PS: This is really asking for tomorrow's monthly pass and recommended ticket!

“1”

“2”

“3”

“Action——”

The little fresh meat Ye Weixin is chic and has a dozen boards.

On the slide rail and elevator, Pan Hengsheng and Ao Zhijun crossed and poured V for framing. Qiu Litao looked nervously at the "dragon set" in the field.

Group drama.

Oil painting roller-style paving display.

It's like the L-shaped corner of the Rembrandt exhibition area in the New York metropolis, walking through one by one, with a horizontal composition. Along the way, images tell the history.

In photography, the sports lens is nothing more than pushing, pulling, shaking, moving, heeling, and throwing, as if cooking is nothing more than frying and frying, but the taste is different.

Wu Xiaozu rarely uses this kind of transverse lens.

He prefers to unravel story structure, light, time and space. The sense of ritual throughout the movie will be wonderful. The viewing habit of the human eye itself is stereoscopic, and if the lens of the horizontal scroll is not used well, it will give people a very monotonous feeling.

Therefore, when you watch a road movie again, the horizontal movement of the camera will be very clever in using montage to show the connection between the interior and the outside of the car, so that the audience will not jump out of the scene.

But.

Moving the lens across the lens is not without merit.

In group shots (not group shots), a large wide-angle long lens with panning is very useful. The viewer follows the camera, and their attention slowly shifts slowly, which can make the image feel heavier.

In terms of scene scheduling, Soviet films are very fond of using long-shot transverse shifts to show them. The main theme movie of Beiwang Shenzhou also likes this kind of shot scheduling.

Therefore, everyone should understand that the panning lens will be sufficient for group portraits, but it will be a little old-fashioned and monotonous in shooting.

Just right.

The scene of "Suspect" is the scene where Zhang Guolu leans over and walks slowly under the overpass. In this scene, mediocre vendors, homeless people who waste their lives, beggars who are numb and lifeless, and patients who eat in dirty water and wait to die...... This group portrait is a very powerful display in the whole movie.

This power, not hysteria, not the outbreak of conflict.

Depressed, numb, repetitive, cold, like the deep voice of a cello, in the story, this is an indictment of reality and dreams.

The stone god played by Zhang Guolu is no different from these time-wasting "clocks" in his eyes.

The theme of "The Suspect" is love, and the expression technique is ontology reasoning, but the sublimation of the intention is naturally the confusion and lack of ideals of modern people in reality.

Watching from the sidelines is the common thinking of the people on Hong Kong Island today.

Wu Xiaozu didn't want to wake up anything, and this was not the responsibility that a boy like him needed to bear. He never thought about carrying anything, leaving the art and responsibility to the master. He's just a filmmaker who thinks he's still doing something.

In the previous life, with the awakening of the people's self-nature and the self-cultivation of keyboard warriors, in fact, the fifth and sixth generations of directors have been criticized.

The point of criticism roughly revolves around: scandalizing China and kitsch the West.

On this point, Wu Xiaozu reserved his opinion. The development of a country's or nation's film must always go on step by step, right? Looking back at the events of that moment with the eyes of the present moment is unfair.

But...

A good movie always has to give people hope, doesn't it?

The three versions of "The Devotion of Suspect X" in China, Japan and South Korea actually did not shoot the silence and sourness that Wu Xiaozu read about Keigo Higashino.

It's a story that is difficult for Westerners to write, but it's definitely not an Eastern culture in a general sense.

Wu Xiaozu needs to shoot a story with a sufficiently rational lens.

A person who has been rational all his life ended the rest of his life with one emotion.

Wu Xiaozu behind the camera silently stared at Zhang Guoxuan and walked into the camera, and the whole scene was unusually quiet.

Sallow skin, slightly shrugging shoulders, cautious and mediocre, back slightly rickety, upper body leaning forward. Two arms tightly clamped around the body, left hand led by a brown briefcase, the style is very old.

If you are a bag controller, you will not be unfamiliar with this briefcase in front of you. In the fifties, in an American movie "Revolutionary Road", this briefcase appeared in large numbers in the camera. In the 80s, briefcases were very popular in Hong Kong, Taiwan and Japan.

In the movie "Suspect", there are a lot of shots of briefcases.

Zhang Guolu's brown old clamshell briefcase not only represents a rational intellectual, but also contains his rigidity and nostalgia.

Tang Chuan, played by Huang Qiusheng, is carrying a black "Dulles bag". In a very classic spy war movie "Potmaker, Color Seam, Soldier, Spy", the spy nicknamed "Beggar" played by Uncle Dog carried such a briefcase. It will give people a shrewd and logical embodiment.

This little detail in the movie is very appropriate.

Of course......

One of the sponsors is a leather bag manufacturer is the focus!

He Chaoqiong is worthy of becoming a female gambling king, and her business sense and skill are not trivial. As a public relations company, I have been in contact with a lot of companies.

The sponsors of Suspect are very comprehensive. Together, more than one million dollars have been invested. This ability made Wu Xiaozu ride a horse and raise a whip, beyond his reach. In his heart, he thought that he would hire "Tianji" to help him take care of these aspects in the future.

The blue plastic simple shed, short can only reach the waist, and some people struggle to get out of the shelter, but their faces are numb and their expressions are lazy.

Some people bask in the sun with their backs facing the sky, some people sleep in their clothes, and some people look at the seaside with cold eyes. Not far away, the flute of a steamer broke the silence.

Zhang Guolu hunched over and walked silently in front of these people.

The camera is panning.

This short distance was filmed seven or eight times, but it was not Zhang Guoxuan's problem. On the contrary, Wu Xiaozu was not sure what kind of emotion he wanted. Fortunately, this place is remote and dilapidated, so there is no need to worry about complaints from citizens.

Wu Xiaozu in the script describes it like this: they are like useless gears in the clock, repeating meaningless lives every day. Therefore, Wu Xiaozu hopes to show this kind of mirror image, which requires the cooperation of the on-site actors.

Only in this way can the story be more convincing. It's a pity that not every trick is called Zhou Xingxing. And then...... Wu Xiaozu glanced at Wang Jiawei, who was beside him.

Get!

Grind it!

For the first time, film shooting experienced "grinding shots". In the film industry, many directors like to grind shots. The main reason is that the actors or main creative staff do not cooperate tacitly, and the emotions are not full enough or too full of emotions but do not meet the requirements of the director.

At this time, it is not realistic for the director to go down and talk to dozens of tricks. This requires a balance to be found in the shoot.

This way has actually been one of the best methods in the film industry, and there is no one.

Of course, just because it's good doesn't mean it's without its drawbacks.

The only downside is that it costs money.

However, Wang Jiawei, the lord of krypton, is in his own director team, and Wu Xiaozu can't afford to be inferior. In case the path of the Lord of Krypton goes astray, how sad will the big bosses who have not been cheated in the future?

Now that butterfly wings have happened, you need to fan them back with sweet and spicy chicken wings.

Ensure the consistency of krypton.

Wang Jiawei served Wu Xiaozu around, and for the first time he showed a sudden realization.

In this regard, Wu Xiaozu, who saw it in his eyes, was pleased to have a friendly talk with Zhang Guoxuan about the additional investment in the film.

Let's add 1.05 million first.

On the other side of the phone, He Chaoqiong, who had an impure purpose and was quite ambitious, was silent for three seconds and agreed smoothly. She and Zhang Guolu are each responsible for half of the funds. 8)

Talk about middle two, talk about beauty, talk about science fiction, talk about horror, talk about games. Only you can't think of it, there is nothing we can't talk about, fast eyes to read the book friend group: , the door to a new world is opening, please be mentally prepared.