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Qin Fangge didn't know that he had been discussed behind him.

Leaving it to the audience, it was also for himself and Huang Jing to rest for a while, and then continued to fight.

Zuo Shuqin is still hosting, "The soul of martial arts, earth-shattering, crying ghosts and gods." Everyone has their own martial arts dreams, from the Spring and Autumn Period and the Warring States Period to the Qing Dynasty and the Republic of China, countless Chinese sons and daughters have used their glorious deeds to compose one song after another of generous and tragic songs. Please enjoy the sister chapter of "Heaven and Earth Martial Soul", "Chinese Martial Soul"!"

As soon as she finished speaking, the pipa in Chen Tianhong's hand played a majestic color like a cry and a song, majestic mountains and rivers.

Chen Tianhong, who is also out of the air, loves to play the pipa with his heart, and it is more like he wants to use all his strength and spirit on it.

Controlling such emotions is not a problem for Chen Tianhong, a leader in the pipa department of folk music. There are a lot of obvious emotional hints in such a song!

The opening of Qin Fang's song is still a subdued and frustrated recitation, and when I heard that it was a sister chapter, many listeners had such an awareness.

But when Qin Fangge read it out, it still made people feel quite nostalgic, although the beginning was similar, but the focus was still different.

"The chivalrous warriors of the past dynasties, most of whom are good at martial arts and righteousness, are born in troubled times, are famous in the decline of the road, or set up the will to sacrifice their lives and forget their relatives, or form a common feeling of life and death, so they are famous in the world for their faith and righteousness, and they are more important than the princes with bravery.

Looking at ancient times, there were Hanshu and Taishi Gongshu as the biography of chivalry. Later, there are Tang poems, chivalrous praise of its heroic posture.

In modern times, the Chinese people inherited the right vein of chivalry, and created Chinese martial arts movies that stood in the world film industry, during which inherent demons breed and gods and monsters are rampant, but later generations have carried forward the martial arts style of Chinese heroes advocating chivalry and righteousness in martial arts movies, and writing the righteousness of national heroes and heroes, so that Chinese martial arts will eventually become a brilliant scenery in the world's silver sea. ”

Needless to say, I also know that Qin Fangge's paragraph was still copied.

As for whether to add this paragraph about martial arts movies in the future, it's not too late to make a decision then. Now Qin Fangge is still treated with an entertainment mentality.

However, what Qin Fangge never expected was that after listening to his recitation, Zhang Zhiwen actually had a different idea in his heart.

Although before this, girls like Zuo Shuqin and others had already heard Qin Fang sing this song in advance, and they had read the lyrics countless times, but when they heard him sing it, they still felt full of pride.

"Light Qiu long sword, fierce horse song, loyalty and courage, strong mountains and rivers

What a river and lake guest who comes and goes,

Dare to be on an equal footing with the emperor. ”

Others who heard this song for the first time also felt a lot of nostalgia.

Chivalry violates the ban with martial arts, people in the rivers and lakes do not abide by the rules, dare to defy authority, and sit on an equal footing with the emperor, full of refreshment!

"Tenderness is iron-clad, a thousand gold and a promise

Before and after his death, there were smoke waves

What a rich and noble cloud, what can you do with me,

The sword light flashed like a cry and a song. ”

The spirit of martial arts, that is, chivalrous tenderness, iron-blooded Danxin, change the soup but not the water. But even if you play the same old tune again, as long as there is something new, it can immediately add color to the whole song. Qin Fangge's performance in this song is the same, a sword light flashes like a song, and suddenly there is a demeanor of "three thousand guests drunk with flowers, and fourteen states with a sword".

"A chamber of blood can't shed the true character of a hero

With two feet, he broke through the long river of desert

Three sighs, sighs only for the homeland and homeland

People from all over the world are reciting a long song. ”

In the end, it was promoted to the great man of chivalry, for the country and the people, and the inheritance of the spirit of martial arts!

Although there are still unsatisfactory places, it is barely worthy of the name of "Chinese Martial Soul".

Compared with Qin Fangge, who is a little absent-minded, Chen Tianhong takes it seriously, and also makes her pipa accompaniment, which blooms with a strange brilliance in the whole song.

Finally, her lute comes to an end in a series of majestic and spectacular brilliance.

This song is a sister chapter with the previous Heaven and Earth Martial Soul, and the structure is similar, but the final epilogue was made by Qin Fangge at the request of Chen Tianhong.

