PS: Ask for a recommended ticket, ask for a monthly pass!

"Love in the Dust" is a typical Hou Xiaoyuan-style prose film.

The rhythm is steady and clear, which makes people feel comfortable watching the movie.

Under the idle freehand lens, reading, work, youthful first love, and parents' shortcomings are just right to grasp the relaxation of the market. There is less dramatization on the surface, but more plain and long.

In this movie, Wu Xiaozu really saw the shadow of Yasujiro Ozu from his Hou Xiaoyuan.

This is the flute sound of the fusion of nostalgia and youth blown by the wind in the mountains, melodious and memorable with a touch of sadness.

Music + lots of empty mirror transitions, trains, railroad tracks, wall clocks cut into miniature representative stations.

Vaguely scattered narrative techniques, family, growing up, Chinese life, the sign of Hou Xiaoyuan's shots.

This is undoubtedly a very good and sentimental movie. Never deliberately nostalgic, never deliberately lyrical, every shot seems to be just right, so that people who sink down to watch this movie can feel a lot of Hou Xiaoyuan's unique visual senses.

Wu Xiaozu quietly enjoyed this movie. In this movie, a master has been vaguely seen rising.

Many of the filmmakers and film critics who were invited to come also nodded secretly.

"I'll push your lungs, this is a ghost??"

"What do you want me to look at in this dizzy empty shot?

"What a boring movie!"

"I'm going to fall asleep, this movie is just boring. ”

Unlike film critics and some viewers who are calm enough to enjoy the movie, ordinary audiences watch the boring plot, scattered narrative and drag plot and rhythm, and instantly talk noisily.

As time went on, more and more people complained.

is different from Wu Xiaozu's appreciation, Deng Guangrong's face is gloomy at the moment, and he seems to be dripping.

At the end of the movie, the audience left the scene complaining.

Hou Xiaoyuan sat silently on the chair, did not speak, and the whole person seemed very quiet.

"Waiting ......"

Wang Zuyuan just wanted to say hello, but when she found Wu Xiaozu holding her, she shook her head and beckoned her to leave, "Let's go, leave the space to himself." ”

"I think the movie is very good, why is the audience's response so bad?" Wang Zuyuan looked at the audience who were scolding and leaving the stage with a puzzled face.

In her opinion.

"Love in the Dust" is definitely a very good youth love song, she doesn't understand why the response is so poor.

"The cinema is a vehicle of consumption, and the audience enters it either for entertainment, or for solace and expectation. A ticket price of HK$20 may not be much for many middle classes. But for the people at the bottom, it is absolutely necessary to look back at the ticket price. ”

Wu Xiaozu looked back at "Love in the Dust" with subtitles scrolling on the big screen, shook his head and explained, "This is a good movie." But it is not a film that can be accepted by the masses. To put it simply, the supply of directors and the demand of the audience are not equal......"

It's a pity.

"Why do you need to portray the world, how can you write about the times, you can be objective by watching, and cold eyes are affectionate. Worship doesn't have to be flattering, the master is in Wanwan. ”

Wu Xiaozu took one last look at Hou Xiaoyuan, who was sitting there silently and endured all this, and smiled faintly, "I wish you all the best in the morning, noon, and evening." ”

The growth of losing money is inseparable from this kind of abuse and slander. Such a path is Hou Xiaoyuan's own choice. Since we follow our hearts, we must bear all these negative contents.

Hou Xiaoyuan seemed to hear Wu Xiaozu's greeting, turned his head, and saw Wu Xiaozu's encouraging smile.

For Hou Xiaoyuan, his talent is enough to support him to pay a broad road.

It's a pity that Deng Guangrong's millions may be lost. After this battle, Hou Xiaoyuan's reputation on Hong Kong Island may be difficult to get money.

Actually, if it weren't for Hou Xiaoyuan's fame, it would have worked. Deng Guangrong may really want Ma Zai to hack this to death.

What about the youth storm similar to "Crazy Boy"?

Where is the shadow of a storm in this movie? If the movie has a temper, this movie must be a Buddhist movie.

……

Wan Chai District, Johnston Road, Deli Building, 1024 Locomotive Film Company Conference Room, pots of green plants are placed on the windowsill, and the windows are closed. The room was air-conditioned, and five or six men and women sat on either side of the conference table.

"This is a drawing of the famous painter Bougreau's "Gods and Nymphs of the Forest". Please enjoy this work with an artistic eye.

Look here - this fairy in the close-up has a plump and feminine back, smooth lines, and harmonious proportions. ”

A white short-sleeved shirt with two straps buckled over wide black trousers, a pair of glasses with delicate chains on the bridge of his nose, and a felt hat on his head.

"We want to make a film like this that is full of women's 'natural beauty'. It's like this oil painting. ”

Fei Cheng held up his delicate glasses, and the whip in his hand nodded at Li Yaohui, "Ah Hui, the colors of this movie should be bold and full, with rich color levels in the softness." ”

Li Yaohui sat down and nodded.

"Miss Di~"

Fei Cheng looked at the charming Di Bola, and straightened up, "This movie is not a simple Fengyue film. This is a work that shows your personal charm and fully mobilizes male hormones. I'm going to discover all the allure in you......"

"Remember, our film is going to be an important project for our emergency film company. We must be happy with this movie! Okay, let's end! That ......."

Jianghu Emergency Film Company.

It is the leather bag company that Feicheng opened at the beginning.

Since the filming of Fengyue films, it is not appropriate to use the signboard of 1024 Locomotive Film Company. The brand of Jianghu Saving Chicken has become fattened to the occasion.

Wu Xiaozu decided to let Fei Cheng prepare for a LLL film starring Di Bola, and his speed quickly prepared.

Debora had made large-scale movies back then, and although she was resistant to this shooting, she was helpless.

In addition, Xie Laosi was arching the fire next to him, and Fei Cheng promised that this drama would have a high salary, so Di Bora also half-pushed and half-"accepted" the invitation.

For filming this kind of vulgar movie, Fat Tsai Cheng is very interested. His interest is even greater than following Wu Xiaozu to make a movie or competing with Liu Wei for the directing rights of the sequel to "Crazy Boy".

Although he talks about "natural beauty", his eyes clearly reveal naked vulgarity.

The script of "The Cuckold King" on the conference table is messily spread all over the table, and you can see words such as "nakedness training suit", "riding a wooden donkey punishment", "binding" and other words that make people blush at a glance.

With his rich posture, Hisei personally wrote this slightly absurd script.

This will also be the pioneering work of Jianghu Emergency Film Company.

I'm afraid Wu Xiaozu didn't expect that his big-breasted brother would be so enchanting and talented in the film talent tree on women's themes.

Unlike other people's bitches who set up archways, fat people are not averse to this LLL movie.

If Hou Xiaoyuan is a spring and white snow, then Fei Chengcheng is really a Riba person.

Hou Xiaoyuan has his own pursuit and discussion, which is the feeling of art.

Fei Cheng cares more about the audience's preferences and vulgarity, which is the sensitivity of the market.

One flaunts himself, the other pleases the audience.

So, which of these two types of directors is noble, and which one is low?