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Ou Shihua talked to Qin Fangge, that is, the use of basic skills such as breathing, rhythm, and long notes on trombone.

Di Xinyang soon rushed to the piano room, and arranged a corresponding teaching plan according to the specific situation of Qin Fangge. Now everyone knows that Qin Fangge is not going to take the trombone or other undergraduate exams, but just to understand the characteristics of various instruments, especially the performance of symphony orchestras.

Therefore, while teaching him to learn trombone, Di Xinyang also introduced the advantages and weaknesses of trombone in the position of the symphony orchestra. The bass part of the brass, the principal player of the trombone is also the principal player of the bass, and the role is of course quite huge and indispensable.

After a night of studying, Qin Fangge has gained a lot of knowledge, especially Di Xinyang's deliberate showmanship, and his trombone level is also superb. Anyway, compared to Qin Fangge, a rookie, and an undergraduate like Ou Shihua, I don't know where Gao Ming has gone. Then, Professor Di Xinyang naturally did not forget to tell him that if he wanted to learn in the future, he would call him, or learn directly from Ou Shihua. He didn't forget to ask Qin Fangge by the way, if he wanted to develop in the direction of trombone professionalism, he was politely rejected by Qin Fangge, and he didn't get angry with a smile, as if it was just showing their attitude.

Di Xinyang also said that with Qin Fangge's talent and the foundation of practicing wind instruments before, after a night of study, it can already be regarded as an entry, and more practice will be done in the future.

Qin Fangge also thanked him and Ou Shihua before saying goodbye, and it was also him Qin Fangge who had the reputation of a genius, and his face was big enough, otherwise people would not have liked him either.

After finishing the class, Qin Fangge still went back to the courtyard. On the way, I called Lin Baoqing and told him about the study next night. I also care about her situation at home, she is very liked and cared for at home, but she also has plenty of free time, which is also very enviable.

Compared with Long Xueyao, Lin Baoqing is undoubtedly much happier.

Qin Fangge's mind flashed such a thought inexplicably.

After chatting with her for a while, I took the phone.

Before he got home, Long Xueyao called him and asked him if his trombone study in the evening was over.

Qin Fangge said that he had already arrived home, and he was afraid that she would run over in the middle of the night again, so he said that he would immediately send her a recorded version of the aria on the violin version of the G string to her, and if there was a video of the performance, wait a little and send it to her when it was handled.

Long Xueyao said yes and asked him, "Am I embarrassing you too much!"

It seems that she has also thought about it, Qin Fangge said in her heart, but she replied, "No, you download the recording and video first, experience it yourself, and practice more." After all, the violin performance is still up to you, and there is only a limit to what I can do to help you, let alone help you with every piece, which I hope you can understand. ”

Long Xueyao said, "Then I'll practice this piece first, by the way, did you name it?"

Qin Fangge said no, "Or, can you help take down the name?"

"Okay, what do you think of calling it the Song of G Strings?" Long Xueyao was really unkind, and immediately said the name she had been thinking about for a long time. Then he talked about it for a long time, saying that this piece is simply tailor-made for violin, and the main theme is all on the G string, which is beautiful, and so on.

Qin Fangge said okay, after chatting for a while, Qin Fangge said to get the recording for her, and told her to go to bed early at night, staying up late is not good for the beauty of girls, etc.

Long Xueyao also said that she was more worried about this, and when she looked in the mirror tonight, she found that she had dark circles under her eyes, and she was afraid that she would not be able to stay up late in the future.

Qin Fangge was on it at that time, which made him worry for a long time. It turned out that in addition to the violin, Long Xueyao still cared about her own image and beauty.

At this time, of course, Qin Fangge will not forget to add fuel and vinegar, and popularize some of the disadvantages of staying up late, the destruction of the body, especially for women's skin and beauty, easy to age early, etc., anyway, how scary it is. He also bullied her for rarely staying up late before, and there was nothing for her to do knowledge popularization work.

It is rare for someone like her to be an afterthought, but from another aspect, Long Xueyao has no problems in other aspects except for her relatively low emotional intelligence and cuteness. It is estimated that it is also because I have been alone for a long time and have pinned all my hopes on the violin. This is also the reason why she is desperate to improve her violin skills, and it is precisely because of this madness that her violin practice can persist.

It's really not easy for a girl who is too beautiful to stick to a musical instrument. Especially the violin, which needs to be played on the shoulder, is easy to give up without great perseverance. When you can't see the future, it's easy to get lost. After all, there are so many people who play the violin in a row, and to put it mildly, geniuses are all grabbing a handful.

In short, Qin Fangge would rather take time out of his busy schedule to communicate and exchange with her on the violin during the day, rather than being alone in the middle of the night with her, and it is easy to make a mess. Traveling in the middle of the night is also particularly dangerous, once Lin Baoqing or Long Xueyao's own parents and teachers find out, he can't wash it clean when he jumps into the Yellow River.

