From Xi'an to Dunhuang, Qin Fangge and they chose the fastest plane, and they could take the train, but it was too long. It's better to go there early and have a good rest in the hotel.

The tour guide Xia Xue also flew with her, she was a tour guide on the Silk Road, and after two days of getting along, don't look at Qin Fangge as a big star, but she got along very well, and I didn't see him lose his temper or anything. Zuo Shuqin and the others are also knowledgeable, and they are not as deliberately difficult as some tourists, which also makes Xia Xue sigh.

After flying for more than two hours, it was nearly eleven o'clock in Dunhuang time, and I went directly to the hotel to check in after getting off the plane. At this time, the wind and sand outside are not small, but the travel agency gives them a very good environment of the hotel, and the girls are very satisfied, and no one has the idea of traveling late at night.

It was another day of fatigue, and Huang Jing and Wang Zizi had no energy to toss, so they all rested early. Originally, they could get up early to see the sunrise the next day, but considering their energy and physical exertion, they arranged to watch the sunrise later.

In terms of the details of life, the girls have much more things to do than Qin Fangge.

Qin Fangge cheekily went to Lin Baoqing's room, she lived in the same room as Li Ruoli, and when Li Ruo left to wash, Qin Fangge semi-forcibly helped her do a massage to reduce her fatigue. Of course, it is a very formal kind, and Lin Baoqing's skin is not as thick as his. Her strength is far less than his, but it is not easy for him to do bad things, and it can be seen that he is also kind, although it is definitely a special treatment to give her this whole set alone.

When Li Ruoli came out of the bath, Qin Fangge asked her if she wanted to come and relax too.

The girl blushed and said that he needed to rest, so she would not bother him.

Lin Baoqing also laughed and said that he was energetic and not afraid of being tired, but Li Ruoli still refused, saying that there was still some time for her to practice Huisheng first, and the schedule was in a hurry this day, so it would be a little empty.

Qin Fangge smiled and smiled, and when Lin Baoqing went to clean up, he also went back to his room and cleaned himself up. Now the hotel hardware and service conditions are very good, computers and wireless network are equipped. He downloaded the notation software from his network cloud disk and installed it, and then input his inspiration and ideas through the notation software, and then saved them directly in the cloud disk. As the capital of the Han and Tang dynasties and the starting point of the Silk Road, Xi'an is a city that carries too much.

He didn't take his laptop with him for the trouble, but he didn't bring a memory card and a mobile hard drive, which were mainly used to store video from digital camcorders, and it was too slow to upload them to the network. It turned out to be a wise decision and made it a lot easier for him. He was busy that night, and he would lie down for an hour to get up and exercise.

You don't have to go out too early on this day, the girls can also practice their respective musical instruments, they are all-rounders, borrowing each other's instruments to keep the feeling of the hand, or Xiao Jingru Ye Xiuling and their wind music practice breath control, which is also very convenient, mainly because the instruments are particularly convenient to carry.

Before they came, Qin Fangge and they had contacted the Dunhuang Academy introduced by Director Zhang Xiaoyang, and they also went to the Dunhuang Academy first. When passing by the center of Dunhuang by car, everyone also saw the symbol of Dunhuang City, the rebound pipa statue.

Xia Xue also explained in a timely manner, "The statue of this rebounding pipa is about 5 meters high, with a graceful posture and a plump body, the female dance god is kind and kind, the center of gravity is on the right foot, the left leg is lifted, and the pipa is placed behind him with his back and the palm is rebounding upwards. The statue is based on one of the Dunhuang murals in the Tang Dynasty 112 Cave in the "view of the immeasurable longevity of the change" in the "rebound pipa" made, the mural and the flying sky and called the two major masterpieces of Dunhuang music and dance murals, world-famous, is the most beautiful dance in Dunhuang art. In "The Transformation of the Pure Land of the West", it is written that Ling Lotian danced with Xianle, raised his feet and turned around, and used the sudden momentum of the "rebounding pipa" stunt. She has a leisurely and graceful demeanor, falling and generous, holding a pipa, half-naked upper body fluttering and flying, the dress of the sky is like a dragon and a phoenix, swaying, and the neck ornament arm is jingling in the flying, don't spare the rhyme. ”

Qin Fangge and Chen Tianhong had done their homework before they came, and they also knew that there was this statue, and when they saw it with their own eyes, they still felt very shocked. The girls also took out their mobile phone cameras to take a few photos, and Huang Jing also asked Chen Tianhong, "Can you bounce the pipa like this!"

