"Bring me a bottle of wine, hurry. ”

Inside a small bar, outside the window of the camera setup, Zhao Liansheng controlled the machine, and Peng Yichen looked at the monitor.

I saw that on the screen, Natalie, who was dressed like a man, was really like a man at this time, lying on a bar chair, with her left hand behind the back of the chair, looking at the bartender in front of her, and shouting.

Her expression, posture, and movements are all the same as those of a man.

It seems to be really the "unmarried mother" with two genders in the movie.

"CUT! very good, next shot!" Peng Yichen shouted happily.

This shot just now, very well done.

Natalie though not yet cannot be called a great actor.

But to get the Oscar, after all, there are still two brushes.

She plays the incomparably complex and contradictory role of "unmarried mother" with flexibility, as if she is this non-existent character.

This made Peng Yichen very satisfied.

In less than two weeks after the start of filming, the crew had already finished filming half of the movie.

As for the outside world at this time, about the turmoil of Huaxia Corporation's merger and acquisition of Time Warner, Peng Yichen didn't care about it at all, and hid in the crew and made his own movie.

The next scene is about to shoot the scene where the male protagonist played by Peng Yichen and the "unmarried mother" played by Natalie meet for the first time.

Although the scene of this scene is not large, it is very tedious to film.

Because two people are in this scene, they have to change three positions before and after.

Therefore, in the bar, there are many camera positions, and as the story of "unmarried mother" continues to advance, the camera angle must be constantly adjusted to show Peng Yichen and Natalie, the psychological changes and mutual influences of the two people.

However, Peng Yichen and Natalie are both top actors, and the rivalry between the two is extremely tacit, so this scene was successfully filmed.

The next scene to be filmed is not as easy as this scene.

Peng Yichen has to take Natalie to constantly shuttle through countless eras, and he also has to fight wits and courage with a mysterious "bomber".

Many of these shots need to be shot with special effects.

Of course, because the special effects scenes required for this movie all take place in a very small venue, Peng Yichen does not plan to use holographic projection equipment this time.

“CUT！”

Next to the camera, Peng Yichen finally gave Natalie her first NG.

It's a very difficult scene to perform.

It's a scene where an unwed mother and Jenny when he was a woman, falling in love.

Natalie first has to play Jenny and play another stand-in.

At this point, the cameras are all focused on Jenny's face.

Then, Natalie needs to play the role of an "unwed mother" who has become a man.

The same play will be played again.

Under everyone's gaze, Peng Yichen looked at Natalie and said with a smile: "Natalie, you are now an 'unmarried mother', not just Jenny, you have experienced many ups and downs in life, but in the end you found that the person you love is your young self." I need your eyes to be more complex, deeper, a little more struggling. I want you to talk with your eyes!"

Natalie thought for a moment, nodded, and replied, "Okay." I see!"

This is a very dedicated actress.

Peng Yichen NG Natalie 5 times in a row on this one shot.

Each time, he asked Natalie to fine-tune the details of her performance.

It's like carving a rare treasure, tirelessly experimenting with each expression.

When Natalie finished filming this shot, her whole person almost collapsed.

She sat down on her back chair, looked at Peng Yichen, and smiled helplessly: "I finally believe now that this is a literary movie." ”

Peng Yichen replied with a smile: "This is just the beginning. ”

……

Over the next few days, Peng Yichen surprised Natalie more and more.

This young man's directorial talent has long been confirmed by the pursuit of his films by countless fans.

But now, Peng Yichen has shown all the qualities of a great actor in front of Natalie.

Whenever Natalie was a little unsure about some details of the performance, Peng Yichen would go down in person and give her a demonstration.

This is actually a very rude performance, after all, Natalie herself is also an Oscar winner.

Peng Yichen's approach already has some taste of teaching Natalie to act.

However, when Peng Yichen performed demonstratively in front of her for the first time.

When Jenny was young, the feeling of innocence, inferiority and sadness in a girl, she was so realistic and beautiful.

Natalie was completely conquered by Peng Yichen's acting skills.

His performance has completely lost traces and skills, and everything seems to be natural.

made Natalie almost wonder if there was a woman living in Peng Yichen's body.

Of course, Peng Yichen usually behaves as a very straight man, and he also has a wife and children.

So, very quickly, Natalie gave up on this idea.

She can only have Peng Yichen's acting skills, which are beyond the scope of acting skills, to explain what she sees.

What she didn't know was that Peng Yichen had been Jenny herself for a period of time in the plot world of "Front Destination".

After coming out of the plot world, even for several days, I couldn't slow down, and I almost showed feminine movements and characteristics in front of others several times.

It is precisely because of this experience that his performance can reach such a level now.

“Action！”……“CUT”

“Action！”……“CUT”

"Very good, much better than the previous one, but still a little bit close!"

"Natalie, I'm sure you can do better, let's do it again!"

……

In this way, under the guidance and training of Peng Yichen, Natalie felt that her acting skills were slowly rising.

And Peng Yichen is also in the process of teaching Natalie, repeatedly figuring out his acting skills.

In just half a month, both of them feel that their acting skills have improved a lot.

The shooting speed in the crew is also getting faster and smoother.

Peng Yichen has a feeling that after this movie, he must have a new breakthrough in his acting skills.

And Natalie is full of confidence in the role of "unmarried mother".

After all, in the history of Hollywood, there are several actresses who can play a woman's colleague and a man in the same movie. While becoming a mother, she abandoned herself at the door of the orphanage.

The complexity of this character, the drastic changes in his heart, the ups and downs of his life's fate, and the profound portrayal of the narcissistic nature hidden in the depths of human nature.

It's all like Natalie has never seen before.

It can be said that the heroine in this movie is the kind of character that the Oscar judges like.

There's a lot of room for Natalie to play.

What makes Natalie feel even more confident is that Peng Yichen's performance is far beyond what she imagined when she first took on this play.

The agent of the Time and Space Administration he plays is actually an elderly 'unmarried mother'.

His performances are so real and deep that Natalie's role as a young Jenny and the 'unwed mother' are also incredibly real and profound.

Peng Yichen's acting skills and talent even made Natalie, who got married and had children, be attracted by his charm in a trance many times.

Of course, Peng Yichen was polite to any woman in the crew, but he never got closer, which also made Natalie sober up in time.

This made her admire Peng Yichen even more.

This is a good man who truly loves his wife and family.

……