Gong Linna's various looks are basically thunderous, and her previous song "Worried" has made countless people know that she is the "thunder mother". Of course, there is nothing to say about her singing skills, after all, she was born in a real professional class, and she was rare and beautiful when she was young. It's just that time is not forgiving, or rather, in an impetuous society like this, it is not easy to become famous. If she doesn't make such a thunderous look and sing some strange songs, it will be really difficult to be known. Whether it's a good or bad reputation, let's get familiar with it first.

Her foundation has always been there, and after seeing her real singing skills, it is easy to reverse, making people turn black to fans, and sigh that it is not easy to survive.

Lang Lang's words, his exaggerated body expressions are also particularly criticized, so much so that someone made his convulsive version of "Nervous", which can also be called a classic. But foreigners like this kind of emotional exposure, and no matter what, his strength is the most critical. If you don't watch the video screen or go to the scene, you will not be able to play so easily if you focus on the orchestra and the conductor and only listen to him play the music. Relatively speaking, Li Yundi's image is good, but unfortunately his talent and strength are much worse, and he is negligent in practicing in the entertainment industry.

Miyuki Nakajima is a singer and has acted in many musicals, whether it is singing or filming MVs, she has a dramatic taste. It's okay to exaggerate a performance like a musical, otherwise, others really don't know what you're doing. Moreover, he has always felt that Japanese acting skills are best described as pretentious and exaggerated. This is especially true in the case of Korean sticks!

In reality, the Japanese and Koreans may basically be in the second grade, but for the aesthetics of Chinese audiences, there are indeed some unacceptable ones, and too exaggerated acting skills will only make people feel that they are overexerting force.

And those musicals starred by Miyuki Nakajima, although they are needed for the storyline, but after watching them, they make people feel that the three views are ruined and they can't accept it. A good goddess is inappropriate, she has to be a female nerve, and it is not unreasonable to wander outside the mainstream all the time.

Of course, if Qin Fangge wants to self-destruct his image like this, such as making himself look like a psychopath, he will definitely not be able to accept it. Although the operas he performed, although there are also many performance elements, the characters are basically quite normal and not too outrageous.

He thought a little too much at once, and it was precisely because he didn't repeat the mistakes of the past that he paid special attention to this aspect of the situation after he took out this song in the first place.

And for Kanako, there is no such problem, because she has not heard the original song and will not be affected. can sing completely according to her own understanding, and Qin Fangge doesn't want to put too much effort into this matter, basically it is all on point, mainly relying on her own comprehension and figure-out, if she says everything too thoroughly, it will not be interesting.

He's the same now, he's in charge of keyboard accompaniment, and the effects of the synthesizer are very rich, and it's also very suitable for playing such an atmospheric and somewhat distorted song. Of course, such a song is not a one-level thing compared to classical music, which is richer in expression and more long-lasting, just have fun.

Xiao Yuran's piano accompaniment is also very happy, her improvisation has made great progress after the devil's training of Deng Hongmei and Qin Fangge, nearly ten hours of piano practice every day, it is not a dead practice, improvisation is also a very important part, they don't want her to be biased.

Huang Jing has no problem with them, their band took the light rock route at the beginning.

And Kanako is also very powerful, she concentrated on singing without speaking, and the erhu accompaniment in her hand did not stop, singing in Japanese, most people couldn't understand it, but it didn't affect everyone's perception and appreciation of this song.

It is very difficult to achieve special accuracy in the translation of Japanese and Chinese, and if it is actually sung, the artistic conception is also quite different. In addition, there is a big difference between the aesthetics of chemistry and world view values, so the basic cover is to buy the main theme of the song and come back, refill the lyrics, and of course, the arrangement and orchestration are all redone. If it's two songs, it's actually pretty much the same.

At the level of Qin Fangge, it didn't take any effort to adapt it.

There are also audiences who can understand Japan, Kanako grew up in Japan since she was a child, and her mother is a typical Japanese woman like Yamato Nadeshiko, and her understanding of Japanese is particularly profound.

