It can be said that tonight's audience, whether they are real opera fans or those who have come to join in the fun, are looking forward to this aria in their hearts???? Huo Ran?Wen ????? Specifically located at the end of the second act, it is the most brilliant before the end of the first half, and it is also the highest energy of the whole opera, and the place that can arouse people's hearts the most.

Do a little homework and you'll know that it's almost time!

Even Zeng Zhiping and Zou Hong, two rookies who have only undergone assault training and have not even entered the door, are not stupid, even if they can't watch the performance on the stage and listen to Qin Fangge's singing, don't they know how to look at the expressions of the people around them?

People who appreciate a higher level than the two of them are gone, and the two assistant directors of Qin Fangge's film crew, Muzio and Hongzhou, and the starring James, are much better than them. These people are looking for Qin Fangge to get tickets, and the three of them are together, before coming, James also explained the opera in detail to the two assistant directors, and in the eyes of the two assistant directors, there is nothing to be ashamed of. James, this guy, is completely a loyal fan of Qin Fangge, and he was the first to encourage everyone to come together.

James, who has been practicing piano since elementary school classical music, was most excited, especially when he found that the entire orchestra had risen a lot, and the overall expressiveness and appeal of the orchestra had also been raised to a higher level.

Qin Fangge's bel canto singing method is also unique so far. He uses the cavity of his whole body to resonate together, and his breath is controlled even more exquisitely, so that when he sings, he seems to be more and more at ease, and the brilliant timbre is like gold and sunshine. And his majestic and generous bass, strong and majestic alto, and full and loud treble also stimulate the audience's senses even more. There are both physical and psychological, strong feelings, and even they can feel as if their own bodies are resonating with them, and there is an irrepressible urge in their hearts to want to sing with him.

It's just that Ren is the most rookie audience knows that a tenor singer who can reach the same singing level as Qin Fangge is not only impossible to find now, but also completely absent in the past. To put it simply, like Puccini, what can resonate with the head and chest is the limit. If you want to surpass Qin Fangge, you can only look forward to the latecomers.

Professional tenors are still like this, and if these audience members really shouted along, they would probably be killed by other audience members on the spot. Now in the entire opera house, in addition to the sound of the symphony orchestra, only Qin Fang's singing voice echoes in the hall.

Qin Fangge stood on the stage, without a microphone at all, and could send his voice to the ears of more than 2,300 people at the scene (there were almost 300 people in the ticket area).

This aria is his tenor solo, but it frees him from worries, and if he cooperates with others, there will still be times when he will be held back. If he plays on his own, there is basically no hindrance.

Unlike other tenor singers' flattening treatment of this aria, he and the orchestra's rising key made veteran opera fans extremely excited, and the mood of faint anticipation made them ripple together with the ups and downs of the song. It feels like you're going to challenge the world's tallest mountain, and after that's smooth, you can continue to climb up. The scenery seen along the way is extremely magnificent, but everyone knows in their hearts that the scenery at the highest point is the most beautiful, and they are all looking forward to the moment when they reach the top.

And those who sat in the front row, and the audience with particularly sharp eyes, could even see that Qin Fangge's singing voice shook the sheet music in front of the orchestra musicians. It is also thanks to the rehearsals and rehearsals that the orchestra members have adapted, otherwise, their performance would definitely be no different from the rehearsal, chaotic and disorderly, addicted to singing and unwilling to play.

And after the most shocking experience, the whole orchestra also burst out with amazing energy, the violinists played the violins in their hands with great grief, the trumpeters played brightly and brilliantly, and even the double bass seemed to be much more infectious. The aria "In This Silent Night" expresses emotions that are not simple, and various emotions are intertwined, not only for the tenor, but also for the symphony orchestra. The Orchestra of the Czech State Opera can be regarded as a super-level performance this time, and everyone who understands music can hear it, because they have been infected, they have devoted themselves to it, and they have played at a high level and with true feelings.

In fact, you don't need to look at so many musicians, just look at the conductor in the orchestra pit, almost crazy conductor Mendel. Not to mention, his body language is particularly rich, whether it is waving his hands or his writhing body, the expression on his face is extremely complex, sometimes intoxicated by a beautiful smile on his face, sometimes he gritted his teeth, his brows are furrowed, and his whole old face is distorted to make people a little creepy, but he himself didn't notice this, with the rhythm of the music, all kinds of movements came.

The orchestra pit where the orchestra is located is the closest to the stage, and the conductor and orchestra are also the most deeply influenced by the singing, and even the audience on the top five floors can feel the surging resonance, and their feelings are only stronger.

Finally, after the previous series of foreshadowing was enough, Qin Fangge's voice fell suddenly, and soon it seemed to bottom out, and began to accelerate up with the bright music played by the orchestra, reaching the most exciting moment.

Although many old opera fans and industry connoisseurs know that there is still a little distance from the highest note of the original song, at this time, they are all looking forward to Qin Fangge to surprise them and create new miracles.

In fact, his singing in front of him is already a miracle of miracles! Because opera is not only high notes, there are too many things worth exploring, and without singing high notes, it can also be very artistic and beautiful.

But people are greedy animals, and everyone is looking forward to a magic sound in their hearts!

Qin Fangge's performance did not disappoint them, his singing voice was mature and calm, loud and high-pitched, and passionate, with a resonant audience rushing all the way, just like the process of taming a wild horse, in their expectations and hopes, when everyone had no time to breathe, rushed to the high-pitched C that they were looking forward to.