She was about to end it in style.

Now that the audience's reaction is quite satisfied, Chen Tianhong breathed a long sigh of relief.

Zuo Shuqin was still secretly looking at the audience to see if there was any impatience, and it seemed that the situation was quite good. However, Qin Fangge's side doesn't have much goods anymore.

Smiling proud of the rivers and lakes' piano and flute ensemble, Zuo Shuqin also plans to put it at the end and do the finale.

She discussed with Qin Fangge whether to contribute his song "Looking for Li Bai" as well.

Qin Fangge felt that it was a bit incompatible with the theme of martial arts, but Zuo Shuqin said that he relied on that sentence, "Wine enters the bowels of Hao, seven points become moonlight, and the remaining three points become sword qi, and when you spit it out, it will be half a prosperous Tang Dynasty." "It's enough to prove Li Bai's status as a chivalrous man, there is nothing inappropriate.

Qin Fangge was also arranged by her, and Zuo Shuqin nodded happily.

While they were whispering here, Zhang Zhiwen also suddenly asked Lei Hao and Gao Ming, "Do you have any thoughts on Xiaoao Jianghu's adaptation into a movie script?"

Lei Hao and Gao Ming were stunned when they heard this, but Chen Yumo reacted relatively quickly, "If it is to be adapted into a movie, there will be much more deletions than TV series." Now that TV series adaptations are so troublesome, I'm afraid there will be more things then. But you can try it, as long as Xi Wanqing is satisfied, everything will be easy to say. ”

Zhang Zhiwen nodded, and Lei Hao and Gao Ming also understood that Zhang Zhiwen had the idea of making this movie again. As Chen Yumo said, the key Xi Wanqing is not easy to pass. The scripts of TV series have been adapted so badly, not to mention movie scripts, which are a lot of trouble.

But the idea of making a movie is not only Zhang Zhiwen, but also Xi Wanqing, it depends on what kind of screenwriter to adapt the script and which director will shoot it.

Now martial arts movies, the box office is not outstanding, but if it is filmed well, it can still recover the cost. In the case of TV dramas, the income and expenditure are relatively balanced. The main TV series, the content that can be displayed more completely, the movie version, is destined to cut out a lot of content, leaving only the most essential things.

After thinking about this, Lei Hao and Gao Ming both said that they have the confidence to adapt it into a movie script. Now the two of them can also be regarded as the people who have studied the entire "Smiling Proud Jianghu" most thoroughly. Qin Fangge, that guy won't mention it for the time being.

As for Zhang Zhiwen, the director of the TV series, whether he can direct the movie, Lei Hao and they have no doubts, and the same is true for Chen Yumo. Although the difference between a TV series director and a film director is still quite big, when you think that even a cat and a dog can direct a movie and sell it well, how can a senior director like Zhang Zhiwen not.

Moreover, judging from the character that Xi Wanqing showed before, she also values artistry over commerciality.

This meeting was chatting happily, and depending on the situation, they drank a lot.

Zhang Zhiwen and Lei Hao will not be stupid enough to talk to her about adapting the movie at this time, it is better to be honest, adapt the TV series script first, pass her level, and start preparing for filming as soon as possible.

After Qin Fangge chatted with Han Wei, who had been silently playing a supporting role in the concerto, he asked Zuo Shuqin to preside over the scene.

"I still remember what I said earlier, our bar is named after the wine, its great author, the famous poet fairy, wine fairy, swordsman Li Taibai. In his poems, poems related to swords and chivalry also abound. Some people even said that Li Bai is a swordsman, and his hobby is writing poetry, which I think is quite right. It was time for Li Bai to talk to people about his strengths, and it was also to reiterate that he was superb in swordsmanship and chivalrous, not to boast about his own articles. In his famous "White Horse Chapter" and "Chivalrous Journey", his chivalrous pride is vividly reflected. ”

Zuo Shuqin continued to talk eloquently, "Qin Fangge's previous composition of "Will Enter the Wine", I have many friends who like it, and I also appreciate it very much, I think he especially understands Li Bai's spiritual world. This song "Chivalrous Journey" is also another interpretation of Li Taibai's swordsman career by him who practices martial arts. I think everyone will enjoy it after listening to it. ”

Everyone is used to Qin Fang's action of changing a song to a musical instrument as the protagonist.

However, when they saw that this time it was a huge double bass as the protagonist, they all sighed that it was not easy for Qin Fangge, and it was really difficult for him to take care of the emotions of so many girls.

