This classic musical work is actually not Qin Fangge's own original, in another world, it is a well-known violin concerto. [], latest chapter access:. Composed by He Zhanhao and Chen Gang of the Shanghai Conservatory of Music, it is also the most widely circulated and most famous violin piece in China, and is known as a new chapter in the creation of the nationalization of 'symphony' music.

It's a pity that the latter two fell out, and there are many reasons for this. When it was first created, it was not easy, not only did the two of them absorb the 'essence' of Yue Opera and strive to create music that could be understood by peasant uncles, but also professors like Ding Zhinuo who also participated in the creation of it were willing to be unsung heroes. It is most correct to say that it is the crystallization of collective creation, He Zhanhao once said, "Liang Zhu" does not only belong to the two of us, it is the result of the labor of several generations in the Chinese opera and music circles, and it is the crystallization of collective wisdom. ”

Through the test of more than half a century, the classicism of this work is undoubted, not only loved by the masses, but also as a model of national music, so that countless foreign people are also shocked.

Qin Fangge took it out, but made an adaptation, which was originally a violin concerto. However, over there, in addition to violin performance, it has also been adapted into many versions, especially the national 'symphony' orchestra, which will play classics like Liang Zhu when they go abroad to perform in 'symphony'.

In addition, there is also a popular song Liang Zhu that intercepts the beautiful melody and composes it. Of course, there is no need to think much about the level of the singer, but from this aspect, it shows that Liang Zhu's work is particularly successful.

According to common sense, Qin Fangge should not come up with such a classic work now.

A work like Liang Zhu, once composed, is really very difficult to surpass.

At this point, look at the years since Liang Zhu was completed, no one has created any national music works that can be compared. Even the two authors who created Liang Zhu seem to be in this music, exhausting all their talents, which is also embarrassing.

Qin Fangge dared to take it out, but he also wanted to bravely challenge his own limits and strive to create more and better music works.

In this regard, whether it is "Jin Se Hua Nian" or the recently completed "'Spring' River 'Flower' Moonlit Night", it has given him a lot of confidence and courage. In particular, his success in melodic creation gave him the confidence to take on challenges.

Lin Baoqing's level of music appreciation is first-class, after a cursory look, I found that many of them are wonderful and 'fine', which also makes her particularly fond, and it is correct to say that she loves it, it is the feeling of love at first sight.

But good works need to be tested by time and the audience, and such a piece of music is no exception.

Lin Baoqing's confidence in Qin Fangge is even more than that of herself, and the previous song of Jin Se Hua Nian is already very revealing.

Now, if the sisters win another piece of music like this, they will surely achieve even greater success than before. From her point of view, this is a real national music.

And Qin Fangge is also really empathetic, of course, he is also good at understanding people's clothes.

When Lin Baoqing didn't pay much attention to this side at all, he used the fingers of his world's top pianist to deftly probe into her clothes, remove the obstacles that got in the way, and make the most intimate contact with her. He never fought unprepared battles, and he was also the first to grasp the details and dispositions of the enemy's positions.

Not only that, Lin Baoqing also felt that there was something strange underneath against her, which also made her blush, and she subconsciously wanted to break free and escape. But where will Qin Fangge let her get her wish. Especially knowing that she has finished reading the score, she can rest assured and boldly do whatever she wants.

The first step, of course, was to seal her 'lips' with his mouth, and at the same time, his hands did not let go of her, allowing her to tilt her head back and enjoy the beauty of love in a very clever posture.

After Lin Baoqing symbolically resisted sexually, he quickly 'lost' under his skillful skills, especially when he was also two-pronged, even if there was a kiss to relieve her breath, he would replace it with sweet words. I love you, my wife is so 'fascinated', you are simply the most perfect masterpiece of the Creator, and so on, and the words of 'flesh' and hemp gushed out.

But the 'female' person loves to eat this trick, even Lin Baoqing is no exception, she is in love, and her thinking ability has also decreased a lot.

The 'waves' went on for a long time, and Qin Fangge didn't have an inch, and her hands kept playing beautiful music on her upper body. Today's harvest is so great that it has greatly exceeded his expectations. He was not in a hurry, enjoying all her beauty, gently trembling, unconscious, youthful but 'fierce' response, and so on.

