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Cathay Pacific, soaring into the sky.

A pair of white and tender long legs shrunk together, Wang Xianxian was like a sloth leaning on a broad shoulder beside him, and his saliva dripped, a crystal line, hanging on his mouth, containing a piece of wetness. The hand was very wantonly on the leg of the person next to him, without any ladylike image.

His eyelashes moved slightly, and he raised his eyes to peek at the face of the man who was close at hand, and smiled beautifully, the rabbit teeth were exposed, and the fat face full of collagen was shy. The eyes are like water, and the style cannot be hidden.

Inexplicable two people will collide with inexplicable sparks.

The memories in my mind rippled slightly, and my heart was as beautiful as a flower. Thinking of his words, my heart is crisp, and I am as soft as a feather scratching my ears and itching!

She was drowsy, and suddenly felt a big hand gently put her head on her shoulder, and then she heard Wu Xiaozu's magnetic voice.

"You want to sleep, and I happen to have a good pair of shoulders for you. ”

She leaned on her shoulders with a straight face, her mouth closed.

The best time for a woman is when she wants to pull her face, but she can't help but laugh.

"I want to sleep with you, you happen to be in budding, stay at the most beautiful age and wait for me!"

Wang Zu's body arched to Wu Xiaozu's side, his nose seemed to hum lightly, as if there was a murmur, the rabbit teeth were smooth and bright, and his face was wrinkled into a bun.

A goddess, willing to cluble her two front teeth without an image and saliva on one shoulder, seems to say a lot.

I see how charming time is, and I should be like this when I see time.

At the most beautiful age, I happened to bump into this time.

……

The main filming location of the drama "The Birth of a Word" in Wanwan is concentrated in Taipei City. The reason why Taipei was chosen for filming is, first, because of transportation and shooting costs. Taipei Bay Bay Economic, Cultural and Entertainment Center. More than 90 percent of the entertainment companies in Wanwan are located in Taipei.

The second is naturally to consider the box office factor of Wanwan.

In the Chinese film box office market in Wanwan, the box office of the Taipei metropolitan area basically occupies 780% of the share.

Chinese films in many areas of Taichung and Tainan are actually not popular. They are more sought after but Wanwan's native Hokkien films. This situation is still serious in later generations.

For many Hong Kong Island filmmakers, the box office in the Taipei metropolitan area can be regarded as the box office of Hong Kong films in Wanwan. The same is true for Western films.

…

As the plane landed at Taipei Songshan Airport, the crew of "The Birth of a Word" also set foot on this land in Wanwan.

Wu Xiaozu stepped off the plane and looked at Taipei in 86. There's not much new in that.

In his previous life, he had been to Taipei, and what impressed him the most was the small scooters that can be seen everywhere on the streets of Taipei. The overall feeling is like that of the second- and third-tier cities in the mainland, and there is not much difference.

At that time, they could only entertain themselves by talking about "tea eggs", but in fact, many people knew it in their hearts, but they didn't want to admit that they needed to rely on the mainland market to support their families. Nowhere is this more evident than in the entertainment industry.

At this time, Taipei's economy began to develop, and infrastructure was built on a large scale.

The residential house opposite Songshan Airport, with the word "demolition" in capital letters, illustrates the impetuousness under the rapid changes in society.

The vigorous development of the Wanwan Film Market is inseparable from the development of the local economy. Very similar to the mainland, there are also many "demolition households" in Wanwan at the moment.

Social changes, especially when the economy fluctuates greatly, people's demand for the entertainment industry will increase dramatically.

"What are you looking at?" asked Wang Zuyuan curiously in Chinese.

Wang Zu's ponytail was tied at the back of his head at will, and he wore a wide denim jacket on his upper body, with a white shirt tied obliquely with a bow at his waist, revealing a white lotus-like and tender waist, and shorts on his legs, showing two big white legs, which were white and dazzling.

"Let's take a look at what kind of place has raised such an outstanding beauty. Wu Xiaozu smiled.

Director Wu thinks flirting with girls is more interesting than making movies.

"It's hard to give up on being beautiful!"

Wang Xianxian held back a smile very arrogantly, and then glanced at her, "Then what do you see?"

Director Wu took a closer look, and the dirt trucks on the street drove by, and Wu Xiaozu felt like a world away.

"The contradiction between social change and humanity. ”

The mood of the two lives is combined, and I sigh from the bottom of my heart.

Isn't that exactly what happened in the hinterland in the previous life? History is wonderful, it's like a wheel, you will always look for this big road, find similar ruts.

"The rapidly changing society will inevitably cause the separation and panic between the individual in the modern city and the flood of the whole society. This is an unavoidable sadness. There was a slight exclamation from the side.

Pretending to be B to cheat on the sister paper, meet a big understand?

Wu Xiaozu turned his head and saw a casually dressed middle-aged man in black with black frames, small eyes, and a big nose carrying a travel bag, and he stopped moving, completely looking sad and compassionate.

"First time in Wanwan?"

The middle-aged man's eyes were fixed on Wu Xiaozu's face, "Come to Wanwan to make a movie?" The words seemed to be questionable, but they were actually very determined.

"Are you so sure?" Wu Xiaozu looked at this 'big understanding' in surprise.

