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A few people still went to the piano room where Wu Hongqin usually practiced, and there were two pianos in it, which were enough for them to use, which was more private, and there was no need for Deng Hongmei to make any other arrangements.

The concert will be held the day after tomorrow, and Fu Tianxia will also go to the concert hall and symphony orchestra of the National Centre for the Performing Arts to rehearse the day after tomorrow.

However, with Fu Tianxia's piano level, there is no problem in playing these pieces of this concert. It is also his best music, and the main purpose of practice is to maintain the feeling and musicality. No matter how busy he is every day, he has to spare a few hours to practice the piano.

Deng Hongmei also called on Wu Hongqin and Xiao Yuran to learn from him, and the two girls nodded in unison, they can work so hard after becoming famous, it is indeed worth learning from them.

Fu Tianxia is very modest, saying that the time in school is the best, and there is plenty of time to practice the piano. After leaving society, many things are involuntary, and you need a lot of self-control, otherwise, if you are not careful, all your efforts may be ruined.

Deng Hongmei also added, saying that Fu Tianxia is not alarmist, why are many so-called geniuses unknown, and losing themselves in fame and fortune is the biggest factor.

As for Qin Fangge, he can't be treated with common sense, so no one asks his opinion or anything.

In the afternoon, Fu Tianxia practiced Strong's piano concerto.

But it's mainly about practicing with the school orchestra, which is also a rehearsal that must be done every time you work with the orchestra. But as far as the piano concerto is concerned, Fu Tianxia has long been familiar with it.

In addition to Strong's piano concerto, his concerts included several of Luther's nocturnes and etudes, Strong's Spanish Rhapsody and Fantasia, and John Christopher's very famous sonata "Dawn".

The repertoire is rich and very attentive.

Fu Tianxia is not a showman, never has been.

At his age and status, there is no need to show off his talent and skills.

These repertoire can be performed by any piano student, so to speak.

It's just that the gap between the master and the student is still very large.

Qin Fangge and Wu Hongqin were relatively modest, so let Fu Tianxia practice first, and they would be listeners next to them.

Now Wu Hongqin and the others have also learned to be smart, and they bought high-definition and high-quality video equipment early, and they will record it regardless of 3721 first. Qin Fangge's time is tight, and several of them have to go back and watch the video a lot of times to slowly understand.

Fu Tianxia is not modest, he also needs to practice, so he will practice the piano first.

His basic kung fu is particularly solid, and playing these works is also integrated into his own understanding, which is very flavorful.

Qin Fangge likes Christopher's "Dawn" very much, which is also the most profound and rich in connotation among several works.

Christopher had a difficult life, wandering from place to place, but he never gave up hope and bravely fought against fate. "Dawn" is his mid-period work, when Christopher was already very mature in his thinking, but it was also the lowest period of his life. Because of sympathy for the revolution and even direct participation, he was wanted after the defeat and went into exile. However, he firmly believes that it is only the darkest hour before dawn and that everything will be fine.

This dawn, which represents his thoughts at the time, is also a morale-boosting work for his companions, telling them to keep fighting, and the dawn is ahead.

In addition to the symphony, Christopher's sonatas are the most famous. This Dawn is one of the most famous works, but not many musicians dare to put it in concert.

In particular, some young performers prefer Christopher's "Moonlight", "Tranquility" and other works, even if they are very ideological, but compared to the dawn, they do not need so much experience and life experience.

And Fu Tianxia also rarely showed a difference from his previous style at this dawn.

This is indeed a work that is worth working hard, with, and with all emotions. It is okay to think of it as a revolutionary war song. Christopher's works are not simple, and this is the reason why many pianists never touch his works.

Not only Qin Fangge and Wu Hongqin applauded, although the two of them couldn't play, they still had no problem appreciating and listening, and they didn't hesitate to praise their voices.

Even Deng Hongmei praised Fu Tianxia for making too much progress, "This "Dawn", I wanted to persuade you to change the repertoire at the beginning. I didn't expect you to be able to play so profoundly. ”

Fu Tianxia is very modest, "I don't dare to say profound, I feel that I have to make some changes and try to play more thoughtful works." Some time ago, I have been performing in Germany, Christopher's hometown, and I have heard many masters perform his works, and I have some feelings. In private, I also practiced hard for a while. In addition, the domestic audience is not so picky, which is one of the reasons why I boldly chose Liming. ”

"This is the advantage of performing in Europe and the United States, where the classical music atmosphere is stronger, you can hear more, and you can be immersive......" Deng Hongmei seemed to say to Qin Fangge, and then said, "There are not many professors in China who study Christopher, and even fewer can play his works well." ”

Fu Tianxia stood up, looked at Qin Fangge and said, "I think if Qin Fangge comes to play, he will definitely play better than me." I've heard his "Aria with a Lot of Variations" many times, and I've tried to play it, but I can't get it. Moreover, the more I listened to it, the more I felt that there were more and more things contained in it, and I didn't know how he created it. In foreign countries, everyone often hears them talk about his work, and they all say that it is unfathomable. I don't know if I'm lucky enough to listen to this piece today?"

