Neither of them spoke, only made eye contact, which was also a tacit understanding that they had grown up together since childhood. If you've already read this section, please go to

Lin Baoqing knows very well that except for her sisters who really care about her, everyone else is more or less a joke. Look at what kind of scene Qin Fangge's backyard is on fire, in fact, her mind is really not so narrow-minded, otherwise, I really don't know how much jealousy she has to eat and how many waves she will make.

Qin Fangge and Long Xueyao on the stage didn't think so much at all, even if Qin Fangge felt it, he couldn't control it, so it was better to focus on the performance.

After the two went on stage hand in hand, they first bowed politely to the audience together, and then naturally let go of their hands.

Qin Fangge couldn't go to the piano to prepare, the piano in the concert hall was a grand piano worth more than two million, performance-level grand piano, black, particularly beautiful, it is said to have been specially created by a famous artist. Many piano students signed up for the program just for this piano, and the sound quality is really not comparable to the piano in the piano room.

Long Xueyao also walked over lightly, standing in front of the microphone that had been prepared a long time ago, the microphone was next to the piano, she also put the violin on her shoulder, and it had already been adjusted when she was offstage, and it was indeed no problem for Qin Fangge, who had a sensitive ear, to listen to it.

After the two of them were ready, the two exchanged glances, and Qin Fangge took the lead in starting the performance.

This work is an excerpt from the third movement of Paganini's Violin Concerto No. 2 in B minor, and was also adapted by Liszt into a piano version of The Bells, which was widely circulated.

When Qin Fangge came here, he restored the essence of Paganini's violin concerto, and only made arrangements in a few places, also to make the whole piece sound more smooth and exciting. It's also a very common thing, and it doesn't have to be a composer to make an arrangement, and many musicians adjust accordingly.

However, Qin Fangge's adaptation has always made it more difficult, and the effect of the performance will naturally be more exciting.

At the beginning, it was the concerto part of his piano, and he was also at full power, and he didn't have any idea of retaining his strength. The audience in the front row didn't even see the trajectory of his fingers flying on the keys very clearly, and it felt like bringing out the afterimage, such a hand speed was naturally not ordinarily fast, but what was even more amazing was that he heard the music in everyone's ears under such a high-speed performance, and there was no sense of urgency and impatience, and every note was so precise and passionate.

Moreover, he is like magnifying his moves as soon as he comes up, and the atmosphere of the concert hall is at its peak. However, his own expression is still very calm, or rather, it is not as passionate as the music he plays, which is also in stark contrast to some other pianists.

Twenty seconds later, Long Xueyao's violin smoothly followed the rhythm of the piano.

Qin Fangge's passionate piano concerto weakened and transformed into a beautiful, free, lively and brilliant violin.

Long Xueyao's performance is also full of passion, she was originally a show-off debut, and she is very typhoon, not only the music played is passionate and lively, but her whole expression, and body language are particularly suitable for the occasion.

She has a beautiful face and a perfect figure, and her burgundy evening dress looks even more beautiful and extraordinary under the illumination of the stage lights. In particular, her serious appearance of playing the violin made the audience feel beautiful and moving, and her serious attitude was appreciated at any time.

Even Wang Zizi and Huang Jing have to admit that Long Xueyao on the stage is extraordinary, she seems to have been born for the stage, and she and her beloved violin have formed a beautiful landscape on the stage.

As a result, it also highlights the sensitivity of their intuition, and even these women will feel moved when they see it, not to mention those men, especially the merry and talented Qin Fangge.

It's just that at this time, Long Xueyao didn't have time to think about it herself, and concentrated on her own performance, following the rhythm and rhythm of the music, sometimes closing her eyes, sometimes pitching her head, and sometimes spinning lightly, but she stood firmly on her feet, and it would not affect the performance of the violin in her hand at all. She is also trained from various stage experiences from childhood to adulthood, and now she has matured, and what she shows to the audience is a particularly passionate and beautiful side.

If you keep playing at such a high speed and intensity, people will be tired, and Long Xueyao is no exception.

