Celt uses a vivid metaphor to explain this set of patterns to Leah. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 info so that she has a clear understanding.

"The crystals put in the first layer are like the first inlet of a water source, the starting point. The wooden frame itself is like a pipe that transports the water from the first layer, which is the opening, to the lower layers. ”

"However, the wooden discs behind these pipes, which can also be said to be connected in the terraces, are not so easy for the water to pile up. There is a lot of silt, sand and gravel in the middle. At this time, it is necessary to have a strong and rapid current to wash away impurities, stones and other garbage items on the passage. This is the ability to bring the two sides together. From dead water to living water. ”

Leah nodded as if she were looking. This is equivalent to the passage between the two sides of the area to open up and smooth.

"So, when I was making this fifteen arrays, I needed to do the opposite. After only completing a part of the phase, the crystal is directly put into it, and then the rest of the part is quickly completed. ”

I see, it's no wonder that Celt is also half-done and half-undone about this wooden support. In that case, why not first carve the pattern on the wooden plate and then put the crystals into it. This not only saves the effort of carving the wooden plate, but also gathers a huge amount of energy, and it is also possible to put all the crystals into it. This is not a situation to prevent you from being in a hurry when carving and carving badly.

So Leah asked, "Celt, why don't you carve all the wooden plates first, and put them in when the water on the first floor gathers below?

Sert shook his head and said cautiously: "No, I have tried this method many times at the beginning, but it has caused the formation between the wooden frame and the wooden plate to not be combined, and there is a phenomenon of rejection on both sides, which has caused many test failures. ”

Selt then gestured with his finger for a while, which made Leah understand. It's like a magnet, and there's nothing strange going on overall. Once the magnet is broken, it is split into two pieces. Then there will be rejection due to the internal magnetic field, etc.

Coupled with the factors such as the generation of unwanted debris during fragmentation, even if they are put together, they do not achieve the desired effect.

And the same goes for wooden plates. When preparing for carving, the wood is inserted and carved down along the lines on the wooden frame, which creates a natural and seamless pattern on the wooden plate. Spiritual power, that is, the so-called water flow, will also be interfered with accordingly, and flow into the formation pattern of the wooden disc to achieve the best state.

"If you move your finger down, the water will flow out faster. And the position and direction are as you expected!" Sert firmly used the water metaphor. "That's because our fingers help it drain and open the way. ”

Then, Sert began to slowly explain why he couldn't use the Array Pen: "The Array Pen basically needs to use crystals to be able to engrave objects. But this time, in the process of guiding the carving, such a method could not be used. ”

"After the pipe accumulates too much energy and introduces other attribute forces, whether it is the same attribute or not, it will produce a certain reaction. This will cause the instability of the energy and eventually explode!"

"So I've done it many times before but didn't find out why. It just happened that because I was too anxious, I didn't have a formation pen at hand, so I took the metal carving knife directly because I was in a hurry. Only then did I find that this crystalless carving knife had a good effect, and it was much less than the previous situation of exploding at every turn, and the spiritual power was more stable!"

"Then I tried many more times to determine the cause and effect!" "Sert discovered the key point by a chance event. But his continuous pursuit and exploration of this formation pattern is also a matter of course that he will discover this mystery, but it is only the length of time it takes here.

As a result, this also makes the demand for Selt against the tattoo pen not very large. Therefore, when Leah borrowed a pen from him, he would give it to her decisively, and would not even ask her to return it.

"However, there is a new reason for this!" Celt changed his arrogant appearance just now, and said a little helplessly: "If you use the hardness of metal to carve wood, although you can also use it, the hardness is not as hard as the formation pen, and it is easy to use without them." ”

"There are no high-grade metal materials, and you have to use a lot of force to carve the wood. Moreover, in order to prevent the energy imbalance in the formation pattern, one's own spiritual power, the magic crystal supplied to the formation pen, and the crystal of spiritual power cannot be used...... Anyway, you can't attach other take-out attribute power to the carving knife......"

Again, he uses the metaphor of the flow of water: "It's like a stream of water, and if you want to guide it to where you want it to be, you can't make multiple channels of water at the same time." Too many roads not only have a drain on the flow itself, but also cannot be estimated at the destination to which it eventually flows. ”

"Also, if these channels are wrong for a large flow of water, they can cause the flow to fill up instantaneously. It's like when we're building a ravine, we're digging deeper. The excess spiritual power and magic power that you don't want will make an extra small opening in the place behind you. ”

"Because he is closer to the current port than we are, the surging current, if not much, will enter it. If, at that time, the flow of water was too large to accommodate them, the little divided ditch would not be able to accommodate them, and the overflow of the water would have resulted, as I had said before: an explosion! would collapse the entire site. ”

Selt's analysis makes a lot of sense. When Leah heard this, she nodded in agreement, although she didn't understand, but the other party tried so hard to express the meaning, she had to give a reaction.