Qin Fangge didn't take an idea, only looked at Deng Hongmei, she nodded, and asked him to agree.

Fu Tianxia also asked to listen to the slowest version, saying that it was the most authentic.

Qin Fangge didn't have any opinions, Deng Hongmei still cared about him, and asked him if he wanted to brew for a while, Qin Fangge said yes.

Xiao Yuran and Wu Hongqin didn't speak, let alone have any opinions, they seemed to be reminiscing about Fu Tianxia's performance just now. They will have the opportunity tomorrow to observe Fu Tianxia's practice at close range, and how much they can gain depends on their respective spirituality and understanding.

Such an opportunity can only have the effect of broadening their horizons, and if they really want to make progress, they still have to rely on continuous practice and hard work. And in this long process, Qin Fangge and Deng Hongmei helped them even more.

Qin Fangge's "Goldberg Variations", they actually didn't hear much, Deng Hongmei didn't allow them to practice at all, and bluntly said that this work is not at all what they can control at their current age and level.

Even pianists like Fu Tianxia and Deng Hongmei must be in awe of such works.

No other pianist, who dared to play in public, was not.

Fu Tianxia also understood the ins and outs of this work, and knew that Qin Fangge was originally dedicated to Zhou Xiuying's wife, Professor Fang Xiping, hoping to alleviate his insomnia. It was once regarded by everyone as a Divine Comedy, and a work that can make a ninety-year-old man fall asleep is indeed worthy of the title of Divine Comedy.

At the same time, Qin Fangge's reputation as a respected teacher also spread. Whether or not he meant it this way, since he put his name on it, it is very revealing. Of course, there are many people who accuse him, saying that he is selling his reputation and criticizing him for plagiarism.

But these people couldn't find the object that Qin Fangge could plagiarize, and they couldn't find out whose works Qin Fangge copied through various manuscripts and classics of classical music. As for the composers of the past hundred years, not to mention, if they had the level of Qin Fangge, they would have been world-famous for a long time, and it would not be Qin Fangge's turn to plagiarize.

Therefore, some people speculate that this is God's work, and Qin Fangge just took it out. With his age and life experience, there is no way to create such a work.

But even so, Qin Fangge is also a well-deserved genius. To put it more alarmist, it is God's spokesman on earth. I haven't seen any other composer or musician have such a ability to communicate with God and take out his works directly!

All kinds of envy, jealousy and hatred are naturally useless, at most they can only talk sourly for a while.

Moreover, Fu Tianxia also knew that Qin Fangge had played other versions, but in his ears, the original and longest version was the version that could really express the connotation and meaning of this work.

Therefore, he also listened to this version by name. In his opinion, the slower the performance, the higher the requirements for the pianist, and the more time and space are left for people to slowly experience. This is also a piece of music that needs to be calmed down, listened carefully, and savored slowly.

Qin Fangge played slowly at an extremely slow speed, just like when he was at Zhou Xiuying's house. But he did not deliberately slow down, but played in a calm, serene, not slow, not hasty, not arrogant and impatient state of mind.

After the sound of the piano, no one spoke.

Although Wu Hongqin and Xiao Yuran can't understand the profound connotation due to their age, it does not prevent them from trying to listen, experience, and understand carefully.

In addition to reading books and newspapers, as well as personal experience, listening to the performance of masters is also the best way to improve yourself.

Not to mention Fu Tianxia, this legendary junior disciple has brought too many surprises and surprises, and has also created a lot of miracles, which is not explained by genius alone.

Qin Fangge's piano skills are even more vividly reflected in such an extremely slow song.

Qin Fangge is not as anxious as many young people, when he plays, it is like a leisurely stroll, calm, every note is clear and distinct, but there is no feeling of dragging mud and water. It is like a wise man who has experienced countless vicissitudes of life, using his fingers on the piano to tell one story after another.

The vicissitudes of life, different people have different perceptions when they hear it.

Fu Tianxia was simply full of firepower, and his mind was the most concentrated, his eyes were staring at Qin Fangge's hands on the keys, and he rarely blinked, as if he was afraid that if he was not careful, he would miss his best performance.

At the same time, his ears were listening.

The notes that popped out of the piano struck his heart one by one.

What amazed him the most was that Qin Fangge did not show his outstanding finger talent in this piece, such as the flying of wild bees.

He uses the speed at which ordinary piano students can play, deducing his unique temperament and style.

In this regard, Fu Tianxia was a little ashamed.

He also knew that this was not a delusion.

