In Chenjiagou, W County, HN Province, the scorching August sun scorched the earth, and a dusty off-road vehicle slowly walked through the fields.

At this time, Peng Yichen had been running all over the country with Wang Jiawei for more than two months.

The text data collected by the two is enough to have two large suitcases, and the video materials can be crammed into a hard drive.

Peng Yichen doesn't plan to simply copy the movies he watched in his previous life.

He plans to add the national art system described in his favorite novel "Romance of the Dragon God" in his previous life on the basis of the kung fu movie he liked in his previous life.

In other words, in the movie, the strength level of the national arts master is clearly divided into: bright energy, dark strength, chemical strength, holding Dan, and seeing God is not bad, five levels.

At the same time, it shows the two important branches of playing and practicing in the process of learning and exercising national arts.

It can be said that the script he wants to write, although the story is still the story of the movie in his previous life.

However, the national art system and character images in it will all be adapted according to the system of "Romance of the Dragon and Snake".

In his previous life, when watching this movie, Peng Yichen felt that the fight scenes in this movie were very exciting, but the description of the national art was vague and fragmented, and it could not give people a strong sense of reality and substitution.

Secondly, there is one of the biggest problems with this movie, that is, the behavioral logic and behavioral motivation of the main characters in the plot are too thin, and they do not pay attention to supporting the plot promotion of the whole movie, giving the audience a false feeling.

Now, he brings the national art system and the behavior logic of the warriors in "The Romance of the Dragon and Snake" into this movie, which can perfectly solve these two major flaws of this movie.

Let this movie truly become a highly immersive, exciting, real and credible, and most powerful movie.

This is also the key to Peng Yichen's persuasion of Wang Jiawei and finally accepting his idea, he wants to write not a kung fu movie, but a national art movie.

This kind of pleasure of 'starting a sect and establishing a sect' made Wang Jiawei want to stop, and finally gave up the idea of "The Grandmaster" in his mind.

Instead, he agreed with Peng Yichen's idea.

But even if you agree with the various settings proposed by Peng Yichen according to the system of "Romance of the Dragon and Snake", because it involves a variety of traditional national arts.

In the end, Wang Jiawei asked to go all over the country with Peng Yichen to meet with all the inheritors of traditional Chinese arts, and only after collecting enough traditional national arts materials could he start writing scripts.

Sometimes, some people you have to be convinced, many people say that Wang Jiawei relies on "pretending" to make movies, but there are few people who can compare with their dedication and seriousness to movies.

Success never falls from the sky.

Along the way, Peng Yichen saw the incomparable paranoia and sincerity behind the success of the king of sunglasses.

For example, he asked someone about Tai Chi Grandmaster Yang Luchan, and he heard that someone had competed with Yang Luchan.

Then he has to find out all the ins and outs of this character.

If the person he checked had a holiday with another person, then continue to investigate.

Although it is not enough to check the eighteen generations of ancestors, it must be mastered from the enlightenment teacher to how to become famous.

For the sake of these materials, he even preferred to travel thousands of miles from the southeast coast of China to the northwest frontier in order to ask one or two questions. See one or two people.

He was as attentive as a surgeon and didn't allow the slightest flaw in the information he had gathered.

Along the way, every time Wang Jiawei saw those inheritors of traditional national arts, he didn't shake hands and saluted, he took out a pen and a notebook first, and once anything he was interested in, he had to write it down immediately.

I remember that again, they went to visit a master of Bajiquan.

Wang Jiawei stared at the expressions of others, and hurriedly wrote a book in his hand.

When Peng Yichen peeked, he found that he had recorded the demeanor and movements of this old master in a way that only he could understand.

For example, 'He's like a stove, it's quiet when the door is closed, and when the door is opened, it burns so hard that it keeps going backwards.'

Comparing the momentum of a master of national arts to a furnace, this kind of whimsy may only be thought of by a director like the King of Sunglasses.

They stayed in Chenjiagou for another 3 days this time, waiting for Wang Jiawei to say: "It's almost." By the time, they had been running for three months.

When Peng Yichen and Wang Jiawei returned to Xiangjiang again, Wang Jiawei had a very clear image of the two protagonists in the movie in his mind.

That's when he agreed to start writing the script.

But in the process of compiling, Wang Jiawei had new ideas about the image of the martial idiot in the movie.

During their visits, there were too many images of martial arts people, and Wang Jiawei couldn't determine which one he wanted or which one to abandon.

In the end, it was Peng Yichen who proposed: "Let's create a character, don't have deeds, or the temperament of those martial artists who are sincere in martial arts and crazy during the Republic of China." There is also the helplessness and unwillingness of warriors in the face of firearms and technological civilization. ”

This sentence made Wang Jiawei make a quick decision, original!

When the image of this martial idiot comes out in the end, Peng Yichen is completely stupid, which is completely different from the character in the movie in his previous life.

If you have to find a similar character, he is more like Ba Liming in "Romance of Dragons and Snakes", crazy and pure.

Once the two main characters were decided, the speed at which the script was written was very happy.

In less than a week, Peng Yichen and Wang Jiawei came up with the first draft of the movie script.

Although the script was already very exciting, Wang Jiawei was still not satisfied, and he revised the two important female characters again.

Although this is a men's play, the female characters who are embellished are also very important, and through these two important female roles, the realistic national art setting in "Romance of the Dragon and Snake" is introduced, which is easier for the audience to recognize.

After all, if even women can follow this system and cultivate to become masters, then men can definitely too.

This is the little trick of psychological suggestion often used in movies, Wang Jiawei is a screenwriter and has been a director for many years, and his control of the movie really made Peng Yichen learn a lot.

After two more meticulous changes, the script is basically finalized.

If the final movie can completely restore the plot and characters in the script, then this movie must be the most exciting and best-looking kung fu movie in the past decade.

But Wang Jiawei looked at it and felt that the taste was wrong.

If this movie is made, Wang Jiawei will not be Wang Jiawei.

His films can be commercial, they can make the audience happy, and the story can be simple and clear, but they can't be free of human entanglements.

The two of them were bored in the hotel and chatted for three days, and finally Wang Jiawei got inspiration from Peng Yichen.

In this era of scientific and technological prosperity, firearms have become the greatest force, and it is helpless to face firearms warriors.

Therefore, the reason why the warrior constantly pursues to improve his strength is only the illusory "seeking immortality", which is an obsession that cannot be realized at all.

So what is the biggest tangle of martial artists.

This is the theme that Peng Yichen really wants to express in this movie, and it is also what attracts Wang Jiawei the most.

After Wang Jiawei seized the inspiration, it took a whole day to change all the endings of the final film, and there was a big reversal, which made Peng Yichen stunned.

At this point, the script of the movie has been completely determined.

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