As a music researcher, Chen Yumo studied Japanese for the study of Japanese music, and there are other reasons that everyone understands. Although he is not particularly proficient, it is not difficult to understand, and he can be said to be an expert in appreciating music. Pop music has lyrics, the mood of the singer and the expression of emotions, and it is much simpler than pure instrumental music, such as piano playing.

Listening to the prelude of their songs, Chen Yumo felt like a faint effect sound flowing, producing a sparkling effect, while Xiao Yuran played the piano, with its clear sound drifting in a low-key manner, with uncertain waves. Qin Fangge's keyboard synthesis sound renders this kind of scene to the extreme.

The performers on the stage all know the artistic conception and scene that the song wants to express, which is also the necessary basis for them to accompany it.

The color of the sea seemed to be too dark, and Kanako's singing voice changed to an undulating tone, singing of hesitation: "On the other side of the iron-blue ocean, there are people who are now being injured, like fledglings that still can't fly, and I lament that my strength is not strong enough. 』

Then the rhythm rose up slightly, trying to transform the low tide of the mood.

As Han Wei's bass burst into a bass, Kanako also shouted frequently, "Sad, I'm about to become wings." Scars, turn into a compass. 』

After the expectation of overcoming the difficulties, the melody recoiled downwards again, and although the low tide of lamentation for reality was still there, the eagerness to save people could not wait. Suddenly, Pan Lina's drumming seemed to rise into the air, and combined with the instrumental sounds of others, especially Qin Fangge's keyboard, played a ******** role in it.

Kanako's steady voice was a ** accumulation of determination to defy difficulties: "Before the dream came, yesterday I waited in vain. Tomorrow, I will climb the cliff to the soles of the dragon's feet, and I will shout, "Go!" Here, Kanako was not affected by the original song, and Qin Fangge would not allow such a situation to occur, allowing her to enjoy the feeling of flying in the air.

The chorus is high, and the rich singing rolls up the magnificent music, flying across the sky and the sea, bringing hope in time: "Ride on the back of the silver dragon, go, fast to the desert of life, ride on the back of the silver dragon, go, and carry the whirlpool of rain clouds over." 』

Wandering in the blue sea and sky, Chen Yushan's electric guitar sound seems to be accompanied by Kanako, galloping through the strings and driving the clouds, jumping through the sea of suffering, the ardent singing seems to remind that the essence of human beings lies in mutual assistance.

"Even if we have nothing to lose, we can still rely on others for guidance and help, and the reason why we have this only soft skin is because we hear the pain of others. Helpless grief will be the wings of rushing to the crisis, and vain wounds will be the guide to help others. Even if the wings are not full, even if the young claws are weak, the determination of the dragon to fly thousands of miles will set off a turbulent sound, clouds and rain, pointing to the desert of life and rushing away.

Whether it is Huang Jing or Wang Zizi, Pan Linna or Chen Tianhong, they are all masters of emotional expression, and the expression of serious music is much more difficult than this, and they can easily deal with it. Moreover, they have rehearsed so much in the orchestra, and they have a deep understanding of the concerto, which is not only brilliant, but will not affect the performance of the protagonist, and dominate the audience.

Of course, at the end of the day, when everyone plays together, they can show their talents without any worries.

A song is riding on the back of the silver dragon, although most people still don't understand what is being sung, but the music and singing are enough. They can also give full play to their imagination and imagine setting off on the back of a silver dragon, galloping for nine days, challenging torrential rain and wind, and overcoming all kinds of difficulties. The audience with a bigger brain even fantasized about the situation of fighting with the enemy, saying that Qin Fangge really has a lot of songs describing battlefield battles tonight, and he doesn't blame others for thinking so.

Then, Kanako also got up, smiled sweetly, and accepted everyone's applause and cheers. The restless Huang Jing still had to high-five her to celebrate, so naturally she still had to rest for a while.

Under the stage, Zuo Shuqin has not stopped lobbying other sisters, and urged Yu Xiaoxia to sing on stage, "Such a beautiful night, how can there be "Thousand Thousand Songs", didn't you say that singing in Cantonese also feels very suitable?

