After Qin Fangge was ready, he only said four words concisely and clearly, "The concubine is drunk!"

But this amount of information is enough, even ordinary people know who they are talking about. The most famous concubine is, of course, Yang Guifei Yang Yuhuan of the Tang Dynasty, one of the four beauties of ancient times.

This is also something that many viewers like to see, depending on the situation, Qin Fangge has already been on a par with Yang Guifei, and has recently created a lot of songs about her and other instrumental music.

After listening to it, Wang Zizi was naturally full of expectations, but anyone who had a relationship with Chang Hate Song and Yang Guifei Li Longji could be seen as a derivative of his inspiration during this time.

Huang Jing and Chen Tianhong next to them also congratulated Wang Zizi, and these girls also used their eyes to provoke Xi Wanqing and them. It's a pity that I received a response from the other party not to be outdone.

The concubine is drunk!

For Xu Jing and He Ruyun, this meaning is the most obvious. Wang Zizi and a group of milky little girls, of course, will not understand, let alone understand where the real Yang Guifei attracts the emperor.

The three strings played by Qin Fangge are often used as theatrical accompaniment, and at this time, listening to everyone's ears, it also has a special taste of Peking Opera.

He did play like this, and many of the people present had heard Peking Opera. In addition, his previous song "One Night in Yanjing", Zuo Shuqin's paragraph, and some of his own lyrics were sung in the form of Peking Opera.

And the drunkenness of the concubine is also a very traditional drama repertoire. Whether it is another time and space, or this world, there are such tracks in general scripts, which mainly describe Yang Yuhuan's mentality of appreciating himself after being drunk, highlighting Yang Yuhuan's tenderness for the emperor.

The origin of the story is that Tang Xuanzong made an appointment with Yang Guifei one day before, and ordered him to set up a banquet in the Hundred Flowers Pavilion and go to enjoy the flowers and drink together. The next day, Yang Guifei went to the Baihua Pavilion first, prepared the imperial feast and waited for the drive, but when he was waiting to move, Tang Xuanzong's car did not arrive. It's been a long time, it's been a long time. It was reported that the emperor had been fortunate to Concubine Jiang's palace, and Yang Guifei heard the news and was annoyed to death. Yang Guifei is narrow-minded and jealous, and women are the most reactive in addition to resentment. So that all kinds of feelings, it is difficult to dispel for a while, and the wine is sad, and the three cups are also drunk, and the spring love is blazing, and the love is uncontrollable.

In some local dramas, of course, there is a lot to be done here, and good children understand it, just like the famous two-person turn, all kinds of jokes and actions. And the story of the concubine and the eunuch, that is also a well-known variety of court secrets. The so-called benevolent see benevolence, and the prostitute sees prostitution.

There is also information that this opera originates from the Kunqu opera repertoire, which can be seen from its singing structure, especially the opening [Siping Tune] is a treasure of Peking Opera. The outstanding feature of the play is singing and dancing, and through beautiful singing and dancing movements, Yang Guifei's complex feelings of expectation, disappointment, loneliness, and resentment are revealed layer by layer. For example, Yang Guifei's three drinking actions before and after are different: the first time is to cover the wine glass with a fan and sip slowly, the second time is to drink quickly without a fan, and the third time is to drink on her back. The reason why this is so is because at the beginning she was afraid of the palace people snickering, so she pretended to be reserved to hide the bitterness in her heart, but when the wine was more sorrowful, and finally when the wine was excessive, the chagrin, jealousy, and emptiness in her heart ...... It poured out. Another example is the action of "holding the cup" three times, which also shows Yang Guifei's drunkenness from the first time to drunkenness in detail. These singing and dancing movements also reflect Yang Guifei's arrogant, willful and dissolute personality.

Many schools of Danjiao in Peking Opera and various local operas have also performed this opera, but they cannot be compared with Mei Lanfang in terms of popularity, and even the version of Ouyang Yuqian who has been commented on as "Southern Europe and Northern Mei" (it is said that Mei is drunk in the ointment, and Europe is drunk in the beauty) has not really survived.

Qin Fangge sang Mei Lanfang's version of "The Drunken Concubine".

However, he himself wants a three-string accompaniment, so he won't perform, and he doesn't plan to perform, just sing, just sing, and in order to meet the situation, he will deal with Xu Jing and He Ruyun first. Wang Zizi and their side can explain, kill two birds with one stone, it's unreasonable not to do such a thing!