Fortunately, in such a musical work, there is a chance for her to soothe, or even pause, for a moment.

When Long Xueyao put the violin down from her shoulder, gently held the violin with her left hand, and lowered the bow of her right hand, her posture was so perfect and impeccable. At this time, she did not look at the audience, but at Qin Fangge, who had been playing the piano.

In a sense, Qin Fangge is really beyond the scope of ordinary people.

His piano concerto never stopped from the beginning, and he really played the effect of a symphony orchestra.

The general violin concerto, the symphony orchestra is like this, it is always playing, and there is no real time to stop. It's just that when the violin is playing, it will switch the posture and change the master-slave relationship, which will play a role in echoing and flattering.

Long Xueyao didn't rest for long, so she went into battle again. Her playing is also becoming more and more exciting and passionate, and her show-off works are her strength and her favorite.

The difficulty of playing this kind of "Bell" is also very high, and Long Xueyao didn't dare to desert when she was playing. Compared to the caprice dedicated to the performer created by Qin Fangge, it is not bad at all, but Long Xueyao has now conquered this song, and the caprice has also conquered several songs. Of course, the room for improvement is still very huge, and she is not in a hurry, just take it step by step.

So far, as Wen Ruzhi told her, her opponent is not someone else, but herself. What she has to do is to constantly push her limits and finally break through herself, not to compare herself with other violinists. Of course, there is no comparison with Qin Fangge, and Long Xueyao herself knows this very well, she just wants to narrow the gap with him through hard work, and finally reach infinite closeness, or rather, closer to his level than other people's violins.

A ten-minute violin piece, without any negative emotions, passion, joy, splendor, in Long Xueyao's interpretation, there is also some gorgeous and noble palace banquet.

In this regard, Qin Fangge's piano is only a concerto, helping her to play the artistic conception and connotation of this musical work in her mind.

Although such artistic conception and connotation are not profound, there are not many special artistic and ideological qualities.

But it doesn't matter, it's originally a show-off work, and it mainly focuses on technology and looks at the performer.

Long Xueyao's performance can be described as perfect, and her violin skills tend to be complete, and when she stands on the stage, she is extremely pleasing to the eye.

Not to mention, under the co-performance of her and Qin Fangge, this violin concerto called "Bells" is simply an explosion.

Many people are still worried that Qin Fangge is so energetic at the beginning, will he lack stamina in the back.

However, when they were about to finish listening, they realized that their worries were nothing compared to unfounded worries. Qin Fangge's current level of composition is already the level of a real composer, and such a low-level mistake will naturally not be made.

Of course, this piece is not all high-energy and intense, but when the peaks turn and quietly fall, it also seems so natural and smooth, and everything is for the final **, violin and piano performed together, the most brilliant brilliance.

In the ending part, Qin Fangge made certain modifications to the original song, and also brought the most gorgeous and noble and brilliant ending to the whole song.

Through the layers of foreshadowing, it also indicates that such a song, like an epiphany, will end at the most beautiful moment.

But when this moment comes, the audience will still have a lot of thoughts and reluctance in their hearts.

But at this time, Qin Fangge had already stood up from the piano, and Long Xueyao also put the violin off her shoulder.

At the request of director Ma Xiaohua, Long Xueyao also followed her own heart's wishes, otherwise, it would be useless for the director to say anything.

So, with a spring breeze on her face, she first shook hands with Qin Fangge elegantly, and then gave him a courtesy hug, and whispered thank you.

This courtesy hug didn't take too long, Qin Fangge didn't reply, and only responded with a smile.

In the end, the two joined hands again, bowed together like the audience, and received the tsunami-like applause.

Everyone was applauding, even if Teng Shuting and Huang Jing didn't want to applaud, they all followed everyone's applause and clapped their hands. Because this is the most basic respect for the performers on the stage, their perfect performance, the audience can contribute, only applause and cheers.

Although Huang Jing didn't want to applaud very much, it was precisely because Long Xueyao's violin performance was too wonderful, and Qin Fangge's cooperation with her was seamless.

