PS: Ask for a recommendation ticket, ask for a monthly pass!

Because Zhou Yunfa and Liang Jiahui didn't know all the content of the script, they relied entirely on the analysis of their respective characters to promote the development of characters and stories when they first performed.

The two experienced the initial panic and began to act like two monkeys who had learned to cooperate, and their emotions slowly rose. The content of the portable cassette player makes the two people feel like ants trapped in a labyrinth, stared at by a pair of deeply hidden eyes.

The camera is given to the clock several times, and the confirmation of time logic adds a sense of tension to the film. The rhythm of the movie is interlocking.

With the appearance of two handsaws with a luster of steel, Zhou Yunfa also fell into memory, and the montage shot cut in.

On the screen, the errand played by Liu Qingyun and Wu Zhenyu appeared on the creaking stairs. The light from the flashlight in his hand allows the viewer to follow the picture as it appears. Zhou Runfa's voiceover tightly grips the audience's heart.

"I know this man. Or I don't know who this person is. The Bad Guy has been following him, but he hasn't caught him, and the reason I know him is because I'm one of the suspects......"

As far as the flashlight could reach, the picture was opened.

The barbed wire covered with thistles presents an "X" mesh on the screen, and in the center, a white fat man with blurred flesh and blood hangs limply on the tribulus terrestris iron net, and the whole person looks like a piece of flesh hanging in the air.

The rotten vines wrapped around his body, and the whole person was filled with a strange aura.

The pale and cold body was suddenly shaken by the light, which suddenly made many people who were watching the movie creepy.

"Shhhh

The timid female audience couldn't help but cover their mouths, almost screaming in fright.

The "cage" surrounded by the iron net of the tribulus terrestris, the naked and fat man like some kind of blowing up white chopping chicken hung inside, and the iron thorn tribulus scraped the body.

There were flies buzzing around. The camera switches quickly, but it's still enough to challenge people's vision.

Playing the role of the first victim is Fei Cheng, who drilled through a period of tribulus terrestris, pierced his intestines and cut his stomach, which was miserable. When the camera moves up—

"Gross!!"

There were female viewers in the theater with weak nervous lines who couldn't help but retch.

Many viewers changed their faces and felt uncomfortable. Film critics and film practitioners alike couldn't help but sit up straight, their eyes shocked.

Inside the stomach, rotting rats, pus-filled toads, and brightly colored poisonous snakes burst out.

The yellow light and shadow are full of metaphors.

This scene is too shocking.

"Vomit-" The bad guy played by Wu Zhenyu couldn't help but cover his mouth.

"We found this—" The forensic doctor, played by Shao Damei, pressed the portable cassette player.

"Tao Tie, you overeat every day, constantly consuming your life. I committed suicide by swallowing an overdose of sleeping pills last month, did you really want to die, or did you want the world to notice you?

So, tonight, I'll wait and see.

If you want to die, please stay here. If...... If you want to live, then you have to hurt your fat body and make the food you eat all over the floor...... The speed must be fast, because after twelve o'clock, the gate will be closed, and there will be many cuties to accompany you......

You need moderation !!."

The voice was low, with a look down.

"Why is this happening?" Wu Zhenyu couldn't help but ask.

"He swallowed and smeared substances that attracted these things inside and on the surface of his skin. Sister Shao replied. It can be regarded as answering the audience's questions. When filming here, Wu Xiaozu also used the concept of the seven deadly sins in theology.

"He was missing a piece of flesh on his back, similar to a puzzle. Liu Qingyun carried the flashlight and shook his head, "We're busy." ”

Temperance, a capital English flashes on the wall inside the movie.

…

On the screen, another case appeared.

A scrawny man lay in the snake pit, covered in iron.

The whole light had abandoned the blue of the bathroom, and had just fattened into a yellow source of light through the thistle, and had become an obscene and dull dark green.

The English word "diligence" is spent on the floor.

The three main scenes, with different light sources in blue light, yellow light, and dark green, hint at different characters and stories. In addition, in the bridging place of the story, Wu Xiaozu chose a dim and chaotic light source.

In this play, Zou Lin, the best lamp master on Hong Kong Island in later generations, really showed a master-level lighting level.

The audience didn't feel it yet, but the critics and filmmakers alike were stunned by the weird style created by Wu Xiaozu.

The audience in the theater is polarized.

Countless people are obsessed with watching this paradoxical world created by Wu Xiaozu, and some of them are the first time that Wu Xiaozu has been uncomfortable watching the movie since he filmed the movie, and he left the scene early.

Fortunately, there are still a few people who have this situation, after all, it is an LLL movie. The audience is mostly adults with independent thinking skills, and most of them are young people.

The fear of "Dreadroom" is actually quite eye-catching.

Many people say that horror movies, like comedy movies, have the ability to attract people who can't stop it. The core of fear must be unknown. This unknown mystery has a fatal attraction for the viewer.

What's more, Wu Xiaozu's movies have always been slightly black in style, and his audience can also accept this "heavy taste".

Countless film critics and media people are sitting up straight at the moment, holding their pens tightly, and they can't bear to miss a shot.

This movie, even the most common lighting, is full of unbelievable imagination.

Every shot seems to carry an ineffable hint.

If you can immerse yourself in it, you will naturally be able to feel the charm of this movie.

“Duang——”

Black suspenders, hemispheres trembling, sweating, eyes struggling.

In the movie, a rough iron mixed with punk-style torture equipment is placed on Koryo Hong's head. Her whole body was fixed to a rusty mottled electric chair, and she kept struggling, and the two hemispheres shook with it.

The overall lighting is dim, but with an orange light.

Goryeo's red, black and white eyes were full of incredulity, and the whole person was constantly struggling. But—

Sting.

A burst of electricity made its whining sound instantly high, and the whole person collapsed on the chair like mud.

This movie is naturally not a convergence of S and M, so as she struggled, blood dripped from the torture instrument on her head and mouth.

As she shuddered, the television next to her revealed a puppet in an eerie clown mask, interspersed with the shrill laughter of the tin rubbing gangsters.

The oozing sound made the audience in the seats couldn't help but break out in a cold sweat.

Before Wu Xiaozu, the most popular horror movie on Hong Kong Island was the phantom zombie series, which was always filled with jokes in the camera, and in fact, it was more inclined to kung fu movies than horror films.

The realistic theme of "The Butcher on a Rainy Night" frightened the audience for the first time. However, the postmodernist-style film "Fear Room" is even better, blending Western-style plasma torture instruments and oriental-style Italian rhythm, and the whole movie is black and eerie.