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Qin Fangge's performance was very conscientious, or rather, too conscientious.

This piano was played by him as a symphony orchestra.

The piano accompaniment teacher Chen Chen has been watching and listening to it, and he has a deeper understanding of Qin Fangge's ability.

This opera "Roman Nights" is not very difficult, it is an entry-level opera, otherwise, this group of freshmen who have not entered the school will not be able to rehearse at all.

Although Qin Fangge only played soy sauce in this opera class, he still did some homework on it, otherwise, it would not be good for Zhou Xiuying to answer if he couldn't answer. In addition, he wants to write operas himself, and it must not hurt to know more about the operas of this world.

To this end, he carefully studied the script and music of the entire opera, and also listened to some CDs of different conductors and actors performed by some foreign major opera houses.

What he cares about most is the music.

And the piano accompaniment that Chen Chen originally played was naturally a simplified version of the symphony orchestra's score, and it was not too complicated.

When it came to Qin Fangge's own hands, it became complicated.

He tried his best to follow the orchestra's scores, and although he couldn't achieve so many complex parts of the orchestra, on the piano, he still played all the parts of the high and low bass. And it is also distinct and full of texture.

Chen Chen felt dazzled just by watching his performance, and it was not easy to keep up with his rhythm.

As for the piano effect he played, Chen Chen, a senior pianist, was fascinated by it, and she was also the most relaxed person in the entire classroom.

Of course, other students and Zhou Xiuying's teachers can also feel it, and it was also used by Zhou Xiuying's student, Zhao Yuanyuan, who served as a lecturer, to motivate the students, "With a performance like Qin Fangge, there is no difference between playing with the symphony orchestra, the opportunity is rare, you have to work hard." ”

Even the students of the Department of Vocal Music and Opera know that a performance like Qin Fangge is difficult at the MAX level, and only a perverted or boring person like him would do such a thing.

Didn't you look at the piano accompanist over there, Chen Chen, was already stunned?

This is naturally a good thing for students and teachers like Zhou Xiuying, who doesn't want to have a good accompaniment effect! But it is really difficult to ask Chen Chen to also play such an effect.

Under the encouragement of Qin Fangge, the students were full of energy, and teachers like Zhou Xiuying and Zhao Yuanyuan were also happy. Moreover, the most important thing you want as a teacher to see is that students can learn as much as possible. As new students, there are too many places to learn.

After three classes in the afternoon, Qin Fangge himself was like practicing playing the piano.

Chen Chen could hear that Qin Fangge even manipulated the music of this opera and made some adaptations. Of course, this is also the most normal thing, and the simplified version of the piano accompaniment she plays by herself only retains the most basic parts, which can be regarded as an adaptation.

With Chen Chen's own ability, he couldn't play all the parts perfectly like Qin Fangge.

In addition, there is the emotional color in it, Qin Fangge uses the piano to express it more easily.

The symphony orchestra is also quite particular about this, and in addition to the mood, the harmony between the instruments, the overall effect of the whole symphony orchestra, is determined by the conductor, so it can often be heard that even if it is the same piece, different conductors will have their own different styles, and basically will not be the same.

This "Rome Night" with love as the main line, Chen Chen has also heard different versions of the symphony orchestra's CD, and she feels that in the setting and processing of these emotions, the effect of Qin Fangge's piano performance is much better.

After an afternoon of playing, Chen Chen felt that he had gained a lot, and observing the performance of a high-level pianist like Qin Fangge up close would indeed give people a lot of shock and inspiration. Qin Fangge's current level can definitely be called a pianist.

After the end of the lesson, Qin Fangge didn't leave in a hurry, just Chen Chen wanted to say a lot to him, and the discussion of all aspects of piano playing skills was enough to talk for three days and three nights.

Zhou Xiuying didn't leave so quickly, and gave Zhou Shiyu and them a small meeting, and when the students were almost gone, Qin Fangge went over to find Zhou Xiuying and said that he would invite the teachers to dinner.

Zhao Yuanyuan asked him with a smile, "Is there any happy event?"

Qin Fangge replied no, "It's me who asked the teachers for help, and it happened to be time for dinner." ”

Zhang Wei smiled, "If it's a leave, you don't need to say much, it's no problem." ”

Qin Fangge hurriedly thanked him, he didn't go to class now, and it was the counselor Zhang Wei who helped him wipe his ass in the back.

Zhou Xiuying said that she could talk about it now, Qin Fangge smiled and said that it would be unclear for a while, it was better to speak slowly, anyway, everyone had to eat.

Seeing his special look, Zhou Xiuying gave permission, and Qin Fangge also pulled Chen Chen up, saying that he had robbed her of her business today.

Chen Chen smiled and said, "I should invite you to dinner, I benefited a lot from watching you play this afternoon." But I can't do it with a piano and an orchestra like you do. ”

Zhou Xiuying smiled and said that he had the heart to do such a thing by himself, and other pianists could practice more, but they would definitely not accompany their students.

Zhao Yuanyuan came by car, and Chen Chen himself had a car, but Qin Fangge still called Lin Baoqing and asked Zhou Xiuying to take Lin Baoqing's car.

Zhou Xiuying thought that he really had something important, so he agreed, and also cared about Lin Baoqing's rehearsals, which were also music works created by Qin Fangge. Zhou Xiuying's impression of Lin Baoqing is quite good, and Qin Fangge also reported to her about her relationship early in the morning.

Zhao Yuanyuan and the others naturally don't have any opinions, and it's easy to arrange, Zhang Wei took Zhao Yuanyuan's car. Chen Chen drove by herself, and Qin Fangge invited her so kindly, she planned to go home after dinner.

Qin Fangge had discussed with Lin Baoqing before, and his laptop was all in her car. A group of people went to the parking lot to meet, and after saying hello, they didn't talk nonsense and drove directly to the hotel.

Zhou Xiuying got in the car and sat in the back row with Qin Fangge, Lin Baoqing's car was larger and more spacious. After settling down, Zhou Xiuying asked Qin Fangge, "You are so mysterious, what is the matter?"

Qin Fangge, who was driving a laptop, smiled and said nothing, and Lin Baoqing, who was driving in front, said for him, "He adapted the script of an opera by himself, and wanted to ask Mr. Zhou to help guide him, but he was embarrassed to speak when there were many people." ”

This was really a surprise for Zhou Xiuying, "I really started writing opera!"