After that, Celt didn't continue to explain these issues to Leah, the time was almost ripe, and there was no need to say anything extra. The basic things have been understood by the girl. Now you can move on to the rest of the steps.

Immediately, he stopped talking nonsense. With a quick movement, he pulled out a wooden disc and placed it on the wooden frame, and the back of the wooden disc was just combined with the two buckles on it. I only heard a small sound, but a very crisp snap button.

The wooden disc should be connected to the top and firmly fixed on the wooden frame.

The wooden disc is square and not the same as the disc. After the two buckles are snapped, the straight lines on both sides of the upper and lower edges are just aligned with the lower concave part of the junction of the wooden frame and the wooden plate. Tightly sealed, there are no extra gaps in the joint. In addition, the two fixed positions in the center of the wooden disc make it difficult to slide in all directions.

Selt didn't say a word to Leigh next, just stared at the wooden plate in front of him, and carved the small wooden plate in front of him intently. However, he didn't use a carving knife to carve marks where the lines were drawn, but there was something else.

The tool, similar to a ruler, is also square. Not only is the exterior square, but there is also a small square hollowed out inside. At the junctions on the edges, there are also long and narrow sides that have been dug up, and they are like dotted lines that surround the excavated parts of the interior, and there are only four in total. Each corresponds to the four sides of the inner square. The length is the same as the inner square.

This tool is used when Selt engraves, whether on straight lines or chamfers. Of course, this tool lives up to the hype, and the right angles and straight lines are perfectly done.

However, Selt's posture and proficiency are not very good. Perhaps because of the use of special tools, his fluency is not very good, and it usually takes more than ten seconds to work on a small line at each moment. But with such a fine tool and progress. Each line is as if it was mechanically stamped, and it is very neat.

None of the lines on the wooden plate are staggered, and the spacing between each pattern is not small. Even if it is a few tens of seconds, this small number of lines will soon be all engraved.

After the first wooden plate was carved, Sert carefully carried a pile of small stones from his pocket to the table, and then placed them neatly at the end of the table, like an awl-shaped carving knife that had just been handled. I'm afraid they'll roll under the table.

After he sorted it out, he turned around, piled the fourteen wooden plates on the table into Leah's arms, and said, "The next steps require your participation! It's very important not to be distracted!

changed the arrogant appearance not long ago, and said very seriously.

Holding a wooden plate in one hand. Selt began to demonstrate what Leah and the others would do, taking the flat shutter from the hollow part of the wooden plate and setting it aside. Then Sert pointed to it and commanded, "When I do it the next time, you will remove this lid first, and then put this wooden plate in the space between the wooden stands......"

"When I'm done, put this fragment on again!Cover the cover, and put down a wooden plate to the space! Place the wooden plate on the wooden frame in order from left to right, top to bottom!" Sert said to Leah, breaking the sentence into two parts.

After hearing his words, Leah nodded and said, "Okay, I'll make a note of it." ”

Then, seeing that Leah was answering seriously, Celt asked Leah to put a neatly arranged broken crystal on the table into the freshly carved wooden plate.

The splinters were fiery red in color and irregular in shape, much smaller than the one Nina had obtained last time, like a fingernail that was less than a quarter of a finger. The feeling of pinching it in the hand is also extraordinary, more hot and burning than the stone just now.

After a long time, it is difficult for the fingers to bear. Leah quickly placed it on the wooden plate. Cover with a flat lid.

At Celter's motion, he quickly opened the surface of the second wooden disc and buckled it onto the bracket.

Hearing a crisp sound, Celt placed his tools on the wooden frame with his left hand, and began to carve on the wooden plate with his carving knife, as if he had pulled the strings.

Leah opened the small lid of the third wooden disc for the next step. She looked at it with a little curiosity. Look at what the inside of the wooden tray has been dug in. This internal hole doesn't seem to be penetrated, so I can't figure out what the situation is.

The graphics inside are quite ordinary. However, the interior is also carved with patterns on it.

Although it is a depression, it also has a wraparound square pattern. The largest of these, near the outer ring, is a square, roughly the same as the cutout, while the inner part is stacked with a number of smaller and smaller squares, from the outside to the inside, plus the rudimentary outer ring without carving, for a total of five squares.

The spacing between each two lines is the same width. It's neat and symmetrical, and it's very interesting.

Leah placed the small cover on the edge of the cover to wait for it to be used, so that she could get some.

She looked at the wooden disc that was being carved in front of Selt. The current wooden plate is very different from what it did just now.

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