When a thought arises, a thought is bad, and sometimes the landscape is reversed.

Yi Shuihan sighed inaudibly, but what he thought of was his own business.

Even in this world, Yi Shuihan still hasn't forgotten what happened when he was a child.

The sky of the orphanage was gray, and the low wall that bound them away left an indelible mark on their lives.

He doesn't have many happy memories of his childhood, many times in obscurity.

Because of his stubborn temperament, he was squeezed out by the children in the hospital.

He still clearly remembers that on the child's first birthday, the dean's grandfather bought him a cake, and he invited all the children to eat the cake, but he didn't invite Yi Shuihan.

Yi Shuihan squatted on the threshold with tears in his eyes and watched a group of children happily eating cakes and playing.

Many times when he went out to play, Yi Shuihan would also be excluded, and the child would take everyone to play hide and seek, and then let Yi Shuihan blindfold him, and when he opened his eyes, they were all gone.

Many times, Yi Shui was so cold that he was excluded almost every day in his memory.

Later, when I went to elementary school, I met a teacher who had no teacher ethics, and I was often locked in the toilet during naps......

Those things and memories have left too many marks in Yi Shuihan's life.

Because most of the time he sits and watches others play, imagining that he is one of them, his observation power gradually becomes stronger.

Because of being ostracized and teased, he has become a little sensitive, and has an extremely strong insight into other people's emotions.

Because he doesn't have too many friends, his whole person looks a little lonely and introverted.

It's not a character flaw, but it has always affected Yi Shuihan.

Even liking acting has an impact in this regard, and it is precisely because reality restricts him that he wants to experience a different and wonderful life in the play.

Even now, he is deeply influenced by his childhood experiences.

He looks far more mature than his peers, and he is much more reserved and low-key than ordinary artists.

But there are many things that are ingrained and cannot be changed.

For example, Yi Shuihan is still stubborn, still persistent, and still diligent.

And the same is true of Ah Xing in "Kung Fu".

Even though he was deeply affected by the shadow of his childhood, even as he grew up, he began to follow the so-called laws of society.

He was still kind at heart, even if humble.

When Ah Xing held the stick for the first time, he pretended to be calm, and was forced to hit the boss Brother Chen on the head in a hurry, even he couldn't believe it.

Until he was dying, he had to knock on the head of the Huoyun Evil God, and Ah Xing became the dominant for the first time, and finally figured out what he wanted.

The silence of the mute girl can be better than the voice, good and evil will always be clear in the end, and those persistences and ideals that they thought were gone have always been ready to move.

"In order to maintain world peace", these words were first said by childhood Ah Xing, the bullies in the play, and the audience outside the play are probably laughing at the child's innocence and incompetence.

But in the end, Ah Xing was reborn in white, and his light-weight moves really came true.

Good and evil are rewarded, this is the belief that Ah Xing has never forgotten no matter how downcast and humble he is, and it has been sublimated at the end of the movie, which moves everyone.

Gradually, Yi Shuihan's understanding of the role of Ah Xing gradually deepened, and he began to try to perform.

"Fill the scene, the big brother of the Axe Gang takes a nap inside, and whoever is not afraid of death will take a step forward!"

"Oh...... Is that non-negotiable?"

"Okay! The rules of the rivers and lakes, heads-up, one team at a time, no one is allowed to foul!"

"Aunt with green onions, come out! What are you doing with such a fierce expression, thinking that you can beat me? I can let you punch me, hit me...... Poof, Auntie, what are you doing...... Plough the field well, and go back to the field. ”

"If you do something wrong, you still talk back, if it's not because you have a problem, I would have K you a long time ago. ”

"That dwarf, the one who looks unconvinced, is you......"

……

This is the first time Ah Xing came to the pig cage village in the movie and pretended to be blackmailed by the Axe Gang, and it is also a part of the extreme test of acting skills.

Yi Shuihan tried to perform this clip in its entirety, and a camera stood not far in front of him.

This is so that he can watch his performance back later and fill in the gaps.

Once, twice, three times...... Although Yi Shuihan performed it completely, even he felt a little awkward.

This feeling is even more pronounced when looking back at the footage.

Xing Ye's body language and micro-expressions have always been outstanding among actors, the simplest example is the police officer Huang Zhicheng in "Infernal Affairs" who fell from the roof of the building and landed in a taxi, and the picture of Chen Yongren played by Yi Shuihan looking back is still talked about until now.

But when performing the role of Ah Xing at this time, there was a bit of a blunt and deliberate feeling.

Especially compared with Zhou Xingxing's original version, Yi Shuihan felt that he was a clumsy imitator.

His expression and demeanor are in place, but he always fails to achieve the effect he wants.

It is more difficult to do comedy than tragedy, this is Yi Shuihan's understanding of the acting industry, but he didn't expect it to be so difficult.

In terms of performance, if you are a second faster and a beat slower, the effect will be completely different.

And the actor's grasp of rhythm, lines, body language, micro-expressions and even his own mentality needs to be perfect.

Exaggeration is excessive, convergence is too much and no effect, and the overall structure requires rhythm and not be disorganized.

In addition to the normal grasp of the character image and plot development, it is also necessary to add a unique comedic effect, how to show body language, what expressions to give, line biting and fast and slow effects, every part of which has very high requirements for the actors.

It's not easy to make the audience laugh naturally instead of sneering and ridiculing. And it is even more difficult to combine joy and sorrow with tears in laughter, and wrap ideals and life with jokes.

No matter how hard Yi Shuihan tried, he couldn't do this, and he could see a little shadow of Zhou Xingxing's performance from the video.

Unconsciously, he was influenced by the performance and rhythm of the original work, and subconsciously imitated it.

But he can't do Zhou Xingxing's perfection, which looks a bit blunt and deliberate, which is the biggest problem.

The more I studied, the more I wanted to act well, the more I couldn't get rid of the shackles of the original work, and Yi Shuihan was troubled.

Ah Xing is the core character of the film, and if this problem cannot be solved, it may still be successful, but it is not the most perfect.

If this is the case, Yi Shuihan would rather not shoot this work.

"Come again, come again! I will definitely think of a way, I will definitely be able to!" Yi Shuihan muttered as he watched the video.

In the closed performance room, Yi Shuihan's voice sounded again.

"The uncle with glasses dragged it so much, came out ......"

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