After a long time, Lin Baoqing came back to his senses, and sighed faintly, "The taste of love is so beautiful! ”

Qin Fangge nodded, "The time together always feels too fast, and it is too long when we don't meet." ”

The rainbow on Lin Baoqing's face was still the same, "I seem to like this feeling a little, am I depraved?"

Qin Fangge said that there was no such thing, "It is the most beautiful thing in life, how can it be described as degenerate!"

"It feels like it's too 'wasteful' to waste your time!" Lin Baoqing said, "If it is used to create music, maybe there will be many masterpieces born." ”

Qin Fangge smiled, "Why don't I think that anything I do with my wife is particularly meaningful." If you want to blame it, you can only blame your wife, you are too perfect, and people can't put it down. Besides, I can't keep making music, it's going to suffocate people. Wife, you can 'arouse' a lot of inspiration for me, and I especially enjoy the good time with my wife. ”

Lin Baoqing nodded and said that she was too, and also said that in fact, 'female' people prefer to be attached to their lovers, and it is estimated that 'female' people are naturally more insecure.

The two of them stopped talking about music for a while, and after resting for a while, Qin Fangge restarted the war, Lin Baoqing was not angry, and warmly welcomed the intruder, and entangled with him 'fiercely'.

In the end, Lin Baoqing begged for mercy first, and if she continued, her lips would be swollen, that kind of picture was so beautiful, Qin Fangge didn't dare to imagine it.

At this time, Qin Fangge also stopped and took the initiative to let go of her. However, Lin Baoqing did not leave, but obediently snuggled up to him and watched the computer, and the topic of discussion honestly returned from the ******** of eating men and women to elegant and luxurious music.

Whether it is "'Spring' River, 'Flower' Moonlit Night" or "Liang Zhu", Lin Baoqing has too many questions to discuss with Qin Fangge.

Qin Fangge said that he listened to her, "Wife, you have the final say, do you want to take the folk music ensemble version of "'Spring' River 'Flower' Moonlit Night" first, or give them "Liang Zhu" first?"

Lin Baoqing really had to think about this question carefully, and she also asked him carefully how the progress of the two pieces of music was.

Qin Fangge said that Liang Zhu was almost finished, after all, he had been preparing for so many months, and he had plenty of time and thoughtful considerations in all aspects.

In the case of "'Spring' River 'Flower' Moonlit Night", it was originally an ensemble version of the guqin and the flute, and if it was adapted into a folk music ensemble version, it was not difficult, but it also had to take a certain amount of time to complete.

"The key is to depend on your wife's arrangement!" Qin Fangge analyzed, "If you feel that your 'essence' is not enough, you can postpone it for two days and then tell them, and when I make the folk music ensemble version of "'Spring' River 'Flower' Moonlit Night", whether you practice with me or with them, you can deal with it very calmly." ”

Lin Baoqing said, "They shouldn't practice too often, and I can handle it." When will "Liang Zhu" be completed?"

Qin Fangge said that it would be all done tomorrow, but he still suggested that she think about it more.

Lin Baoqing quickly made a decision, and a rare and playful smile appeared on his face, "Then let everyone practice "Liang Zhu" first! "'Spring' River 'Flower' Moonlit Night" is a repertoire between the two of us, and it is 'good' to have a while longer." ”

"It's still my wife who is smart, why didn't I think of this layer, come to incense one!" Qin Fangge said with a smile.

Lin Baoqing hurriedly turned her head sideways, but she soon found out that Qin Fangge was scaring her. He also smiled, "I don't want to ruin my wife's beauty because of my recklessness, the sausage mouth is not good-looking at all." ”

Lin Baoqing was also amused by him, and complained softly, "You still said that it wasn't all your fault." ”

Qin Fangge nodded and admitted his mistake, and then brought the topic back on track, "It's just that in this way, you will have a harder time, wife! They shouldn't go back so soon after the holiday." In other words, if I don't agree to any concerts, they can go home early to rest. ”

Lin Baoqing said with a smile, "It doesn't matter to me, it's good to have a tight schedule! If you don't hold a concert, no matter who you do, you won't be able to pass, so obediently accept the arrangement of fate!"

Qin Fangge replied, "I think the most important thing arranged by fate is for us to meet each other and finally be together." ”

"It will be sweet and sweet. Lin Baoqing said this, and the smile on her face was still 'very' sweet.

