Some colleagues with sensitive hearing can hear that Qin Fangge's performance on the spot is slightly faster than the recording version he released before.

Please search for products & books to see the most complete and fastest updates, among them, there are many people who have doubts about Qin Fangge, they either want to hear whether he can play the effects in the recording, and some people want to confirm whether he is really so godly, whether he will play the wrong note or miss the sound.

In this huge piece of music for more than an hour, many well-known musicians come to play, and such problems often arise.

It's not easy to memorize the score. Looking at Qin Fangge's performance habits, there has never been a score on the piano, and it seems that everyone has acquiesced to his super ability to memorize music.

Judging from the previous situation, Qin Fangge's performance really didn't have a wrong note. Even if there is, I'm afraid many people will defend him by saying that his wrong sound is not a wrong sound but has another deep meaning or something.

And those who are familiar with Qin Fangge, such as Deng Hongmei, Wu Hongqin and Xiao Yuran, who have the most contact with him, will not have such stupid doubts.

It's really not their blind belief or worship of Qin Fangge, but that he conquered their ears with his real performance and accurate and efficient memory.

But this super long variation, even Deng Hongmei and a few of them usually don't listen to it much. There's no way, this piano piece is too long, it takes at least an hour to finish playing it all, and Qin Fangge doesn't have the kung fu to be a performer.

With such time, it is not better to guide them to do more practical piano exercises, but Fang Xiping and Zhou Xiuying have more time to listen to this variation.

When Qin Fangge went to their house to learn opera, if he had enough time, he would play this piece.

It's also a rare practice time for him. Like other people's surprises, his performance speed is different from the recorded version, and it does not exist here in Zhou Xiuying and Fang Xiping.

When Qin Fangge played with them, he never had the exact same playing speed, and of course, the deep meaning was not the same.

In Fang Xiping's evaluation,

"This variation is simple but very rich. It comes from silence, as if it were transformed from stone into sculpture, and then, with life and art of its own. And the comments of other music critics are even more varied.

It is also said that it is like a magnificent and splendid musical building, with a tight structure and layered mountains. Then straight into the sky.

Others say it's like a song of life, from birth to death. It begins in joy, ends in joy, and finally returns to tranquility.

Even if it is in favor of life, there are different views, some people think it is joy, but some people say that it is sadness or loneliness, the red stripes come and go, the only footprints left may be forgotten in a blink of an eye to the scene today.

Qin Fangge's performance seems to have a new flavor, and it also makes people have a different interpretation from before.

Compared to the recorded version, the timbre of his performance seems to be more peaceful and serene, of course, there are also people who feel that his live performance is more profound, and different people have different feelings.

I really can't tell. But there is no doubt that his playing is particularly tasteful, whether it is his timbre, touch the keys, or even the demeanor of sitting in front of the piano, which is incomparable to others.

Don't look at many people who are unconvinced, but when you get to the scene. I was conquered by his aura at once, and I didn't even need to hear the music.

But music is the moment when the best test of one's strength, and aside from the various analyses of the whole piece, such as the structure and layout, it is not necessarily possible to write a musical essay to explain it clearly, let alone play it, without the musicality and finger talent of a top musician.

If you want to play this piece well, it can only be a fantasy. Even for young pianists like Lilia and Eugena, such variations are something they need to look up to.

It takes a lot of time just to figure out how these variations change and why they are laid out the way they are.

Not to mention, there are also structural harmonies, rhythms, rhythms, stylistic prototypes, etc., and it is not easy to analyze and comment, let alone practice or play.

Their teacher, Sasnovsky, once said,

"Give me ten years to practice this song, I may be able to practice this song to the same level as Qin Fangge" This made Lilia and the others lose their thoughts, they can't spend ten years on this, everyone's time is very precious, okay.

This piece is known to everyone

"Divine Comedy", it's not their fault that they can't play it. Qin Fangge has made such an excellent music work, it is everyone's luck, Lilia thinks that she just needs to look up, and have the opportunity to enjoy it on the spot, and it is worth it in this life There are many people who have the same idea as Lilia, these are all people who have a very deep understanding of classical music, especially in piano performance, there is a considerable level.

For ordinary people like Qin Fangge's grandparents, they may only think,

"My grandson is amazing"

"With such a long tune, he is not tired of playing. Thoughts like that, but certainly unreal.

Although this is known as a hypnotic comedy, they are full of interest, just watching their baby grandson play on the stage, the audience around them is so attentive to listen, their spirits are uplifted.

Of course, it's almost impossible to get them to pinpoint which variations are the theme and which are variations, let alone something as difficult as how many variations they've played.

Not only for them, but also for many audiences who have already introduced classical music, it is still a big problem.

What's more, many people don't have the heart to analyze it, under Qin Fangge's hands, no matter how ordinary the piano music is, it can be fascinating, let alone such a profound divine comedy.

The audience gathered and followed the music he played, and just soaked themselves in it. It is also the music peers with high musical talent and a particularly sensitive sense of hearing that they will have the mind to experience or analyze more things in addition to appreciation.

After the end of the Salaband dance as the theme, it immediately entered the first variation, rippling with joy and joy, watching Qin Fangge's left hand jump on the keys, and the rhythm, beat, and tonality played were in the same vein as the theme, and then on this basis, a new expansion was carried out.

While here, many viewers can follow the rhythm and compare it with the impression of the score in their minds.

There were also people who brought with them the scores, a thick book, but this would be a bit of a waste of their preparation, because now, they didn't have time to pay attention to the scores.

To be continued. This book is from the product & book#net: bookht2121968indexht...