Xu Jing also said that he was gloating, and Xue Min said that Qin Fangge had already handled it easily.

Han Wei is a girl with ideas.

That's the unanimous opinion, and it's true.

The double bass she is good at is also imported from Western musical instruments into folk music. In Zuo Shuqin's orchestra, it is also an important part of the unbreakable bass part.

Han Wei's double bass is taller than her, and she can only sit and perform.

But none of this affected Han Wei's performance.

Especially this work, it was at her strong request that Qin Fangge composed the music for it.

Han Wei also lived up to Qin Fangge's expectations, seized the limited time, and practiced hard. When I was in classroom 201, I also worked with him, and the feedback I received from my sisters was quite good.

Of course, although the double bass sings the lead role, it still needs to be accompanied by other medium and high music instruments. Just the double bass, the voice part is still too weak, and the feeling to the audience is not very good.

Playing here, Han Wei does not have any psychological pressure. After all, this is a bar opened by Zuo Shuqin's old family, and she is herself

My favorite style. It's no different from performing at home, although she is not tall and has a big double bass, her strengths are also obvious, and she is particularly dexterous. The huge double bass is just a big toy in her hands!

In the past, Han Wei has always been at the back of the orchestra, and now she is showing her true face, which also makes many viewers sigh lightly, Zuo Shuqin and her orchestra have a lot of beauties with their own characteristics.

At this time, everyone's main attention is also focused on her voice, in the past, there are few such seemingly clumsy, bass part of the violin brilliant, although important, but hidden in the multitude of instruments.

This will help the other sisters to play the concerto, and it will also highlight the importance of the double bass.

Compared with Qin Fangge's painstaking efforts, the Jinse Huanian Folk Music Ensemble composed for them is a difficult performance of the double bass in it. The soundtrack of this "Knight's Journey" can be regarded as simple and concise.

However, Han Wei still played with great spirit, as if she was not like this, she was sorry for Li Bai she liked.

In Li Bai's chivalrous thoughts, in addition to happiness and enmity, what he values more is to re-promise and emphasize righteousness. is more able to stand up at the critical moment of the national crisis, risking his life, for the country and the people, peace in the world, and set the troubled times.

The vicissitudes of life she plays on the double bass are also a tribute and praise to this spirit of sacrificing one's life. Of course, when passion is needed, even if it is a double bass in the bass part, Han Wei can play wonderful music with the help of her sisters. Although at that time, she would also take the initiative to take a back seat and leave the passionate melody to the instruments of the other sisters.

For example, in Qin Fang's song recitation of "White Horse Chapter", he was particularly chic and happy, and the high-spirited "Dragon Horse Flower Snow Hair, Golden Saddle Wuling Hao." Autumn frost cut jade sword, sunset pearl robe", and singing, "Zhao Keman Hu Ying, Wu Hook Frost Xueming." When the silver saddle shines on the white horse, sassy like a meteor", Xie Xiaojuan's dulcimer, instead of the double bass, is responsible for the main accompaniment, in order to match the high mood of Qin Fang's singing or singing.

Later, he began to chant, "Go to Hangu with anger and go to Lintao from the army." After a hundred battles, the Huns fled. At that time, Han Wei's double bass returned to the position of the main accompaniment.

In the main song "Chivalrous Journey" sung by him, the strengths of Han Wei and the instruments in her hands have been greatly played.

With a strong sense of historical vicissitudes and taking the ancient chivalrous warriors as an example, Qin Fangge did not sing with the tenor he was most proud of. Instead, he changed it to a baritone to interpret what Li Taibai, a swordsman, wanted to express in his mind, his chivalrous thoughts.

In this work, Qin Fangge perfectly interweaves "White Horse Chapter" and "Chivalrous Journey". It's not like the previous two "Martial Soul" songs, with the white in front and the song behind.

He himself felt pretty good, and the other girls also said it was wonderful.

But as they expected, such a work is still too lofty. It's not easy to understand these two poems, let alone like him, which are mixed together and sung into songs.

In Huang Zewen's words after listening to it, "Wonderful, very exciting, it can be regarded as the first in martial arts songs." Li Taibai's pride and ambition are really not comparable to others!"

Du Rui calmly analyzed, "Wonderful is wonderful, but the popularity is destined not to be high, just ask now, like Qin Fangge, how many people can perfectly control this work." ”