Although for him, these performances and even dances of Peking Opera are not difficult things. In addition to studying Western opera, he must also understand Peking Opera, Yue Opera, Kunqu Opera, and Sichuan Opera in his hometown.

Whether it is a play or an opera, it is to be performed, not only singing, but also acting, and dancing.

His singing voice is still anti-female vocals, which also surprised many people, although in dramas such as Peking Opera, this is only the most common thing. There are special actors, who perform and sing in women's costumes.

His singing also rang out, "The Island Ice Wheel Begins to Turn......

It's a bit far-fetched to say that it's singing, singing in Peking Opera pays a lot of attention, but according to his super learning ability, it's still no problem to draw a scoop with a gourd.

This voice, hearing the ears of the audience, really amazed countless people. Even Lin Baoqing and Ning Xiupei, who knew him best, were full of interest. This also fully illustrates the strength of Qin Fang's singing voice, which can not only interpret a broad, loud and majestic singing voice, but also show a feminine and beautiful side like now.

The concubine is drunk, of course the protagonist is Yang Guifei, and he also tries to substitute for her role, if it is accompanied by dance and more musical accompaniment, it will be the most perfect.

And the lyrics in it have also been modified by many talented and brilliant characters, and have been tested by time.

"See Jade Rabbit

The Jade Rabbit rose east early

The ice wheel is off the island

The difference is clear

The moon is in the sky

It's just like Chang'e leaving the Moon Palace

The slave is like Chang'e leaving the Moon Palace

It's like Chang'e under the ninefold

Qing Qing fell coldly in the Guanghan Palace

Ah, in the Guanghan Palace

The jade bridge reclines and leans against the railing

Mandarin ducks come to play in the water, and golden carp face the water

Ah, facing on the water

The geese fly in the sky

The geese fly, oops, the geese

The geese flew and sniffed the slave's voice, falling into the shade of the flowers

This scenery is sultry and drunk, and I can't even come to the Hundred Flowers Pavilion."

Although Qin Fangge didn't really perform, just the singing voice was enough to make people have their own associations, which was also the best way.

The first part of his is the most formal Peking Opera singing, but everyone still has expectations in their hearts, maybe he will have some surprises or something.

Sure enough, with the change of the three-stringed accompaniment in his hand, the audience also felt the change in the emotional atmosphere in it, and all smiles appeared on their faces. When he sang softly, many people had such expressions.

"The chrysanthemum platform reflects the bright moon, who knows that my love is cold. Drunk in the arms of the king, dreaming back to the love of the Tang Dynasty. ”

Most people in this other time and space are familiar with it, Hu Li composed the lyrics, and Li Yugang sang the famous "New Concubine Drunk". The frequency of singing in KTV is also very high, and most of them are boys singing, which shows the popularity.

Qin Fangge chose the last paragraph as the beginning, which was used to connect the orthodox Peking Opera in front, and the soundtrack in the middle also made a smooth and natural transition perfectly.

After another piece of background music, it is the beginning of the title song of "The New Concubine Drunk", "The snowflakes of that year fell and the plum blossoms bloomed on the branches."

There was too much sorrow left next to Huaqing Pond that year

Don't say who's who's wrong, what's wrong or right

I just want to get drunk with you again in my dreams

The gorse jade scratching is your gift to me

The song of neon clothes and feathers is reincarnated several times for you to sing and dance

The Sword Gate Pass is your deep miss for me

Ma Weipo is willing to break his face for true love"

The audience was silent, just listen to his three-string singing, the dignified and heavy expressiveness of the three-string is also highlighted at this moment, such a theme, such lyrics, popular tunes, when singing, it will not make people feel frivolous. Let him express all kinds of emotions such as regret, resentment, subtlety, and beauty in the lyrics.

"Love and hate are in an instant

Raise a glass to the moon like the sky

Love and hate

Ask you when you will fall in love"

When he sang this, Qin Fangge didn't have any special expression on his face, and only used his voice to express his own emotions. Many people off the stage are excited, and automatically interpret that this is pure, the power of music, and does not add the ingredients of performance to it.

"Chrysanthemum Terrace reflects the bright moon

Who knows that my love is cold

Drunk in the arms of the king

Dream back to Datang love"

He used this period as a transitional part with orthodox Peking Opera, and now it seems that it is also particularly successful. When he got here, he didn't have to deliberately suppress his voice. When I sang it, I felt a little enchanting and charming, and I felt a sense of resentment and confusion.

