Qin Fangge himself said that he was not so easy to be spoiled, and also said that he was very principled, but Huang Jing and Zuo Shuqin both scoffed at this, and Huang Jing also laughed at Qin Fangge's principle that there was no principle.

However, a few people waited for dinner together, talking and laughing was quite lively, Qin Fangge didn't care too much about their contempt or anything, no matter what he said, he was happy, and nothing could affect his appetite. Lin Baoqing's meat and vegetarian nutrition are very reasonable, and Huang Jing and Zuo Shuqin, who followed their partners to eat, also ate very happily.

Qin Fangge had a good meal, so he said goodbye to them and went directly to Long Xueyao's piano room.

Huang Jing was a monster, and he wanted to keep Qin Fangge for a while, but Lin Baoqing stopped him, Zuo Shuqin laughed, "It's still Baoqing's general knowledge! Huang Jing, you have to study hard." ”

Huang Jing snorted and said no, but Qin Fangge didn't care about her and left first.

Long Xueyao's treatment is quite good, the piano room where she practices is in the new teaching building, the area is not particularly large, but there is a piano in it, which is very remarkable. Although it is only a stand-up piano, it is mainly used to practice violin concertos, and it is basically used to replace the symphony orchestra. For example, the "Bell" composed by Qin Fangge before, if there is piano accompaniment, the effect will be much better, whether it is the voice or the texture, it will be richer.

In winter, the weather is cold outside, but the indoor heating is warm like spring. Long Xueyao took off her coat, and her upper body was a beige sweater, which was quite thick. But this does not detract from her beauty, not to mention her pretty and enthusiastic face, just her figure looks more curvy, especially on the chest, after wearing a sweater, it feels more majestic than usual.

Of course, neither Long Xueyao nor Qin Fangge paid attention to these things. Regarding appearance, Long Xueyao has always been very confident, but Qin Fangge has a lot of beauties around her, but she can't show any special advantages.

What she is most focused on at the moment is still the matter of Caprice, and what she wants to ask him for advice and play today is the tenth Caprice, Caprice in G minor, and the annotation he gives is elegant. For this, Long Xueyao also had a good discussion with Wen Ruzhi, her past performances have always been famous for showing off her skills and fast pace. Particularly elegant melodies and emotional demands are often present, but she always feels that she is still not good enough. Especially after watching Qin Fangge's performance, she was inspired and even more determined to do her best, not only in the piano practice, but also in this aspect.

On this, Qin Fangge was also lazy, these caprice, he did a cappella. And Paganini's twenty caprice, in the future, many composers, in order to pursue better results, did piano accompaniment, such as the most prestigious twenty-four caprice, the sharp board. This capriccio is very classic, and there are many famous violinists who perform it, such as Heifetz and Perlman.

This tenth Caprice in G minor, Qin Fangge has also made bold innovations and changes on the basis of Paganini. He has always felt that even such a particularly dazzling musical work should add more musical content to it, and the facts have proven that showing off skills alone will not go far.

And romantic elegance is also what Qin Fangge has always been good at, and he also hopes that when playing at high speed, he will not lose this elegance and pride, this time, it will be bitter for Long Xueyao. (To be continued.) If you like this work, you are welcome to vote for recommendation and monthly passes, and your support is my biggest motivation. )