wanted to seize an opportunity and kept telling Peng Yichen loudly about their situation.

Peng Yichen was surrounded by actors in the center, and he didn't know how to deal with such a scene.

After all, looking for actors in Huaxia is generally through personal relationships and public auditions.

But in the Star Flag Country, many actors have to rely on themselves to constantly look for opportunities to play a role in a movie or TV series.

So, when they have the opportunity to meet well-known directors and producers, whether it's at a party, or in a movie theater, or somewhere else.

They will be desperate to seize this opportunity to meet with directors and producers.

They want to succeed and get ahead, even more than those young people in the Chinese film and television industry who want to be on top despite the unspoken rules.

Of course, it is useless to rely on unspoken rules here, because the strong rules in Huaxia are actually already on the bright side here.

If directors and producers can't make investors make money, they will end up getting out of the industry forever.

And the same goes for the actors.

This is also the reason why these actors who grabbed tickets in the screen actors union forum were willing to fly from Los Angeles to New York to attend the premiere of this film.

They are unwilling to let go of any opportunity, if "Double Treasure Fighting Demons" is very good, wouldn't it, be much greater for actors, who can directly contact Peng Yichen, to get Peng Yichen's next movie role?

Obviously, after watching the movie, these young actors from the Star Flag Country know that they have made the right bet this time.

Now, their biggest task is to get Peng Yichen to leave their personal information to see if there is a chance to win the young director's favor and star in his next film.

…… r