When he arrived at Zhou Xiuying's community, the security guards of the community had already known him, and joked with him that when he appeared on the stage one day, he would not forget to inform them to go to the stage or something. 【】

Zhou Xiuying's spirit is still good, she now only teaches Qin Fangge twice a week, which is much easier than in the past. However, compared with other seventy or eighty-year-old people, Zhou Xiuying has more things to worry about.

Qin Fangge's two classes a week alone cost her a lot of energy, and unlike her past teaching experience, teaching Qin Fangge is completely about taking a new path.

Qin Fangge, this guy, has too strong learning ability, and there doesn't seem to be any bottleneck at all.

What's even more commendable is that his learning attitude is also quite good.

This morning, I tried her new ideas with Zhou Xiuying, and Qin Fangge couldn't catch up with this kind of thing. After all, Zhou Xiuying has been performing and teaching for so many years, and she has heard much more operas than Qin Fangsing, and she also wants Qin Fangsing to sing the most beautiful singing voice in her mind.

Before Qin Fang's songs, he listened to other music, such as piano music, and didn't listen to opera so much, so he would learn it more seriously.

By noon, Qin Fangge was still invited by Fang Xiping's old couple to stay and eat. At the dinner table, Qin Fangge laughed himself, saying that he was embarrassed, not only did he not pay a penny for tuition, but he also had to eat and drink.

Fang Xiping told him not to care about these details, "You can only come to our house today to learn to eat, just to give us face." ”

Zhou Xiuying also acquiesced to such a statement, and asked him if he studied with other professors in the piano department and the folk music department, Qin Fangge replied that he was now mainly self-taught, and if he encountered problems that could not be solved, he would consult those old professors. （）

Zhou Xiuying nodded, and told Qin Fangge that he still had to focus on himself and think clearly about what he was pursuing. She also knew very well that those old professors in the piano department and composition department were eager to pull Qin Fangge into their camp.

Qin Fangge naturally nodded, he had just eaten here, Deng Hongmei personally called him, asked him if he was free in the afternoon, if he had time, he would go to the conservatory of music, and said, "I watched your newly composed "Turkish March" in the morning, which is very good! It's a pity that Xiao Yuran's playing skills are not enough, listening to your playing, it will definitely feel better. ”

"Teacher Deng has an overreputation, Xiaoyu has a solid foundation and spirituality, it would be good to practice more!" Qin Fangge then replied that he had no arrangements for the afternoon, and he would go directly to him when the time came, and asked Deng Hongmei if she had eaten.

Deng Hongmei said that she was eating, and she knew that Zhou Xiuying and they would definitely keep him for dinner, so she didn't ask him to come along.

Then, Qin Fangge didn't leave in a hurry, and continued to stay at Zhou Xiuying's house to play the piano, he really practiced the piano, but today he will have more time to practice.

This time he didn't continue to play the "Goldberg Variations", he kept listening to the same piece, and no matter how good it sounded, he would get tired of it.

This time, he chose to play a few pieces of St. Christopher's music from this world, which Zhou Xiuying and Fang Xiping had also heard. Moreover, Qin Fangge's choices are quite manly repertoire, just like Christopher, a natural fighter, who has experienced ups and downs in his life. Throughout his life, he struggled constantly, wrestling with his unfortunate fate, fighting against social injustice, fighting for the right to live and freedom, and when he was dying, he also struggled with death, composing the most brilliant "To Death".

Fang Xiping and Zhou Xiuying both know that among the famous pianists now, there are not too many people who play Christopher, and it is even more difficult to play it well. Unlike Goethe and Strong, who don't have enough life experience, it's almost impossible to play Christopher well.

Qin Fangge will play several sonatas about fate, and it is also integrated into some of his own thoughts and experiences.

In the face of the fickle fate, Qin Fangge's piano sound is always full of firmness, strength, and unquenchable ideals, regardless of the wind and rain, he still insists on himself.

Although more than 200 years have passed in the blink of an eye, Christopher's spirit is still written in these magnificent and magnificent scores. and through Qin Fangge's re-creation, it gave Zhou Xiuying and his wife a new feeling.

They are all people who have been in trouble for water, and they have come through ups and downs along the way, even in the most difficult times, they will never abandon each other.

When listening to Qin Fang's song and playing the piano, it felt like recalling their eventful years, which made Zhou Xiuying and Fang Xiping feel a little nostalgic. From the beginning of the union of the two, fate seems to be playing tricks on them, making them suffer a lot, along the way, in addition to their common love of music, there is also the passionate love between the two, and the more lasting family affection in the future.

Fang Xiping just became more and more curious, Qin Fangge was not very old, how could he have such a deep understanding of life and fate. can think about the more than one-hour variation composed by Qin Fangge before, in that song, his attitude towards life is more vividly displayed.

Now playing Christopher's tunes, Qin Fangge is just incorporating some of his own things into Christopher's infrastructure. If it were to be commented on by music critics, it would certainly be another classic interpretation of Christopher's work.

So, Fang Xiping was quickly relieved, because in this world, there is really a kind of creature called genius, and he is still sitting in front of them, using his fingers on the piano, and swaying his talents to the fullest.

Fang Xiping also said with appreciation, "Christopher's works are really the music that men should play! Brilliant atmosphere, magnificent, indomitable, and always adhere to their own ideals and beliefs!"

Zhou Xiuying also told him, "Christopher's works will never be outdated, and there are fewer and fewer pianists who can interpret his works like you! There are many people who sell their reputations, and we all hope that you will not forget your original intention and stick to the fall you want!"

Qin Fangge thanked them for their encouragement and said that he had learned a lot from these great musicians, not only in terms of composition skills and emotional expression.

Zhou Xiuying said earnestly, "Great musicians like Christopher are not only because of their works, but more importantly, they all have great personalities!"

Qin Fangge hurriedly nodded and said that he was working in this direction.

Fang Xiping said that he was optimistic about him, but Qin Fangge seemed to have a long way to go before he was great.