Dying becomes the leitmotif, and I feel like I'm dying every day, and the characters are being torn to pieces piece by piece.

Nothing could continue to stand up, whatever fear I had, even if I curled up there again and shivered, it was still not real.

In other words, the moment the fear comes, maybe I don't have time to think about what is real, and I will subconsciously grasp the distortion.

But how many times can you catch it?

It's like a puppy exploring its surroundings, and when it hears something, it runs back to its nest, but eventually becomes bold and leaves.

I will watch myself fall into the abyss, and I will eventually let that fear of "not having a role" sweep through my body and do nothing.

The character is still scared and worried about his future life, and although the fear is not so obvious, it is still firmly grasping the twist.

Fear doesn't have to be strong, as long as you can get the character to hold on to the fake, then the goal has been achieved.

There is nothing to catch, all of them will die, this world is not real, there is no me, so how can it continue to let the character of Yuan Changwen survive.

Right now, and only now, I have no reason to hope for the future of the slaughter.

The content of the consciousness is right now, the awareness, the consciousness, the right now.

These are just picture elements, these words, these thoughts, and what tables and sky, these scenes, are all picture elements.

And at this moment, at this very moment, that awareness has always been there.

It's not the content that needs to be cared about, it's the awareness.

No matter what the character is clinging to, it's still just what they're aware of, right here and now, not at any other time.

The so-called other moments are still just what you realize at the moment.

I have no reason to believe this, and whatever happens doesn't mean nothing.

That kind of connection is only a visual element that is perceived at the moment, and it is still not real.

It seems like I should have held the word "unreal" in my hand and then seen it at all times to avoid getting myself caught up in the role.

Family is nothing at all, even if the whole world values family, it does not mean that family is real, nor does it mean that those so-called love are real.

"Love" can be defined from different perspectives, such as responsibility, responsibility, etc., but this is just "transaction" but in another way.

Otherwise, it is to love myself, share love, family is dispensable, my love does not come from the fear that others will not love me, nor does it come from trade-offs.

But is this kind of love still the kind of love we are talking about?

This kind of love is based on the dispensability of the other person, in other words, it is not about wanting to get anything from the other person, but just wanting to share my love.

Whether the other party exists or not doesn't actually affect my love for myself, it's just that no one shares it.

I have a cup inside of me, and my love for myself is like pouring water into a cup.

Most people are not satisfied with the water in their cups, so they need to get water from each other, but my cup is full, and I just think it's a pity that the overflowing water will run away, and I just want to share it.

But whether or not there is a partner, my cup is always full.

And this kind of love, expressed in another way, is not caring about the other party at all.

In other words, the other party does not occupy any place in my mind, and I love you not to possess you, nor to control you, nor to get anything from you, just to love you.

Just like nature treats life, it is difficult to think that nature loves life, right, if nature really loves life and cherishes life like human beings, then there will not be so many disasters at all.

This kind of love can no longer be called love, it is just a stream after killing.

It's just that there are several ways to say it, as if the characters can accept or resist.

Unreal is unreal, no matter how much you discuss, you can't grasp it, it's just what you are aware of.

It seems that the character has to grasp something, and of course it will be, because only then can the character survive.

Making something out of nothing is the foundation of the character's birth, and those distortions in the brain are easily related in this way.

And I don't have the slightest suspicion of the distortion in my head, and even though I find it incredible now, what I realize is presented like this.

And there is nothing that can hinder the presentation of the elements of the picture, presented in the fairy world and the demon world, people can fly away and survive for thousands of years, but still no one thinks about the reality of the world, what is wrong with this kind of presentation.

Or, in ancient times, even eating a full stomach was a problem, but there were still people thinking about "who am I", why do you think this kind of presentation is impossible?

There are always some strange thoughts in my head, and I don't think these thoughts are strange at all, but I think it's strange not to think so.

The protection mechanism of the character, maybe, but no matter how I explore it, these are just realizations after all.

For example, behavioral habits, such as the psychological mechanism of the character, such as words and deeds, are all based on fear, but these statements are still based on the assumption of cause and effect and the linear passage of time.

In other words, it's just.

These things look like they can be called results, but they are still garbage, and all the visual elements are garbage, and there is no need to grasp them, and they can't be caught.

The universe as a whole is not something magical, vast and vast, it is just something that is realized.

Destroying the universe is as easy as changing dreams, and there is no such thing as the destruction of energy, it is just the interpretation of the picture elements by the picture elements.

Nothing can't happen, and even if you think that something can't happen, it's just something you realize, and it's still not true.

It doesn't matter if the character is caught or not, when I see the character captured, I was already in a state of slashing.

It's like seeing myself believing in some, it's weird, and when I see that I'm believing something that's not real, am I believing or not believing?

Ruined it, these lives, can no longer fully enter the role, or rather, remind yourself all the time that none of this is real.

I don't see any reality, it's just a feeling, and the feeling itself is not real.

The characters are grabbing, grabbing unreasonably, talking about bullshit life events.

In order of so-called importance, shouldn't the first one be the first to confirm the reality of the world?

Or, to confirm that the role of Yuan Changwen is himself, to confirm whether the memories in his mind are real, these are the so-called life events.

Then, how does the character ignore these life events and create others?

It's amazing when you think about it, the various states of the characters are obviously nonsense, but they pretend to be real and pretend to be important.

If the world is not real, then how important are the so-called life events.

If the role of Yuan Changwen is not me, then what is the so-called life event.

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