At this moment, the audience's scalps were numb, their pores were soft, and their hearts were boiling, as if they had also completed this feat of challenging the limits of human beings together. Their wait, the time, energy, money, and relationship they paid for this opera seemed to be worth it!

But this is not the end, the audience who is familiar with this aria of "In This Silent Night" knows in their hearts that in the original song, there is no high C here, but B flat, which is just the beginning.

Sure enough, with the conductor Mendel's almost convulsive conduct, the musicians of the orchestra also played wave after wave of music with excitement, and with Qin Fang's undulating singing, the sound waves kept spreading in the air, directly into the ears of the audience, and also made them more and more excited.

Another perfect treble C broke through the air, and the physical resonance produced made many viewers feel the feeling of climbing the peak, as if they were in the clouds, and this feeling came more and more intensely than the first time. It's also a bit addictive, and once you get into your soul, you can't stop at all. Many viewers even have a blank mind, completely following the instincts of the body and mind.

But this is not yet the end, Qin Fangge is like an old driver, crossing many obstacles, pretending to fly with the audience, wave after wave of sound, not giving the audience a chance to breathe at all, directly bombarding their hearts. When another treble C hit, many viewers were directly intoxicated.

It's just that Qin Fangge's breath is very well controlled, and the words and endings are freely retracted. At this moment, he is also like a magician of the mind, controlling the audience with great precision, making them rejoice or sadness, rippling up and down with the song.

Four treble C, even the most discerning music critics, can't find anything wrong. Many music critics even forget their responsibilities and devote themselves to their emotions.

More professional audiences paid attention to the high note C in the original song, but they didn't get there.

Qin Fangge is not like the audience, and he was not drunk by his previous successful performance at all, he is still professional, and he interprets his adapted wonderful music with his heart. For him, the front is just a foreshadowing, and the lower treble C is the most important part of the whole aria.

The keen audience also noticed this, Qin Fangge's upward singing did not slow down, but became more and more frenzied, and there was a posture of never looking back. This undoubtedly made them look forward to it more and more, even if they couldn't hold back the emotions in their hearts, they had to endure it, and they didn't shout out loud or applaud directly.

As for the audience whose minds and emotions are more sensitive, they are completely intoxicated at the moment, and there is not much left of consciousness.

Finally, with so much foreshadowing, so much waiting and hope, it is finally time to test the results. Like farmers who work hard to sow seeds and take care of the crops in their land, the audience is looking forward to the harvest of autumn, the heavy, golden, and charming fruits.

Qin Fangge didn't keep it anymore, and it soared to the limit, another treble C that made people intoxicated and unwilling to wake up, this is already tonight, and it is also the fifth treble C in just two minutes. During the period, not only impressive, simply unforgettable, this combination of physical and psychological double enjoyment, put in the years to come, are indelible, happy, sweet life experience.

And this time, the duration of the treble C is much longer than before, a full eleven seconds. In some fast men, that's enough time for them to make a shot. This will, give them the feeling, accompanied by the resonance of the body, even more than **, the continuous high tide feeling, in cheesy words, is to make people cool to the extreme, like heaven.

is different from the dazzling soprano C of "Beautiful Scenery", in this "In This Silent Night", after Qin Fangge's adaptation, more attention is paid to emotion and resonance, and appeal and expressiveness are the focus of his adaptation.

Of course, being able to sing a high C itself is a great challenge for tenors.

Many tenor students may be able to sing high C or even higher to high D when practicing, but in actual opera performances, they simply can't sing it.

In the case of La Bohème, there is still an hour before the aria with a high C is sung, and the tenor has to give it his all, and if the front is so bad that he can't even keep up with the rhythm, don't want to sing the high C well. If you want to deal with the previous part of the opera, in addition to technical problems, super physical strength is also an important factor, in addition, reasonable control of breath, physical strength, energy and other aspects is also quite crucial.

Only those who have actually rehearsed and been on stage know how difficult it is.

Not to mention anything else, even if you don't perform the previous part of the opera, just handling this aria well requires considerable strength and skill.

At the beginning, when Rossini and Puccini were old and couldn't sing very much, and when they toured concerts around the world to make money, they basically didn't perform the whole opera, but directly played such arias. That's it, many times I can't sing the high C can't be sung, which shows the difficulty.

At present, Qin Fangge, a musical genius born out of nowhere, the world's first tenor, and the king of the new generation of tenors, has perfectly performed the opera "Alonso", and the most difficult "Beautiful Scenery" has made countless people talk about it.

Tonight, Qin Fangge's performance once again proved to the world that his singing voice does have the capital to make the world crazy.

After this fifth treble C, the music slowly slides down, like the afterglow of **, leaving people to slowly reminisce.

Audiences who were moved by the powerful appeal and expressiveness of his singing abounded, some were enthusiastic, and some were really touched by the physical and psychological highness and were directly shamefully wet. The sensitive audience quietly looked at the performance of other people around them, and it seemed that they were no better than themselves, so they slowly put their minds at ease.

It's just that the first half of the opera has not yet ended, and Qin Fangge on the big stage of the opera hall still plays his own role with his heart, and also gives other opera singers room to play. It seems that the performance just now has nothing to be proud of for him. In the eyes of his peers, it is true, this wicked guy is still the strongest kind like a hanger, and he is still easy to sing such a difficult aria. It's not like Rossini at all, after singing the high-pitched C, he is panting like a cow, and his breath is even more scattered. Especially in the later period, this phenomenon becomes more and more obvious, even for a genius like them, singing a high C is still too much of a burden on the body and mind. (To be continued.) )