At this time, it is equivalent to using the lyrics with the connotation of Chinese classical culture and the melody of modern pop music, and the singing and arrangement techniques achieve the perfect combination of nostalgic Chinese background and modern rhythm, so as to produce a song style with a subtle, melancholy, elegant, and brisk atmosphere. And in the arrangement of the music, it is also because the preparation is too hasty, if there is enough time, Qin Fangge will definitely pull Huang Jing and the others in. Many of the Chinese musical instruments they are good at, such as erhu, guzheng, dizi, and pipa, will be used reasonably, and the effect will definitely be stronger than the simple three strings.

But at this time, Qin Fangge was alone, and the effect of using the three strings was the best.

In terms of the singing voice used in singing, he extended the previous singing method of Peking Opera, and the style is a little complicated, a little Chinese-style, a little classical, as well as pop, Peking Opera, and nostalgia.

As long as you harness it well, everything is not a problem.

Qin Fangge showed this very well, if he couldn't even do it well, others would definitely not be able to express these two songs of the concubine's drunkenness.

This is just entertainment for Qin Fangge, and he didn't want to make it particularly formal.

But for the audience, this is not the case.

In the quiet and thick voice of the three strings, Qin Fangge ended the drunken song for this concubine. It's just that the afterglow lingers, and many people don't want to believe that this is the end, until Wang Zizi and the others took the lead in applauding, they were sure that it was really over, and applauded together.

The bar is not crowded like a concert hall, which can give thunderous applause, but at this moment, everyone's hearts are very sincere. Seriously, Qin Fangge's singing voice and reverse voice are really rare, and it is rare to listen to it once. It's a great deal of luck to hear it live!

When Wang Zizi and the others were excited, Xu Jing was not idle, she had a loud voice and cheered for him loudly, "Sing well! ”

Naturally, what she did would definitely be despised by Wang Zizi and Chen Tianhong, "They really think of themselves as Yang Guifei!"

"Nothing like anything other than her age!" Pan Lina also complained.

Putting these aside, for Qin Fangge, this must be a happy ending.

Other audiences also expressed their opinions, and Chen Yumo said to Zhang Zhiwen, "He sings this Peking Opera well!"

Zhang Zhiwen said with a smile, "That's right, especially now, there are fewer and fewer young people who are interested in Peking Opera and traditional drama." Even if you do pop music, it is very beneficial to know more about these traditional dramas. ”

Chen Yumo nodded, "His major is still majoring in vocal opera, so it's not surprising that he has studied this." What I was thinking was that if he changed into a woman's costume and performed again, it would be a beautiful picture. ”

Xu Xinyi interjected, "His appearance is enough, but he is too tall, and it is not easy to play Yang Guifei well! I'm afraid he didn't think about it himself, so he just made it fun!"

"That's really a pity!" Chen Yumo sighed lightly, "Look at whether he is willing to give the song to others, China is so big, and there are many talents, it shouldn't be particularly difficult to find a role." ”

"It depends on fate!" Xu Xinyi said, "It's not easy to find the right person! If you want to perform, you must match the corresponding dance, and if you can restore the neon dress and feather dance, it is the best." ”

When a few of them were discussing art, Xu Jing and He Ruyun were whispering, they couldn't be too loud. With a delicate or charming or bewitching or even coquettish expression on his face, he was happy to fight with Wang Zizi and them.

Of course, Xu Jing also did what she said, and they swept away all the wine they ordered. I asked the waiter to bring the wine, and I really planned not to get drunk and not return. It is said that the concubine is drunk, how can she be without wine. Xu Xinyi didn't bother to care about them, with Zhang Zhiwen there, she didn't get angry, she felt very lucky, but despite this, she was still poured a lot of wine.

Qin Fangge, this guy is still leisurely putting the three strings on the stage, and he is not in a hurry at all, giving everyone enough time to discuss some wine and drink or something.

For him, he admires Sister Song Zixuan the most, and has found a new point of worship. But they also said that if Qin Fangge was asked to play the role of Yang Guifei on the stage, "The picture is too beautiful! ”

They still pushed Wang Zizi out, but this girl was rarely modest, and expressed her willingness to give the opportunity to other sisters, she handed over this glorious and great task to Qian Shuyuan, but she was scolded by her!