Chapter 1150: Communication (Page 1/1)

In the afternoon, Qin Fangge, Zhou Xiuying and his entourage went to the Camille Concert Hall, the residence of the Czech Philharmonic Orchestra, and inevitably did not want to inspect their orchestra. There is basically no need to worry about strings, and many Asian string musicians are now employed in such big orchestras, and their level is not bad. Every symphony orchestra still has a lot of demand for violin, viola and cellist, which also gives many opportunities to learn strings, after all, not everyone has the opportunity to become a soloist.

Wind music, especially brass, whether it is a French horn, trumpet, trombone or tuba, etc., can easily "pop up" due to its loud volume. Either the other parts are suppressed or it sounds particularly harsh because it is not played well, and in any case, it is an intolerable state for perfectionists.

Unfortunately, among Asian symphony orchestras, the wind music is the weakest, and the wind music is especially prone to car accidents. Even the world's top symphony orchestras, such as the Czech Philharmonic Orchestra and the Berlin Philharmonic Orchestra, will have performance accidents, and the wind music is the most likely to be seen by the audience. The pitch is not right, the volume is too high or too low, the timbre is dull, the rhythm is chaotic, and so on.

Qin Fangge is also looking forward to this, he has heard the recording of the Czech Philharmonic Orchestra, but he has not heard the live yet, so there is no need to say much about the recording and the scene. The key also depends on the state of the conductor and the members of the symphony orchestra during the performance, whether they are sick, nervous or absent-minded, and their hands shake and their breath is messy, which can lead to a tragic car accident scene.

Speaking of the Czech Philharmonic Orchestra's performances and rehearsals, there is also a story about the members of the orchestra who finally became independent from the original national theater in order to fight for their own interests. Of course, it was not possible to perform there, and finally Camille Hall was chosen as the residency. Later, through the efforts of successive conductors and members of the symphony orchestra, the level of the Czech Philharmonic was gradually improved, especially when playing Slavic music.

After Qin Fangge and they had lunch and rested for a while, they went to the Camille Concert Hall, where they were greeted by the conductor of the Philharmonic Orchestra, Karpacz, and the music director Vucik. Carpacc had come to Qin Fangge's concert, listened to his performance, and saw his extraordinary talent in playing and composing.

In recent years, the Czech Philharmonic Orchestra has a record of visiting China's Big 6, and has also had a very pleasant cooperation experience with the National Centre for the Performing Arts, and they also have arrangements to tour China in the second half of this year.

The two sides met very warmly and harmoniously, Qin Fangge had never learned Czech no matter how talented he was, but it was enough to communicate in English, and his German could be improvised, and it was not a big problem. However, if you want to study in the Czech Republic, you must be able to speak Czech.

After a cordial and friendly exchange of greetings, Karpac took them directly to the Philharmonic's training hall and introduced them to today's rehearsal, Christopher's Sixth Symphony "Revolution". This is a grandiose, magnificent, epic masterpiece, and it is also one of the most influential works in Christopher's Ninth Symphony.

Qin Fangge looked forward to this, after all, their orchestra could not cling to the works of several Czech composers, and they also had to enrich the music library. Of course, when it comes to playing works by several Czech composers, no other orchestra dares to call them first, and most of the members of the Czech Philharmonic Orchestra, including the conductor himself, are Czechs. This is similar to the Chinese playing works such as "Jasmine" and "The Great Wall", if it is not as good as other foreigners, it is better to die.

None of them talked about cooperation at the beginning, Qin Fangge and Zhou Xiuying didn't mention it, they only said polite words such as looking at their rehearsals first and communicating with them more.

Karpache and the others also understood this, and he also introduced Qin Fangge and his party to the members of the orchestra, and ushered in a warm welcome and applause from them. There are also two Asian members, one is a Japanese violinist, and the other is a Korean violist, who is quite conspicuous among the white race, and Qin Fangge can easily identify them, and smile at them friendly. I didn't pretend to be sentimental, I got their enthusiastic response, and the Japanese violinists also bowed politely, and their strength and emotional intelligence are quite high to survive in such a top orchestra.

Now Qin Fangge's name is basically known to everyone in the classical music circle, even in foreign circles. If you haven't heard of his name, you can only say that you are lonely and unheard, or call it the frog at the bottom of the well.

This time, the Czech Philharmonic Orchestra is going to play Qin Fangge's Symphony No. 1, and the members of the orchestra have also received the news, but they are not qualified to see the score. I don't understand what is going on in the head of the conductor and the director, whether it is convulsive or nervous, and there are many members. But this matter is basically not subject to their will, and they basically have no right to follow the conductor to rehearse what the orchestra needs to rehearse. And more often than not, they don't have to bother with this idleness.

The most reliable guess in the hearts of most people is that the Philharmonic Orchestra is preparing for a tour in China in the second half of the year, who calls Qin Fangge the most popular in China now, and is also known as the most outstanding musical genius in China. Not to mention anything else, the composition talent alone is enough to crush a large number of veteran composers!

Japanese violinist Ota Hatai and Korean violist Kim Jaeman are both thirty-four or five years old, and they are also at the peak of their careers. Their ties to their home countries have not stopped, and even if they have grown up abroad for a long time, the relationship within various circles is quite close. They have all received the evaluation of Qin Fangge by their own classical music predecessors, and their own appreciation ability is not bad. Daejeon Hetai also managed to buy the record of Qin Fang's song line, of course, not the popular record of the New Romance of the Three Kingdoms. It's a serious music work before, and after listening to it, I also feel why such a genius is not in Japan. When it comes to classical music, Japan is much better than South Korea and China. Daejeon's father is a composer, but he has to admit that there is still a big gap between his father's works and the young Qin Fangge!

This will, Qin Fangge's first symphony, is said to have been composed for the first film he was going to make. Competing with major symphony orchestras, the Czech Philharmonic Orchestra seems to be the most dramatic. His father's works were not treated like this at all, and he won an award in Japan, but after a few performances in China, he completely disappeared.

Biqu Ge reading website: m.