Although he himself is indeed not a good thing, Xi Wanqing's side obviously won't cause so much trouble.

hung up the phone, in addition to sending the recorded violin version of the aria to Long Xueyao as soon as possible, Qin Fangge called Zuo Shuqin again, she was still surprised, "I said you didn't make the wrong call!"

Qin Fangge smiled and said no, and then said straight to the point, "I'm here to find Senior Sister Zuo to get the video, just send me the violin version of the video." ”

Zuo Shuqin laughed and said, "Why do you want this video, is there any situation?"

"What can happen?" Qin Fangge pretended to be puzzled.

"Can you still fool me? Are you thinking about making some sister paper again? Beware of me suing Baoqing! Tell you, I'm on Baoqing's side. "Zuo Shuqin speaks like a machine gun.

"It's for Long Xueyao, didn't Baoqing say last night that I would send her a copy of the score? I sent it, and after she practiced, she said that if she wanted my video version and audio version, she would ask for it." Qin Fangge explained, of course, he still concealed many of these things.

Zuo Shuqin smiled, "I have to confirm it before I say it, you wait first, I'll call you later, or you go to Hongyan and let's talk in the group." ”

Qin Fangge said yes, "It's been a long time since I've chatted with everyone in the group!"

He quickly logged into the group of wild geese, and then posted, "Hello everyone, I'm here!"

Soon, I saw Li Ruoli speak, "Oh! Oh, the sun is coming out in the west." ”

Chen Tianhong made a laughing expression, and typed, "Girls, come out to pick up guests!"

Then, she had to be scolded by the girl for a while, saying that she would accompany the guests she picked up.

Chen Tianhong said that he would not rob Lin Baoqing, and then a group of people asked Qin Fangge what he was doing and whether he had made any mistakes again.

Qin Fangge said no, but he hadn't seen them in the group for a long time, and he missed them very much.

But no one believed it, Chen Tianhong also said that there must be something wrong with him, maybe it was still difficult to speak.

So, it provoked a burst of speculation and criticism from the girls.

Qin Fangge smiled bitterly, he would not show his head if he knew it, Zuo Shuqin was really harmful.

After a while, Zuo Shuqin spoke in the group and said, "Qin Fangge, the violin video you want has been sent to your mailbox." ”

Qin Fangge was speechless, Zuo Shuqin must have done it on purpose.

Then, Huang Jing also joined in, and the girls speculated about the reason why he wanted the video, and the speculation of playing handsome and cool pickle girls was at the forefront, making him really indistinguishable, so he simply didn't resist. Anyway, as long as Lin Baoqing is not angry, soon, Lin Baoqing also showed up to confirm this matter and cleared his innocence.

Seeing that the time is not early, the girls will all go offline to rest after a while, Qin Fangge is also relieved, and he can finally do his own thing with peace of mind.

Now that he is writing concertos, he plans to copy them mainly until he has accumulated enough experience. There are also many kinds of concertos, including piano concertos, violin concertos, cello concertos, trumpet concertos, and a series of concertos.

The first thing he planned to take out was, of course, the piano concerto, otherwise, Deng Hongmei alone would not be able to get by.

And in the piano concerto he was familiar with, he planned to take Chopin's piano concerto first.

The romantic and melancholy Chopin, known as a poet of the piano, wrote only two piano concertos in total. The piano part is also a continuation of his style, gorgeous and noble, romantic and amorous, but with a melancholy that seems to be everywhere, which is also quite in line with the characteristics of his temperament and image, and is also talked about by the majority of Chopin fans.

Chopin was quite accomplished on the piano, but not so well on the writing of symphonies.

The orchestral scores of his two piano concertos were basically rearranged by later generations, and they did not use the original parts.

This also gave Qin Fangge a good reason to rewrite the orchestra's concerto score for this piece.

He intended to orchestrate the orchestra according to the current standard orchestra configuration.

In the string department, the violin is definitely a must, and it is generally divided into two groups, the first violin and the second violin. Each violin group has a principal violin, so the violin has two principal players. The principal virtuoso of the first violin, also known as the principal of the bowed string instruments, is the principal of the entire orchestra, and his position is only under the conductor.

Like Long Xueyao, her ideal, in addition to becoming a violinist, holding her own concerts, and performing soloists. It is also quite a good choice to be able to join a large symphony orchestra and be the principal violinist.

Violas, cellos and double basses are also indispensable, and each violin department has its own principal performer.

In the wind ensemble, the principal player of the trombone is the principal player of the bass, while the principal player of the trumpet is the principal player of the entire brass instrument. The principal player of the clarinet (and sometimes the flute) is the principal player of the entire woodwind instrument.