Chen Tianhong was ashamed to say that she couldn't, she also said, "It's just a dance move, if you really bounce the pipa like this, I don't think Qin Fangge can do it!"

Wang Zizi and the others giggled and coaxed, so that Qin Fangge had time to try it.

Qin Fang sang and was happy, "It seems that I have never seen a man bounce the pipa!"

"Then you're the first one! we'll all support you......" Penlina encouraged.

Everyone is joking, so many instruments, in addition to the rebound of the lute, many other instruments can actually be borrowed. Chen Tianhong also thought seriously for a while, and then said that if Qin Fangge wanted to bounce the pipa, "There should be no problem with playing the rhythm or something......

Qin Fangge paid more attention to it, and also asked the tour guide Xia Xue, in Dunhuang and other places where dance performances are performed, the dance image of this rebound pipa should be very common.

Xia Xue confirmed this statement, from the "Trick Music Map" in Cave 112 of Mogao Grottoes in Dunhuang, the writer Lotte danced with Xianle, raised his feet and turned around, and used the "rebound pipa" stunt for a moment. Inspired by this, countless dancers and musicians have worked hard to create a lot of artistic images and give them more artistic connotations.

Wang Zizi and the others directly used their mobile phones to find the original bouncing pipa mural, and discussed the half-naked image of Lotte Lotte .

Xia Xue said that this is actually nothing, and there is a very interesting process of image change, from the birthplace of Buddhism to the Central Plains, experiencing a lot of changes. The murals on the side of Hetian Qiuzi are earlier than those on the Mogao Grottoes, and there are many **** angels and flying images, and there are even murals of men and women making love. On the side of Mogao Grottoes, there are also a lot of sex-related murals, such as the monkey hand in Cave 209. The obscene clay statue, the portrait of the flying caisson in Cave 428, the joyful Buddha and sexual cultivation in Cave 465, and the double cultivation of the Ming King and Ming Concubine are all manifested in the high degree of sexual enjoyment, which can be spiritually sublimated and become a Buddha.

Xia Xue also said very interesting things, once the Shaanxi Museum exhibited an extremely rare mural of the thousand-year-old **** gods, the image of the gods can be called large-scale, making people red-faced, and almost no one cares about it in the exhibition hall. Looking at the Buddhist art works in the Central Plains from ancient times to the present, there are few ********** characters. However, in the Hotan region of Xinjiang, which is closer to India, the birthplace of Buddhism, there is no such taboo as Buddhism in the Central Plains. The portraits of the thousand-year-old gods on display were all unearthed in the 8th century AD murals of the gods painted around the 8th century in the Hotan region of Xinjiang, and their bizarre and exaggerated hairstyles, fat bodies, and specially outlined genitals are eye-opening.

For Qin Fangge and Zuo Shuqin, who are engaged in art, it shouldn't be a problem. Even Xia Xue understands that art cannot ignore human nature, and sex is not something difficult to talk about.

The source of Dunhuang is basically divided into two parts: one is from the murals and statues in the caves of Dunhuang, and the other is from the various testaments, relics and classics in the caves.

Among them, the most famous is the "Heaven and Earth Yin, Yang, Jiao, Huan Dale Fu" unearthed in the Mogao Caves, which was written by Bai Xingjian, the younger brother of the great poet Bai Juyi in the Tang Dynasty. In ancient China, such as "**. Jing", "Dong Xuanzi" and other works of room in the house have been widely circulated, and the form of learning to describe the ******** plot of all kinds of people in the room, "Heaven and Earth Yin, Yang, Jiao, Huan Dale Fu" is the only work. It aims to narrate human relations, harmonious couples, and families, prolong life, and help health care, which is a rare sexual curiosity.

Xia Xue also said that there is more research on this at the Dunhuang Academy, but it doesn't seem to be listed separately, and it is estimated that it is still because of the face. Xia Xue has been married for a long time and has two children, but she is not afraid to talk about these things about sexualization. She also thinks that Zuo Shuqin and other female college students should be more open-minded, which is also a kind of traditionalization!

As for Qin Fangge, she doesn't have to worry, isn't this guy famous for his amorous feelings?