Lin Baoqing was very atmospheric, and he also gave them warm applause.

On the second floor, all the teachers of the Conservatory of Music also gave Long Xueyao and Qin Fangge warm applause, and the professor congratulated Long Xueyao's teacher, Professor Wen Ruzhi, on teaching a good student.

The leaders of the school, first of all, are also teachers, and they are naturally very happy to see the students have a particularly wonderful performance. This is also the great thing that always looks forward to their students being better than the blue, whether it is for the students' own future, or for the school and the teachers to win glory, it is something worthy of their pride and pride.

Of course, Ning Xiupei was also congratulated, but fortunately, she was surrounded by female professors like Deng Hongmei and Zhou Xiuying, and the scene would look better.

She was still a little worried about what Lin Baoqing's mother Qu Jiayun and Zuo Shuqin's mother Wu Ruhui would think.

Fortunately, Qu Jiayun and their performances are normal, and Ning Xiupei thinks too much about herself, and they are unlikely to show too rude behaviors and expressions.

Wu Ruhui and the others also gave a very warm applause to the wonderful performance on the stage just now, or the warmest one since the opening.

After the violin is praised as a musical instrument, it is really not in vain, but earned by real performances over the past few hundred years.

And after Qin Fangge and Long Xueyao bowed, they both let go of their hands and prepared to leave. Even if the applause of the audience was still fierce, it did not change their determination.

But when the two retreated backstage, the audience's applause was still like a tide, and there was no tendency to stop. Yan Huanwan and the hosts couldn't hold back at all, and they didn't seem to have such plans, so it wouldn't be cost-effective to be complained by Long Xueyao when they turned around.

Director Ma Xiaohua was still worried about the problem of timeout at first, but he quickly figured it out, anyway, it will definitely be timeout tonight. So, he urged Qin Fangge and Long Xueyao to go back to the stage again, thank the audience, and say to Qin Fangge, "You can say a few words!"

Qin Fangge said, "Is the audience's applause for Xue Yao?"

Long Xueyao was also modest, "Qin Fangge's credit is the greatest, I just play, and he is the one who composes the concerto and guides me to practice." ”

Ma Xiaohua persuaded her along the way, "Then you can go back to the stage and thank him! Wouldn't that make more sense?"

Qin Fangge laughed, "I feel like I wouldn't be too ashamed to say that!"

Ma Xiaohua said, "How come, according to me, Qin Fangge, you are too low-key." Xue Yao, there are some words, if you say them in person, it will feel very different. What's more, in addition to Qin Fangge, don't you also want to thank Professor Wen and the teachers who have guided you. ”

Ma Xiaohua was powerless to stop the applauding audience, so he could only do his best to do Qin Fangge and Long Xueyao's ideological work. Qin Fangge is an old fritter, which has a bit of a sense that oil and salt do not enter, but Long Xueyao was a little moved by him, not to mention that the applause really has no intention of stopping.

Under Ma Xiaohua's repeated urging, Long Xueyao dragged Qin Fange back to the stage with a violin in one hand and a song in the other, intending to calm down the applause.

Unexpectedly, when they returned to the stage, the applause became more and more enthusiastic, and it seemed that this was also the effect that most of the audience wanted, except for Huang Jingteng Shuting and others.

The two bowed side by side to express their gratitude to no avail, and Yan Huanwan followed the microphone to Long Xueyao as planned. Seeing that Long Xueyao was about to speak, in order to hear her words clearly, the applause slowly decreased.

Long Xueyao's initial speech was also very routine, but it was very sincere, and she thanked everyone for the warm applause, and also thanked her professor Wen Ruzhi and the teachers who helped her, and thanked the Conservatory of Music for creating all this good environment.

Then, she also said, "Special thanks to Qin Fangge, for creating such wonderful and beautiful music, and taking the time to guide me to practice, and personally responsible for the concerto tonight, thank him very much! I hope he will create more wonderful music in the future, and finally, I wish you all a beautiful and pleasant night, thank you!"