In the practice room, Yi Shuihan looked at the person in the mirror.

There is a little elegant temperament in his expression, there are sad and proud eyes between his eyebrows, and his gestures are soft but full of emotion......

There is no original Yi Shuihan, only a sad and distressed Cheng Dieyi.

"What is from the beginning. From the beginning to the end, it is a lifetime. One year, one month, one day, one hour is not a lifetime ......"

Yi Shuihan read this line, but he was a little stupid in his heart, not because of Cheng Xiaolou, but because of Cheng Dieyi.

From the very beginning, Cheng Dieyi was a simple but somewhat tough person.

"I'm a man, not a woman" Yi Shuihan remembered this line again.

Cheng Dieyi was forced by her master to sing Kunjiao since she was a child, but she would say this sentence every time.

He is for the little stone, for the senior brother who has always taken care of him and cared for him.

Later, he stayed for the sake of the overlord Duan Xiaolou, and willingly sang later: I was originally a female Jiao'e, not a man.

Cheng Dieyi didn't know that after that, all his moods and emotions were gently subverted in this sentence.

Since then, Xiaodouzi has become Cheng Dieyi, or, more precisely, just "Yu Ji".

Although he also played "The Drunken Concubine" and played the "Peony Pavilion", his wish was just to stay with his overlord and sing a lifetime of plays, as the master said in the past - from the beginning to the end.

But as Duan Xiaolou said, he forgot that drama and life are two different things, and he pours all the thoughts and emotions in the play into life, so stubborn and obsessive.

At this point, Cheng Dieyi and Yi Shuihan have a lot in common, or they are very similar to Yi Shuihan in the previous life.

Cheng Dieyi was obsessed with singing and madness, and regarded Peking Opera as his own belief, and even died in the arms of the overlord because of this...... It's just that Yu Ji is the real Yu Ji, but the overlord is a fake overlord......

And Yi Shuihan in the previous life was also crazy about acting, he took acting as his lifelong pursuit, and there was nothing else.

So after he was disfigured by the fire, he stepped up to the top floor of the fifteenth floor, and the cool breeze was blowing.

In a trance, he saw the pitch black downstairs again, and the soldiers were coming.

He glared angrily and shouted: "How can my dignified overlord who went west to destroy Chu die at the hands of such a lowly and stumbling person like Gou Jian!"

then jumped down, and until the moment before his death, he was still alive in the play.

The so-called crazy devil is nothing more than that!

It's just that Yi Shuihan after being reborn has a lot of worries and thoughts, so he can bring back Yi Shuihan who is deeply trapped in the play again and again.

But because he has the same persistence, emotions and feelings, he has a particularly deep understanding of the role of Cheng Dieyi!

Looking at himself in the mirror, he couldn't even tell whether the person inside was Yi Shuihan or Cheng Dieyi many times.

Yi Shuihan picked up a prop sword, his expression was a little trance, this would be the sword that Cheng Dieyi killed himself in the play...... It's also the one he sent Duan Xiaolou!

"Senior brother, I'll give you this sword"

Xiao Lou's joke was remembered by Cheng Dieyi for a lifetime.

In the script, the overlord said: If there was this sword, Liu Bang would have been cut down a long time ago, and when the time comes, then you will be the mother of the palace.

Cheng Dieyi was stunned for a moment, "Senior brother, I will give you this sword." ”

For a joking promise, what is this promise? He searched for this sword all his life.

This is an obsession of Cheng Dieyi, mourning only the life you have adhered to, but he is careless.

Until the appearance of Juxian, until this famous prostitute robbed his "overlord".

I don't know why, when I saw that everyone in the script congratulated Duan Xiaolou on marrying Juxian, and Cheng Dieyi suddenly opened the door and quietly appeared in the lively crowd, Yi Shuihan felt deep regret and sadness in his heart.

He was moved by the character's simple persistence, so much so that he always had sympathy and regret for the most injured person in this entanglement.

Except for Duan Xiaolou, Peking Opera should be the most difficult thing for him to give up.

In fact, the fact that people and dramas are not divided can also reflect his obsession with drama from another side.

Cheng Dieyi sang for the Japanese, at first just to rescue Duan Xiaolou, but Aoki's respect and love for Peking Opera made him feel relieved.

In contrast, the so-called "labor ~ people" represented by Duan Xiaolou and Xiaosi show a ridiculous ignorance.

Until the end, after all kinds of hardships, Dieyi and Duan Xiaolou stood on the stage again.

The two teamed up again to start the "Farewell My Concubine" that witnessed all their ups and downs and all their mood stories.

When Duan Xiaolou suddenly sang "I'm a man", Dieyi's natural interface: it's not a female Jiao'e.

Duan Xiaolou just said, wrong, wrong.

Cheng Dieyi suddenly woke up at that moment: the emotions that have been indulged in the play for many years turned out to be just "wrong, wrong again".

He finally had no choice, calmly drew his sword, and fell to the ground under the sword that had witnessed the whole story of their brother from beginning to end.

It's so calm, it's not alarming.

Eventually, he betrayed his emotions in his sobriety, or perhaps he had done it all over again......

Just because, he appeared in front of his senior brother as a "little bean", and he also died as a restored "little bean......

It's sad, it's a pity, it's pitiful, it's a pity......

Yi Shuihan put down the script, but he couldn't let go of Cheng Dieyi in his heart!

Affected by this role, Yi Shuihan's mood was a little low, and even when He Ke asked him to discuss things, Yi Shuihan still did not get out of this heavy emotion.

As the director of the movie, He Ke naturally saw at a glance that Yi Shuihan was in a state of entering the play at this time.

He is naturally not worried about Yi Shuihan's acting skills, but he also did not expect that Yi Shuihan would indulge in the role in the play so early - the crew has just been prepared, and the actors have not yet been selected......

He was a little worried that Yi Shuihan entered the role too early, and this state was often interrupted, and he would not be able to find his state when filming in the future.

Another worry is Yi Shuihan's body...... Being immersed in the role of Cheng Dieyi for a long time is not a good thing for the actor himself!

Out of kindness, he reminded Yi Shuihan, but his mind was full of Cheng Dieyi, where could Yi Shuihan listen.

Heck had no choice but to sigh secretly and let him go!

Perhaps, it is precisely because of his attitude that he has been able to achieve such great success at this age......

And he came to find Yi Shuihan this time, naturally because of the selection of the crew's actors.

Compared to other films, the actors in this movie need to spend more time and more effort to figure out the characters.

Especially the characters of different ages in the long span of the film.

Neither Yi Shuihan nor He Ke will treat this movie as an ordinary commercial movie.

Therefore, both of them are extremely cautious in the selection of actors.

(End of chapter)