Qin Fangge said that what he said was sincere, and he felt very relaxed and happy with her. couldn't help but fall in love for a while, and then returned to the theme, just like that, Lin Baoqing also complained that Qin Fangge often crooked the building, he said that her charm was too great, so he couldn't help it.

Lin Baoqing also decided to focus on the main 'essence' of "Spring" and "Flower" Moonlit Night, which she and Qin Fangge will collaborate on.

"I don't want to embarrass you at the concert!" Lin Baoqing said, although she loves Qin Fangge very much, she still has her own pursuits and dreams, and she is even more proud of herself. She also doesn't want to be just a dependent, her musical talent, especially in performance, is rarely matched by her peers.

Of course, Qin Fangge expressed his support for her decision, and if it was a folk music ensemble, they had to discuss it collectively, although Lin Baoqing's opinion was also very important, but it was mainly Teng Shuting, the conductor of the team, who took the lead. The opinions of the other sisters, and the playing play, are also crucial.

Lin Baoqing has not forgotten Teng Shuting's mentor, Professor Long Fujin, and Professor Wu Yifen, who has always been very good to them. The professors of these two composition departments are still much better than their fledgling 'girl' students in their ability to understand and interpret music, and with their guidance, they can also avoid many detours.

And Qin Fangge's "Liang Zhu" must also be given to them, and finally set the performance style. Originally, Qin Fangge, the creator, was the best, but this guy said that when music is created, it has its own life, and it is not based on the will of the author. Moreover, different performers have different understandings of the work. And the same performance has different understandings in different audiences. This is really not an objective thing, he believes that as long as they exert their subjective initiative 'sex', they will definitely be able to play these music well, and he doesn't need to 'worry' too much.

It's a bit too much to say that he is not responsible, but Huang Jing said that Qin Fangge loves to be lazy, and he himself admits that even Wu Yifen and other professors can't do anything about him.

The ensemble piece "'Spring' River 'Flower' Moonlit Night" is not so troublesome, of course, the artistic 'sex', the ideological 'sex', as well as various connotations, and the richness of emotions are also quite high.

Moreover, in this piece of music, Qin Fangge has no way to be lazy, and he himself has to play on stage with Lin Baoqing. Lin Baoqing didn't want to embarrass him, and he was determined to give him all his level. When it comes to the concert, this song is full of poetry and picturesqueness, and the music with a strong atmosphere of ancient Chinese culture will be displayed to everyone. Especially those foreign friends, let them understand that the Chinese civilization is broad and profound, and the national music is vibrant, brilliant and gorgeous, which is also the common wish of Lin Baoqing and those who love folk music.

Of course, Qin Fangge will not hide his 'privateness' in this, Lin Baoqing is also a diligent and inquisitive student, and his attainments in traditional culture are also very profound.

Talking about Zhang Ruoxu's "'Spring' River, 'Flower' Moonlit Night", the two have countless things in common, and then discuss these common views in detail, they only hate that time passes too fast.

When Qin Fangge was composing, he also gave full play to his genius imagination to enrich the overall musical structure and image. For example, "Whose house is flat boat tonight, where is Acacia Mingyue Tower." Poor upstairs wandering in the moon, should be taken away from the makeup mirror table" here is a classic.

Zhang Ruoxu is writing about the nostalgia of the "woman" for the departed, and the poet does not directly say the sorrow and tears of the "woman", but uses the "moon" to highlight her nostalgia, and the tears of sorrow come out of it. The poem personifies the word "moon", and the word "wandering" is extremely expressive: first, the floating clouds swim, so the light and shadow are uncertain, and the second is that the moonlight wanders upstairs with pity for the thinking 'woman'. It wants to be accompanied by the 'woman' and relieve her sorrows, so it sprinkles the soft light on the makeup mirror table, the 'jade' curtain, and the clothes anvil. Unexpectedly, thinking about the 'woman' touching the scene is emotional, but thinking about it is especially great. She wanted to get rid of the annoying moon 'color', but the moon 'color' "couldn't roll it up" and "came back", sincerely attached to her.

Qin Fangge, who has a deep understanding, in this paragraph, thinks about the sound of the guqin, plays the wandering of the moon, and uses the low sound of the flute to set off the atmosphere, rendering the emotions to the extreme. This requires the tacit cooperation between him and Lin Baoqing, and he has to feel the same way.