Chapter 1004: Easter Eggs

Qin Fangge will come up with this humorous song, not on a whim. (.la no pop-up ads)

This piece is a classic by the famous Czech musician Dvořák, who wrote a total of eight piano harmonics when he returned home from the United States for vacation, the seventh of which is widely circulated in G flat major. and has been adapted for violin, cello, orchestral and other versions.

And the reason why he will come up with Dvořák's musical works is also because in the script of his "Pianist at Sea", there is a Chinese version of "Farewell", which is at the port of departure on Shanghai Beach. Although he never got off the ship in his life in 1900, the ship always docked in the port, and there are many scenes depicting the port in the movie.

Dvořák's Symphony No. 9, this symphony is actually the embodiment of the author's impression of the "New World" where the United States is located, with melodies similar to "black spirituals" and American "Indian ballads", but Dvořák does not take these folk songs as the main theme, but kneades the spirit of these ballads into his own creative music and expresses them.

The second movement, which is also the most famous movement in the whole symphony, is often proposed to be played alone, and there is a strong sense of nostalgia. After the woodwinds of the orchestra play a few chords in the bass with a mournful atmosphere, the English wind solo plays a slow theme full of strange beauty and divine play, accompanied by simple chords, which is the first theme of this movement, which has been hailed as the most moving adagio of all symphonies. This beautiful melody full of infinite nostalgia has been filled with lyrics by later generations, and adapted into a song called "goinghe", translated into Chinese as "Love Hometown", which is widely circulated in the United States and China, and is a household name.

This melody is strikingly similar to the melody of the original song of "Farewell", so that after Chinese listeners hear it, they will immediately think of "outside the long pavilion, by the ancient road, the grass is green." [Fast update,The website page is refreshing,Few ads,No pop-ups,I like this kind of website the most,Be sure to praise] The evening breeze helps the willow flute to be remnant, and the sunset mountain is outside the mountain."

So much so that some people say that the melody of "Farewell" comes from this symphony. But that's not the case.

This classic song, which has been passed down for a hundred years, was written by Master Hongyi and made a certain adaptation. When he wrote this song, he was still called Li Shutong, and he had not yet been ordained. This song was inspired by the song "Travel Sorrow", which he heard when he was studying in Japan, which was popular all over Japan. The author of "Travel Sorrow" is the Japanese musician Inudo Ball Tsu, who has devoted his life to translating and introducing Western music to Japan, and this song is one of the more than 200 Western songs he has introduced to Japan.

And John Pound Audiwell, an American composer's song, "Dreaming of Home and Mother" is the original version of the work of the dog boy.

There is almost no possibility of anyone copying whom, and his inspiration is similar to that of Dvořák, who draws nourishment from black spirituals. This seems to illustrate the nature of music, where people from different languages and countries hear the same melody with the same emotion in their hearts.

Qin Fangge wants to express this in the movie. In his plays, the Chinese version of "Farewell", the Japanese version of "Travel Sorrow", the English version of "Dreaming of Home and Mother", and Dvořák's Ninth Symphony all appeared, as well as a piano version performed in 1900.

When Long Xueyao asked, Qin Fangge took out another particularly representative sketch song by Dvořák. Dvořák's Ninth Symphony, which he particularly liked from the first movement to the final fourth.

Dvořák's Symphony No. 9 in E minor, "From the New World" (or translated as "From the New World"), is undoubtedly a classic in symphony, and Qin Fangge feels it is very necessary to share it with everyone.

There are many similar situations in the movie, and these hidden clues can also be used as easter eggs. Qin Fangge made up his mind to do better on the basis of the original work, and he was also extra attentive.

Long Xueyao didn't know about this, but as a result of Qin Fang's song inspiration, she of course warmly welcomed it, and asked him if he had a ready-made score now, she couldn't wait to practice it herself. She doesn't have the ability to memorize them all after listening to them once, and for geniuses like 1900 and Qin Fangge, this is an innate talent, just like when fighting the piano in the movie, 1900 only listened to it once and perfectly interpreted the tunes of the provocative black jazz ancestors.

This blues music, which seems to have the bitter experience of black people all over the world, is told by him with those notes, which is so gripping that it can make German mechanics cry. It also moved 1900 to tears, but after he played, everyone didn't understand that his good friend Max, the trumpeter, was still yelling that he was going to die.

Qin Fangge naturally didn't have it, he didn't have the habit of typing out any tune when he thought of it, so he told Long Xueyao that there was no need to worry, and he would give it to her later.

Long Xueyao could only nod, in addition to practicing the difficult caprice song, it was okay to play such a humorous song and relax. This piece is not very difficult to play, but again, it takes a lot of effort to perform it perfectly. It is necessary to do a comprehensive analysis of the structure of the composition, the composition technique, the expression of emotions and other aspects, and it is not just a casual practice.

Long Xueyao is not arrogant, but she is not arrogant, but she is not arrogant, she is even thinking about it, Qin Fangge doesn't say what the theme is, he wants to give her more freedom to play. If this kind of music were to be adapted for cello or orchestral use, the emotions expressed would definitely be different.

Long Xueyao also cherished the time, listened to his new songs, and after a short rest, she picked up the violin again and discussed the practice of caprice with him.

Qin Fangge also helped her with all his heart, and as he had always claimed before, helping her was actually helping himself, saying that he was still waiting for Long Xueyao to play well in the future, and helping his music to do propaganda and other nonsense.

The partial students Long Xueyao and Huang Jing still believe in this, except for performing his works well, there seems to be no other good way to help him.

Towards the end of this night's tutoring and exchange activities, Qin Fangge also asked Long Xueyao, "What are the troubles you said last time? If there is anything I can help with, I will do my best, don't be shy or embarrassed to speak." ”

"So you still remember this!" Long Xueyao blinked her eyes and was quite moved, but her lips moved, and she still felt a little unspeakable.

Qin Fangge was not reluctant, and only told her that although the violin was to be practiced, don't forget to take care of your body. Long Xueyao nodded and thanked him for his concern, and she was about to separate again, she was still a little reluctant!

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