In fact, before they came, they had discussed similar topics when they talked about these murals and sculptures in Dunhuang. Not to mention Qin Fangge, he knows more about relevant information, from director Zhang Xiaoyang and what he found himself. But at this time, he basically didn't interject, just listened quietly.

The girls got together a lot, and even Li Ruoli was not so shy about them. Of course, there are also people like Ye Xiuling and Qian Shuyuan who pointed out that in fact, many of the half-naked or **** images on the mural statues are really very different from the current aesthetics. In the past, the aesthetic standard of taking fat as beauty, even if Qian Shuyuan and Xie Xiaojuan shouted that they were fat girls every day, they couldn't accept it.

Although the large-scale mural exhibition that Xia Xue said has passed, you can see the relevant mural photos with your mobile phone on the Internet. Of course, this kind of genital worship is another topic that deserves to be studied and explored in detail, and it is also common in religion.

Chen Tianhong also told Wang Zizi what Guanyin, sitting lotus, Huan, Xi, Zen and the like, after Wang Zizi figured it out, he laughed and scolded her for being dirty, and she had to report it to other sisters. But Chen Tianhong grinned and was not afraid at all, and asked her if she could easily associate these things when she heard Zang Chuan. Buddhism. You must know that Tibet and India are closer to each other, and there is no need to travel thousands of miles around the circle of the boss to learn scriptures from the west like Tang Xuanzang.

What is the true meaning of the Buddha and who is authentic, who can say clearly. Buddhism was introduced to the Central Plains, and translation was a problem, and it was inevitable that it would be localized. Just like the image of Feitian, it was originally a man, but later it became the image of the palace maid Mai Ji. After many times of extermination of Buddhism, the Buddhist scriptures that have been handed down in this way are very different, not to mention the true meaning!

It is worth mentioning that whether it is Qin Fangge or Zuo Shuqin and Lin Baoqing, these girls do not believe in Buddhism. However, Buddhism is an expression of respect, which is also an important manifestation of the ideological exchanges between the East and the West, and has become a part of history. There is no standard answer to how to interpret it.

Qin Fangge and their trip to Dunhuang were still looking for a tourist bus, but they didn't want to wait for the bus or take a taxi, and they had to have several cars to carry so many of them. Discussing these in this relatively closed space also makes everyone less restrained, and there is no need to worry about affecting the children or anything.

Soon arrived outside the Dunhuang Academy, an institution focused on the protection of Dunhuang objects, where many experts and people who were committed to it gathered to dedicate their lives to the depths of the desert. There is also a special foundation under the Institute, which accepts donations from people from all walks of life.

Qin Fangge is now a well-known public figure, and Director Zhang Xiaoyang has said hello and contacted him by phone before. He Renjie, President of the Institute, Ma Shiyun, Vice President of the Institute, Zhou Ronghua, Chairman of the Foundation, and other leaders came forward to warmly welcome his arrival.

Qin Fangge and they were not frightened by this battle, it was also because it was the off-season for tourism, and if it was the peak season, people were so busy that their feet didn't touch the ground, so they didn't have time to pay attention to them.

Their visit to the Institute of Italy is clear, when they greeted each other, He Renjie also said that he had heard the music composed by Qin Fangge, and now the new version of the Romance of the Three Kingdoms TV music is popular all over the country, and there are really few people who don't know. They also hope that Qin Fangge can find inspiration in Dunhuang and create excellent music. If he also talks about what he needs, the research institute will try its best to meet him.

Receiving such hospitality, Qin Fangge, on behalf of himself and Zuo Shuqin's Jinse Huanian Orchestra, donated 500,000 yuan to the Dunhuang Academy Foundation for the protection and restoration of Dunhuang objects.

Qin Fangge also said that he had carefully understood their work, logged on to their website, and expressed his sincere gratitude to them for their work in building a digital Dunhuang so that everyone can visit various grottoes in Dunhuang online. Because this is a lot more channels for people who love traditionalism. They have made great contributions to the protection and restoration of Dunhuang objects.

Finally, I have to take a group photo.

Qin Fangge also asked not to send out these photos for the time being, he wanted to stay quietly in Dunhuang for a few days. This kind of request can be done on the researcher's side, and it is not too late to thank him for his donation on the website and Weibo.

Qin Fangge declined their invitation to lunch, he still wanted to spend more time appreciating the splendor of Dunhuang, so the institute sent a senior expert, Luo Yongde, who graduated from the history department of Yenching University with a doctorate, to take them on a tour.

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