Although it was March in spring, the weather in a small town in Northeast China was still very cold.

Freezing cold.

Zhang Xingping took the crew and started filming "Groundhog Day" in this small town for a week.

Peng Yichen took Yu Jing to the Northeast directly, and then devoted himself to the filming of the film.

The director of this movie is Zhang Xingping, and the crew is also Zhang Xingping's old team.

So when it comes to filming, Peng Yichen doesn't have to worry about it at all.

The producer is Sun Yizou again, and his own agent serves as it.

It can be said that the two most powerful bosses in the crew are Peng Yichen's 'own people'.

So his status is more transcendent, and the intrigue and bad things in the crew can't reach him.

This made him devote himself to pondering the characters he played, and strive to make a breakthrough in his acting skills.

From the last time "Twelve Warriors" was filmed, Peng Yichen vaguely felt that his acting skills had reached the threshold of the second realm of "seeing mountains is not mountains, and seeing water is not water".

Especially when performing the last long monologue, he instantly reached the realm he once dreamed of, but has never been able to achieve.

It's a pity that it was just an accidental 'flash of inspiration', and I can't stably and continuously reflect the level of that realm in my own performance.

So this time, Peng Yichen began to deliberately keep a distance from Yu Jing as soon as he entered the group.

His idea is very simple, it is to create an artificial sense of strangeness between two people.

Only when the strangeness is strong enough that at the beginning of the movie, the estrangement and opposition between the two seem real and believable.

made Yu Jing think that Peng Yichen was deliberately alienating herself.

It wasn't until Zhang Xingping, an "old Jianghu", explained to her the reason why Peng Yichen did this, that she was relieved.

And I silently made up my mind in my heart that this movie must perform with all his might.

In terms of acting skills, you have to keep up with the speed of Peng Yichen's progress, otherwise you won't be compared to this kid.

During this period, Peng Yichen began to play crazy with several acting schools in the crew.

Zhang Chen, Wang Jiangwen, and Li Dashan are three well-known Chinese acting schools that Zhang Xingping specially found for this movie.

They are all from the National Repertory Theatre, and they have been in the film industry for decades, although their acting skills are not at the top level, they are all characters who can win the Best Supporting Actor at the Yanhuang Film Festival.

In the final analysis, "Groundhog Day" is actually a one-man show for the protagonist Peng Yichen, but several key characters in it have a huge impact and role in the protagonist's ideological transformation and plot promotion.

Zhang Xingping spent a lot of effort to find these three acting schools, respectively playing the role of the cinematographer Wu Rui, the insurance broker Han Sen, and the begging old man in the movie.

With these powerful actors playing these roles, a lot of space has been created for Peng Yichen's acting skills to improve.

When Peng Yichen and the three of them played against each other, almost every scene was faced with a stormy attack.

Because the time of each rivalry is actually very short, he must give full play to every detail in the performance and mobilize all the emotions in his heart in order to fully perform the tension of the plot.

To be honest, if it weren't for the fact that when the plot world came out, he received the evaluation of "drama bones", and at the same time got the two key skills of the protagonist Chu Fei: decadent temperament (intermediate), musical instrument performance (advanced), and also got Chu Fei's 10-year memory of constantly repeating his life on the day of the groundhog.

Peng Yichen really didn't know if he could break through the bottleneck of acting so quickly.

In order to maintain and consolidate their improvement in acting.

Peng Yichen worked hard to turn his world into a vacuum.

From the beginning of joining the group, the whole person is immersed in the world of acting and does not care about anything.

Every day, I just hold my own script, repeatedly recall the memory fragments I have experienced in the plot world in my mind, and constantly wonder if my performance style can continue to improve.

Soon he felt that his acting skills had made a breakthrough.

At this time, Peng Yichen finally understood one thing.

That's why, after coming out of the plot world for the first time, he obviously felt that his acting skills had made a breakthrough, but he never really broke through to the second realm.

To put it bluntly, when he first came out of the world of "Rising Star", his own understanding and tempering of acting was still not enough.

The world of the plot is just an experience, but the performance requires the actors to fully show this experience in the camera.

In the last life, although Peng Yichen ran for many years, the roles he performed were very simple, and there was very little room for the characters to be tapped.

If you don't go crazy, you can't live, for an actor, what is the best nourishment to improve his acting skills?

It's everyone you've ever met, everything you've heard, and you have to think about it all and then perform it all with your own acting skills. This is delving, this is going deep into the hearts of the characters.

An actor can only continue to polish his acting skills by constantly performing characters that are complex enough and three-dimensional enough.

Like Peng Yichen in his previous life, he will always play some simple roles with facial makeup. Your acting skills will never improve.

In this life, Peng Yichen has a chance to start over, and he will not let go of any opportunity to improve his acting skills.

Coupled with the accumulation of several plot worlds, and then when filming "The Emperor of Han Wu" and "Twelve Warriors", I had the sharpening of playing against several old drama bones.

It wasn't until the filming of "Groundhog Day" that he finally accumulated a lot of money, and all his perceptions of life and the tempering of his acting skills broke out at once.

finally let his acting skills stabilize at the second level, and it is no longer just an occasional 'flash of inspiration'.

"It's all ready to prepare, and the next scene is about to start filming. ”

Zhang Xingping stood in front of the monitor and shouted. After Peng Yichen heard this, he put the script on the chair, got up and walked into the filming venue.

Today's shooting of the first shot is about to begin. Before every shooting, Peng Yichen will be ready to practice his accent constantly.

Because in this movie, Chu Fei played by Peng Yichen is a native of Northeast China, but he is also a supporter with a professional background in broadcasting. So he had to switch freely between Mandarin and Northeast dialect.

Especially every time the protagonist's mood changes, his accent must also change.

This poses a great challenge to his line skills.

In addition to the lines, Peng Yichen also needs to fully mobilize the decadent temperament obtained from the plot world, let himself enter the character's emotions as soon as possible, and ensure that he can show the protagonist's decadent and indifferent temperament in the early stage as soon as he leaves the country.

You must know that when playing against the acting schools of the crew, if the temperament shown by him is not strong enough, it is very likely that the other party will steal the center of the shot, and the movie made in that way will completely change its taste.

The next scene that Peng Yichen is going to shoot is the rivalry with Wang Jiangwen.

It's about: the protagonist and the insurance broker Han Sen, the scene where they meet for the first time.

Peng Yichen must show a series of emotional changes of the protagonist through this scene.

It is necessary to go from confusion at the beginning, to boredom, and then to complete anger, but because of the identity of 'celebrity', you must refrain from it.

In the end, because I stepped into a puddle of ice, all the good moods disappeared completely, and negative emotions took the absolute upper hand.

In just this one scene, he needs to perform the protagonist's mental changes 4 times, which can be said to be an unprecedented challenge to his acting skills.

When the actors were all in place, Peng Yichen turned into the shooting camera from the street corner, and Wang Jiangwen stood outside the camera, ready to appear at any time.

The field staff took out the clapperboard, "XX scene XX shot, ready!"

Zhang Xingping shouted: "Begin." ”

Three cameras in different positions start running at the same time.

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