These musical instruments are also the goal of Qin Fangge's hard work during this time.

The French horn is technically a brass instrument, but it often functions as both a brass and a woodwind instrument. Most instrumental groups also have a deputy principal. If the Chief is absent, they act as the Chief.

If Qin Fangge wants to compose a concerto, these things must be clearly understood.

In addition, there is the ranking, which also influences the writing of the orchestral part of the concerto.

The same is true for symphony, where the creator must have the most accurate understanding of the orchestra's composition, performance, and other aspects.

Qin Fangge also made a lot of effort in this regard.

A large Western orchestra with three or more pipes and a symphony suite, symphonic suite, symphonic poem, and other symphonic music works is called a symphony orchestra.

This kind of large symphonic music group generally adopts several methods in rehearsals and performances, when playing classical music works, such as Bach, Haydn, Mozart and other contemporaries, the composition should be reduced to maintain the performance style of classical music, and when playing Romantic music works, such as Beethoven, Brahms, Tchaikovsky and other contemporaries, most of them use double woodwinds, The horns and strings are played, especially in the fortiss, and the instruments must be doubled to add momentum to the piece.

The symphony is an advanced form of human music culture, so the symphony orchestra needs a high quality sound when playing symphonic music, but the symphony orchestra includes a number of 10 different types of musical instruments, and they all have their own different characteristics and personalities, so when writing symphonic music works, not only the composer needs to make a reasonable allocation of their timbre, but also in rehearsals and performances, the arrangement of their seats also needs to consider the beauty of the appearance, as well as their coordination and color coordination when playing music, for this reason, there are many conductors and instrumentalists in the world, after nearly 100 years of hard work and exploration, experiments, basically found a reasonable principle of seat arrangement. For example, the string section is the basis of the entire symphony orchestra, and its timbre gives a sense of intimacy, so that the general seats are at the front of the stage, closest to the audience. There are many types of woodwind instruments, and the timbre is prominent, so they need to be arranged in the middle of the orchestra after the string group. Brass and percussion instruments are loud and exciting, so they line up at the back or back of the band. Harps and other plucked instruments are often lined up on the left and right sides of the band. However, sometimes due to the requirements of the work, such as the performance of some works by modern and modern composers, and also due to the personal preference of the conductor, there is also a special arrangement for the orchestra seating arrangement. There are two common standard seating arrangements for symphony orchestras, namely the European band seating arrangement and the American band seating arrangement.

The European-style seating arrangement is more advantageous for playing classical symphonies, because the composition was conceived at that time, the first violin and the second violin often played in a question-and-answer style, and their timbre was the same, so that they were arranged on the left and right sides of the conductor respectively, and it was easy to distinguish them. In addition, in this arrangement, the "f" of the violin faces the audience, and the "f" of the violin faces away from the audience. However, if the symphony orchestra in this arrangement is allowed to play modern and modern works, the effect will be worse, because the conception of the violin I and violin II of the modern and modern works is basically unified in the same part, and if the two sides are divided, not only is it difficult to cooperate, but it is also difficult for the conductor to take care of it.

In addition to the above-mentioned conductor to take care of the violin I and violin II, the cello is arranged in the front right, which is easy to make the bass part of the orchestra stand out when playing, so that the cello and violin echo each other, and can achieve the melody, bass, and At present, many symphony orchestras in the world have adopted this American-style orchestra seat arrangement, and China's Central Orchestra and Shanghai Symphony Orchestra also adopt this American-style seat arrangement when rehearsing and performing.

Chopin's works belong to typical Romantic music, and Qin Fangge also needs to fully consider these factors when considering the composition of concertos, and he intends to adopt the American arrangement of seats.

In this way, he must also devote more energy to the study and creation of the American seat arrangement, although he can directly extract the concerto from the concerto he has heard before, but if he writes it himself, he will undoubtedly gain more.

When he performed in the Great Hall of the People before, he had worked with the China Philharmonic Orchestra, and they also used the American seating arrangement, and Qin Fangge paid careful attention to it and listened carefully at that time.

It's just that when I really wrote it, I found that there were thousands of threads intertwined. There are a lot of things that the creator needs to consider, but there are challenging things that make him find interesting.

For example, the echo between the piano theme song and the orchestra should be highlighted or the orchestra should be emphasized. Although the piano concerto basically wants to express the momentum of the piano and the level of the pianist to the greatest extent. But the concerto part of the orchestra is far from negligible.

There is another important figure in this, and that is the conductor.

In a symphony orchestra, the conductor is like the commander-in-chief of thousands of troops, the soul of the symphony orchestra. Not only should the orchestra listen to his conductor, the pianist, but also the conductor should be well cared for, and only by communicating and exchanging well can we achieve perfection when performing. And working with famous conductors is also a happy event for many musicians to show off