"Wang Zu Amaranth. I've seen her movies on Hong Kong Island. ”

The middle-aged man blinked, pointed to the crew behind Wu Xiaozu who was carrying luggage, and laughed, "Just now, a fat man was chirping on the plane and talking about the fact that you came here to shoot for a long time. I happened to be sitting with him, and I didn't know if I could. ”

Wu Xiaozu looked at Fei Cheng, who was stalking and hooking up with a flight attendant not far away, so he didn't have to guess. Then it must be!

Brother Cheng's mouth, don't mention it!

"Hong Kong Island, Wu Xiaozu. Director Wu smiled and bowed his head.

"Wanwan, Yang Dezhuan!" the middle-aged man smiled and stretched out his hand.

The two shook hands together and greeted each other politely.

Wu Xiaozu really feels very lucky! How many students in the directing department have not pulled Yang Dezhuan's films?

Compare the ADC appearance of the "Wanwan social scalpel" in your mind with the "big understanding" in front of you, and you can't run away in an instant!

"I just came back from Hong Kong Island. Unexpectedly, as soon as I got off the plane, I met a colleague from Hong Kong Island. ”

Yang Da understood and laughed and teased very familiarly. "It seems that film directors are really difficult to mix now, Hong Kong Island comes to Wanwan, and Wanwan goes to Hong Kong Island. ”

"Monks from outside are good at chanting. Wu Xiaozu nodded and smiled.

"Haha...... It's hard for me to be a good monk even as a monk. ”

Yang Dezhuan pointed to his hair and laughed at himself, "So I can only ask grandpa to sue grandma for placing orders everywhere." Now the local film companies in Wanwan are swarming across the ocean to Hong Kong Island to invest a lot of money, but they refuse to give local filmmakers a mouthful of soup. I, a false monk, can only go with the flow. As he spoke, he was quite helpless.

"Hehe......"

Wu Xiaozu pouted, noncommittal. He didn't argue with Yang Dechant's words.

The market is the most realistic, if you lose money, no one will ask you to make a film. Even if it's famous, it's still the same.

The capital market has a profit-seeking nature, and now Hong Kong Island films have the ability to make money, which naturally attracts investors to invest. This is the law of the market, and there is nothing wrong with it.

There is no difference between a foreign monk and a local monk, the only difference depends on whether you, a monk, can understand the market situation.

The saying that the Buddha relies on gold makes this point out. The Buddha has to be dressed up brightly, let alone the monks who rely on the Buddha to eat?

This is especially true in the film industry!

Therefore, don't look at Yang Dechan's already well-known in Wanwan, if he is really looking for investment, he may not be as popular with film dealers as Wu Xiaozu, the director of the 18th line of Hong Kong Island.

At least Wu Xiaozu's Virgo "Butcher on a Rainy Night" has a box office of 10 million, which is still quite attractive.

After Yang Dechan began to co-produce "The Story of Time" with several New Wave directors a few years ago, several "literary films" have caused great repercussions.

On fame, throw off Wu Xiaozu eighteen streets. It is estimated that there are several piles of Wang Jing between the two.

He and Hou lost money by filmmakers at home and abroad as the pioneer losers of Wanwan films, and told everyone very clearly: We are serious about losing money!

Not to mention them, after the box office failure of the film master Akira Kurosawa's "City Without Seasons", it is difficult to easily attract investment.

In the end, he went to the Soviet Union to return to the film industry.

Of course, at least the movies made by Yang Dezhuan and Hou Xiaoyuan can win awards!

At this time, the film protection policy of the Wanwan authorities ushered in the "spring" for many literary film directors. also made Wanwan Movies embark on a road of no return. Of course, this is reflected at the box office.

In terms of international influence, the reputation of Wanwan Films is far better than that of Hong Kong Island Films at the moment.

However, word-of-mouth is very scalable. Applause is very common.

A movie, a total of 10 people watch, even if the score is 10 points, the reputation is good, but what is the use?

There are two types of Asian films, one is Hong Kong and the other is other films.

Asian films, in the 50s and 60s, have always been the world of RB films, and the world film industry is also very appealing and influential. Film masters led by Akira Kurosawa, Nagisa Oshima, Yasujiro Ozu, and Kenji Mizoguchi have won many awards at international film festivals, making RB films unparalleled.

Since the 80s, Wanwan Films replaced RB Films and started the road of world awards, until the outbreak of the fifth generation of mainland directors in the 90s.

The representatives of Wanwan movies are Yang Dechan and Hou Lose Money.

Yang Dezhuan is okay!

Although he is a filmmaker, he is not pedantic. Understand that artists also need to eat. It is also guaranteed that the film invested in will make money. As for Hou Xiaoran...... Don't mention it.

In the 90s, there were two big pits, and the "prince" would have a kind of Xiangning?

Wu Xiaozu graduated from the directing department in the last life, do you say that he has no artistic pursuit?

What is art? Art is your own ability, art is the skill of eating, an artist can't support himself, that's not an artist, that's a hooligan!

To enter this circle, you must understand a truth -

Entering the rivers and lakes is a life-fighting person.

Learn to eat first, then take care of your family!