Xie Xiaojuan laughed at her boss for being very conscientious and caring about the members of the group, of course, she also wanted to listen to Yu Xiaoxia sing, and pushed her up directly.

Yu Xiaoxia couldn't stand the persuasion, she was the only Cantonese who spoke the most Cantonese in the orchestra, and Huang Jing and the others would also speak some vernacular like "hen and monkey Sailei". Of course, it is still not a big problem to draw a gourd and sing Cantonese songs in the same way.

This time and space has the same historical development trajectory as another time and space, ** Pop music in the decade was dominated by Hong Kong and Taiwan music, and Cantonese songs occupied a lot of weight at that time, and there were also many excellent works that were sung for a while.

Zuo Shuqin and the others teamed up to push Yu Xiaoxia onto the stage, and also named the songs and versions to be sung. Pan Lina also told Qin Fangge why he didn't expect this at the beginning, "Our orchestra wants to conquer the world, and Hong Kong and Taiwan are naturally going too!"

"Didn't you know that much about the members of your band when you first wrote this song? Qin Fangge smiled, he didn't expect such a thing, this song was originally made into a Mandarin version, and it took him a little effort. With Yu Xiaoxia, it will be much more justified, and as Pan Lina said, they want to conquer audiences all over the world, and it is also very good to sing them to Chen Yushan.

"Okay, forget it when it's over, just remember it later!" Pan Lina also played with the drum beat in her hand, and said very generously.

After Yu Xiaoxia came to the stage, she directly joined Qin Fangge and discussed it with everyone. Huang Jing and Chen Tianhong and Chen Yushan all said that they mainly listened to Qin Fangge's keyboard, and their respective instruments just kept up with the rhythm, which was not too difficult for these talented women.

It's Yu Xiaoxia, she is not as relaxed as Kanako just now, and she doesn't plan to sing while playing the three strings, just concentrate on growing the song well. When it comes to singing Cantonese songs, she is still very confident.

And Song Zixuan and Song Zimo sisters are also chattering, full of fantasies such as Chen Yushan going to Hong Kong and Taiwan to hold a concert. The two of them didn't have the instruments they had in hand, but they didn't plan to go down, and it was good to follow the harmony and chorus. This is not difficult for them, when they were in the school choir, this was their daily training, and Ning Xiupei also grasped it more tightly.

As a professional singer, Chen Yushan has no problem singing Cantonese songs, and when she was about to sing in the wine, she often sang it, and many guests wanted to hear it. There are also a lot of English songs, Qin Fangge made "Blue Love" and the English version of "Hotel California" to sing to her, and she has a lot to learn.

But compared with Qin Fangge, it is quite relaxed, everyone knows that there are many national language versions of operas, although Italian is the mainstay, there are also many German, French and other language versions of opera. This guy also writes songs and even operas in Italian, which is also admirable. Ordinary students who study vocal music have to die in these languages, which fully shows that if you are not a genius, it is really not easy to get out in the music industry.

They discussed it properly, everyone also cheered Yu Xiaoxia up, and Pan Linna said something, "Anyway, everyone can't understand Cantonese, Xiaoxia, you can just play with confidence." ”

"This is really comforting!" Yu Xiaoxia smiled, it is estimated that they were also poisoned by her, and when she went to KTV, she basically sang in Cantonese.

In this regard, Yu Xiaoxia is still very confident, although she has not received special professional vocal training, but the school's solfeggio ear training is something that students must practice hard. Moreover, pop music itself is not that complicated. Plus she has a home-like advantage.

"The coming day is a thousand songs, floating on my road in the distance, and the coming day is a thousand evening stars, shining brighter than the moon tonight. Nothing compares to the beauty of this night, nor can I appreciate it any more, for you and I sing together tonight. ”

Although Yu Xiaoxia sang the Cantonese version, everyone understood what she was singing according to the previous Chinese lyrics and then corresponding to each other. The two language versions also have their own merits, and Qin Fangge has done some tricks in them, which also makes this Cantonese version closer to the original.