When Qin Fangge played on the piano, his whole person seemed to change. As far as the contact just now is concerned, Fu Tianxia feels that Qin Fangge is a very interesting person in real life, modest but lively, positive but not too enthusiastic, gentle to people but keeping a certain distance, it seems that he always has reservations, whether it is introverted or deep, in short, he is a very complex person.

Only when playing the piano can Qin Fangge not keep anything, and integrate into the musical works wholeheartedly. Joys and sorrows, joys and sorrows, flowed out from his heart, through the keys at his fingertips, and infected the surrounding audience.

Xiao Yuran has said more than once that Qin Fangge is the most handsome and charming when he sits in front of the piano.

This will, no exception, Xiao Yuran looked at him seriously, listening to the quiet and serene sound of the piano, the whole person was a little hazy, and even she didn't know what she was thinking.

Wu Hongqin is also listening carefully, she hopes that after each listening, she can gain something.

Everyone knows that in order to play the piano well, it is very important for the performer to have a rich inner world, to properly express the emotions in the musical work, if the performer himself does not have such emotions, there is nothing to perform, there is nothing to say.

It's just that this life experience and experience doesn't mean that you can improve it.

The only feasible way is to listen and see more, and experience more.

Wu Hongqin is doing this kind of thing now, the girl's thinking and emotions are more delicate, and she is a little bit, trying to understand the things contained in it, life philosophy, attitude and so on.

Deng Hongmei is the oldest of several people.

She has listened to this work many times.

She and Fu Tianxia feel similar, and always feel that every time she listens to it, she will have different gains and insights. There will always be such a situation when there are three thousand avenues.

When Qin Fangge was playing by himself, he didn't think about it so much.

His own bizarre experience is legendary, and he is much more indifferent to many things. But the problem now is that his soul is attached to this young and enthusiastic body, and the impact is still quite great, especially in life. Study, family, and love are difficult to part with one by one, and it is also unrealistic to want to completely detach from society.

Only in music can he let himself go and soar freely in the boundless sky of music.

After an hour and a half of playing, Qin Fangge must have no intention of sleeping.

An hour and a half can be said to be a tiny fraction compared to the long road of life, especially for a guy whose soul doesn't know how many years he has been wandering.

But in this hour and a half, Qin Fangge seemed to carefully examine his past.

After the performance, Qin Fangge himself was quite relaxed.

It's not that he has unloaded the heavy burden of the past, in fact, he doesn't see the past as a burden, for him, the past is a rich asset, allowing him to fly freely in the world of music without worrying about anything that will not be handled well.

He felt relaxed, also because by looking back on the past, he also realized more deeply that no matter what kind of situation he encountered, he was able to deal with it calmly.

On the contrary, a few of the others looked and seemed to be more tired, but no one was asleep or anything, and everyone seemed to be pondering.

Qin Fangge could still laugh, "It seems that the hypnotic effect of this song is quite average!"

was so angry that Deng Hongmei glared at him, as if she was blaming him for ruining such a good atmosphere.

"It's better to see than to hear!" Fu Tianxia clapped his hands and praised, "This time when I return to China, it is worth the trip to hear such a wonderful performance." ”

Qin Fangge naturally still has to be modest, Fu Tianxia continued to sigh and said, "Live and listening to records, it feels completely different, listening to records is already very shocking, and I don't know where to start." ”

Qin Fangge smiled, "It's good that Senior Brother Fu doesn't treat me as a monster." ”

"If you have a chance, Qin Fangge, you might as well go out. Fu Tianxia sincerely suggested, "Your level is indeed too condescending in China." Go to any country in Europe and the United States to perform, let them listen to your performance, and make sure to worship you as a god. ”

"If they really want to hear it, they can actually come to China!" Qin Fangge's tone was quite small.

Deng Hongmei couldn't help laughing, but Xiao Yuran nodded again and again, "That's right, it's that they don't have that kind of blessing!"

Wu Hongqin also nodded in support, "It's better for us, I can often hear him play, and I am much happier than others." ”

Fu Tianxia smiled bitterly, "You two are simply stimulating me, I really hope that I can stay in the conservatory for a while longer." ”

Deng Hongmei didn't say that a few of their young people were ignorant and arrogant at this time, but only said to Fu Tianxia, "As long as everyone can gain something, whether it is piano skills or their own musical literacy, they all need to be continuously improved and improved." Also, you must not compare with Qin Fangge, he is a wonder!"

Hearing Qin Fangge, he grinned, but Fu Tianxia nodded quite approvingly, Deng Hongmei was his mentor, and he also understood the truth that he was going to go in the future. He himself is not a particularly genius type, and his current success depends on decades of hard work and studiousness to make continuous progress.

From Qin Fangge, Fu Tianxia could learn a lot of things, especially when he was playing this variation. Deng Hongmei also said that she would give him the video, and she also got a burst of thanks from Fu Tianxia.