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When Fu Tianxia was talking about this, Zhou Runze was in close contact and observation, Fu Tianxia's current level, :/// Because many things require his own on-the-spot reaction, unlike Xiao Yuran's previous performances, he had not heard Zhou Runze's performances before, all languages, and performances, all languages and performances need to be organized by him on the spot.

Fu Tianxia has done quite well, which is also due to his solid piano skills and extensive knowledge, and he has also formed a very effective set of things after immersing himself in classical music for so many years.

Zhou Runze went to the stage in Xinyue and sincerity, and another sophomore girl, Tong Yan, immediately came to the stage, and the course schedule of the entire master class was quite tight.

Tong Yan played Luther's Scherzo No. 2, she was very petite, but her small body was full of passion and strength, which also made the audience in the concert hall shine.

After she finished playing, Fu Tianxia also commented and guided her performance.

First of all, I affirmed her merits, and I had a particularly good grasp of the style and emotion of Luther's scherzo. Especially in lyrical and singing places, the main theme can be highlighted very well, and the singing is also very good.

Fu Tianxia also sat in front of the piano again and explained while playing, "The whole piece can't always be a rhythm, a speed and dynamics, then it will be too dull. The contrast between strength and weakness reflects the vividness even more. Like this movement, when it should be strong, our arms, even the whole back, and the whole body should be concentrated on the fingertips, and you can also listen to the different effects brought by different power strengths, whether they are very different. ”

Fu Tianxia still made the same demonstration of right and wrong as before, and through the comparison before and after, everyone listened more realistically.

"It is not easy to concentrate all the forces on one point, it requires a long period of study and self-realization. For example, when all the grievances you have with everything in the world erupt and break the silence at that moment, you will know that the sound is what you want. Of course, everyone's understanding of the music is different, but the most important thing to remember is to make the contrast sharp, and the whole piece should not be rigid. ”

"In the performance, passion seems to be very important, like Tong Yan's performance this time, the performance is particularly prominent. But what we need to pay more attention to is to control the balance. When playing the octave, although it should be very passionate, do not smash it down, grab it with your fingertips, and make a nice sound. Also, when playing the chords, don't move your hands too far away from the keys, as the sound will not be good. When practicing, when we play a very light 16th note and run, we can first grasp it with our fingertips, use slow speed to practice heat, and then speed up little by little, and then return to the original slow practice. ”

Tong Yan on the stage couldn't help nodding, Fu Tianxia's unreserved experience benefited her a lot.

Then, another freshman boy took the stage to perform Strong's showmanship.

Fu Tianxia talked about how to portray the sound very magically.

According to him, you should add a lot of color and put the color on your finger.

It's a dazzling piece of art, with some colors made at a very fast speed, and the contrast is great.

In this regard, Fu Tianxia's suggestion is to listen to Qin Fangge's records more, he is absolutely unique in the treatment of colors.